When am I coming home? I don't know. At Bashan, night rains swell Autumn ponds. Recall, candles in your West Window? Ah, through night rains, to talk and bond!
The original in Simplified Chinese:
君问归期未有期, 巴山夜雨涨秋池。 何当共剪西窗烛, 却话巴山夜雨时?
Note: This is poem #298 of the 300 Tang Poems [唐诗三百首.]
After choosing one's scope of thought, Turn the words and note their order. Embrace the hot ones, feel their burn; Knock on lines and hear their timbre. Use the branches to shake the leaves, And waves can be traced to their source. Make the hidden come visible; Make the difficult seem simple. A tiger's transformation startles -- Birds take flight on sight of dragons. Sometimes words nest into each other; Sometimes, jaggedly, they won't mesh. With a clear, contemplative mind Hordes filter through to easy speech. Heaven and Earth contained within: All things flow from the brush with ease. Starting timidly with dry mouth, Ending with a wandering brush. Meaning is borne by a stout trunk, Language hangs like leaf and fruit. Make words and intended meaning match As moods show clearly on a face. When happiness comes, laugh & smile, And with sorrow let loose a sigh. At times words flow spontaneously; At times one bites one's brush, musing.
Yan grass shimmers like silken jade. Qin mulberry trees' green leaves droop. Your homecoming is now at hand As heartbreak has me thin and stooped. Spring Winds and I are strangers -- Why, past my curtains, the inward swoop?
Chinese Title: 春思; Original poem in Simplified Chinese:
Slender grass waves in a light breeze; Tall-masted boat rocks in the night. Stars hang low, over the vast plain; The river moon struggles for height. I'll never gain fame by the brush -- Too old for civil service posts... Wading, wading, what am I like? A sandpiper on the mud coast!
Close your eyes and listen with care. Turn all your attention inside. Let your soul ride the Eight Borders At a galloping stride.
Inner space brightens, becomes more Compact, as one views the expanse. Words pour forth to cleanse the soul, As the Six Arts lend a fragrance.
Float, swim, and dive in the abyss, Heedful for words as it all soaks in... Sometimes the right word must be hooked, And hauled up where it can be spoken. But, other times, words are like birds, That fly themselves out of the clouds, To be downed by one swift arrow -- Quite willingly freed of their shrouds.
Mine for lines lost ages ago -- Rhymes unsung for ten centuries. Thank tight buds for the sweet flowers That they - soon enough - will be.
See past and present concurrently, At once, touch mountain and sea.
The poet stands in the Center And stares into deep mysteries. He's nourished by reading Classics And tombs of the men in Histories. He sighs as four seasons pass by And thinks upon ten-thousand things. He's saddened by Autumn's leaf drop And gladdened by the tender Spring. He feels Winter's frost on his heart, Though his mind may be up in a cloud. And when he sings of ancestors' Heroic deeds, he belts the song aloud. He combs through great literature Just as he roams the forest wild, But in search of a "natural" -- Shown in elegant phrase and style. And it's just such thoughts and feelings That set my brush and mind wheeling.
Asleep on a leaf beneath lotus blooms, Their fragrance floats across the misty lake. Sudden rain - taps upon the canopy; Its sound snaps me from sleep to wide awake!
The lotus is beaded with rain droplets -- Like pearls, drops roll together and apart; The clear blobs coalesce like mercury, Dripping to the river... back to their start.
The moon sets; crows caw below frosty skies. Boats, moored to maples -- lamps glow like cat eyes. Cold Mountain Temple, outside Gusu's bounds: The midnight bell cuts off soft water sounds.
The great road has no gate. It leaps out from the heads of all of you. The sky has no road. It enters into my nostrils. In this way we meet as Gautama's bandits, or Linji's troublemakers. Ha! Great houses tumble down and spring wind swirls. Astonished, apricot blossoms fly and scatter -- red.
Translated by Mel Weitsman and Kazuaki Tanahashi; printed in: Essential Zen. 1994. HarperSanFrancisco, p. 136.
Note: While Rujing was Chinese he was teacher to the prominent Japanese Zen Teacher, Dōgen Zenji, the latter published this and other poems, hence the dual categorization of it as Chinese and Japanese Literature.
I remember viewing the West Lake While leaning on a pagoda rail. The boats all clustered in threes or twos. The islets under deep Autumn blues.
Flute song arose from among the cattails. And a line of white birds - overhead - sailed. I planned to fix my old fishing pole, but clouds on water had my mind & soul.