BOOK: “This and That” by Ryōkan [trans. by Stan Ziobro and John Slater]

This and That: Selected Short Poems of Zen Master RyokanThis and That: Selected Short Poems of Zen Master Ryokan by Ryōkan
My rating: 5 of 5 stars

Publisher Site — Monkfish Books

Release Date: March 24, 2026

This is a new selection of Ryōkan’s short poetry (haiku, tanka, and Chinese-Style poems) as translated by Stan Ziobro and John Slater. Ryōkan was a Buddhist monk who lived across the late 18th / early 19th century. These translations are evocative and present the sometimes whimsical and sometimes haunting work of Ryōkan well. While the forms are just three, i.e. haiku, tanka, and kanshi [Japanese Poetry in the Chinese Style,] the style varies, some being imagist and some being more philosophical. Being a monk, Ryōkan’s work is heavily influenced by a Buddhist worldview, as well as by philosophies that interacted with Buddhism — e.g. Taoism.

While I usually have no basis to judge a translation as translation and am left to reflect on it purely as stand-alone verse, in this case, I have enough experience reading translations of Ryōkan to have a feel for his work. I immediately recognized some of Ryōkan’s more famous poems: e.g. the one’s translated in this book as, “Poems? no way // when you see that my // poems aren’t poems // then we can talk poetry” or “Left behind by thief // bright moon // in my window” Yet, at the same time, I felt the translators left some of their own imprint on the poems, and their influence / voice resonated with me.

The book does have front matter to set the stage for readers, and there is a “Notes” section that includes useful background on the poems. I found this ancillary matter useful, but not excessively verbose or intrusive.

If you enjoy Japanese poetry or Buddhist influenced poetry, I’d highly recommend this selection.

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Calabash Time [Kyōka]

bowl in the right
calabash in the left:
drunkard empties
& then fills his cup --
amid missing time.

That Time of Day [Tanka]

once a day
light from the setting sun gleams
off the gold Buddha,
and shines through a window
across the boulevard.

Dragonhead [Tanka]

dragonhead
rises up out of a cloud,
over the city.
how many see the cloud,
but not the dragon?

“Everyone’s Journey” by Sōgi [w/ Audio]

Everyone's journey
through this world is the same,
so I won't complain.
Here on the plains of Nasu,
I place my trust in the dew.

NOTE: This translation by Sam Hamill in The Poetry of Zen (2004) Boston: Shambhala, p. 131.

Temple Mural [Tanka]

a temple mural
shows monk and novice
admiring Fall leaves,
as I admire the mural -
surrounded by Spring green.

BOOK: “The Poetry of Zen” Ed. / Trans. Sam Hamill & J.P. Seaton

The Poetry of ZenThe Poetry of Zen by Sam Hamill
My rating: 5 of 5 stars

Publisher Site – Shambhala

This poetry anthology consists of translations of Chinese and Japanese poetry that play in the Zen aesthetic. They are not Zen Buddhist poetry in the sense of being sutras or sutra-like expositions on Buddhist philosophy or theology (at least, not mostly.) And while there are many monks and Buddhist layperson poets represented, not all of those included were Buddhists. (In fact, there is even some verse from the Daodejing included, though Taoism is certainly philosophically related to Zen.)

About half the book is Chinese poetry, including pieces from Han Shan, Li Bai, Bai Juyi, Wang Wei, Du Fu, and many other greats of Chinese poetry. (Note: my spellings of author names varies from those used in the book because Hamill and Seaton use Wade-Giles spellings.) The other half of the book consists of works by Japanese poets, including: Saigyo, Dogen, Basho, Ryokan, Buson, Issa, and others. The Japanese part includes a few haibun (prose poems interspersed with haiku,) adaptations of Chinese-style poems, as well as the various Japanese fixed form styles (i.e.. haiku, tanka, etc.)

The two translators, Sam Hamill and J.P. Seaton, initial the poems that each translated (some were dually translated and others singularly.) I enjoyed the translations and felt they were fine reading in their own right. With haiku and tanka, the translators stuck fairly close to the traditional form (in as much as the aesthetic could be maintained doing so,) but with Chinese lyric styles they often took a freer approach to form.

If you’re interested in poetry that conveys Zen sentiment, this book is worth investigating.

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Family Resemblance [Kyōka]

Chinese temple pond:
dragonhead tortoise sculpture.
live turtles swim
and sun in those waters.
do they see the likeness?

Lanterns [Kyōka]

rows of lanterns —
a jack-o-lantern patch —
lights the temple
on a dark, rainy night;
rain splats on a tin roof.

Pillbox Bunker [Tanka]

pillbox bunker from
a war a lifetime ago
sits in a field.
what the farmer must think
as he plants around it.