DAILY PHOTO: Scenes from Kuang Si Falls

“Song of the Open Road” (1 of 15) by Walt Whitman [w/ Audio]

Afoot and light-hearted I take to the open 
road,
Healthy, free, the world before me,
The long brown path before me leading
wherever I choose.

Henceforth I ask not good-fortune, I myself
am good-fortune,
Henceforth I whimper no more, postpone
no more, need nothing,
Done with indoor complaints, libraries,
querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to
them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them
with me wherever I go,
I swear it is impossible for me to get rid of
them,
I am fill'd with them, and I will fill them in
return.)

BOOKS: “Jñāna-Yoga: The Way of Knowledge” by Ramakrishna Puligandla

Jnana-Yoga--The Way of KnowledgeJnana-Yoga–The Way of Knowledge by Ramakrishna Puligandla
My rating: 5 of 5 stars

Google Books Page

This is one of the most useful books I’ve read on the topic of Jñāna-yoga — the approach to yogic philosophy employed by the studious / inquisitive (in contrast to Bhakti-Yoga [the yoga of those for whom faith and devotion works] and Karma-Yoga [the yoga for those for whom a course of self-less action appeals.]) There are Jñāna-yogic Hindu sects and Buddhism — in general — can be thought of as a school of Jñāna-yoga. The author draws from the teachings of both, principally Sankara for Hindu thinking and Nagarjuna for the Buddhist approach.

A word of warning, the author is a scholarly philosopher, and so — while not as unreadable as many works of academic philosophy — it will be a slog for those who are not used to reading scholarly writing.

That said, Puligandla does a fine job of laying out what he views as the central tenets of Jñāna-yoga in a concise fashion and reviewing them at the end. This is not to say I would agree with all that he proposes, herein. In particular, his Chapter 3 conclusions about consciousness are insufficiently justified to be considered core principles of Jñāna-yoga (in my view.) Of course, the beauty of Jñāna-yoga is that it not only doesn’t insist upon coming to the same conclusions, it generates explanations as to how it’s perfectly possible / reasonable to come to different conclusions (see “The Principle of Superimposition,” herein.) Furthermore, since the author is reporting the ideas of Sankara and Nagarjuna, I can’t really hold these ideas against him.

If you’re interested in Jñāna-yoga, and can handle scholarly prose, I’d highly recommend this book.

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“Some keep the Sabbath going to Church –” (236) by Emily Dickinson [w/ Audio]

Some keep the Sabbath going to Church --
I keep it, staying at Home --
With a Bobolink for a Chorister --
And an Orchard, for a Dome --

Some keep the Sabbath in Surplice --
I, just wear my Wings --
And instead of tolling the Bell, for Church,
Our little Sexton -- sings.

God preaches, a noted Clergyman --
And the sermon is never long,
So instead of getting to Heaven, at last --
I'm going, all along.

DAILY PHOTO: Luang Prabang from Phousi Hill

A Day’s Last Gasp [Haiku]

warm pre-dusk light
glows through yellow blossoms;
sundown sneaks nearer.

“The Joy of Words” by Lu Ji [w/ Audio]

Writing is joy --
so saints and scholars all pursue it.

A writer makes new life in the void,
knocks on silence to make a sound,
binds space and time on a sheet of silk
and pours out a river from an inch-sized heart.

As words give birth to words
and thoughts arouse deeper thoughts,
they smell like flowers giving off scent,
spread like green leaves in spring;
a long wind comes, whirls into a tornado of ideas,
and clouds rise from the writing-brush forest.

Translation by Tony Barnstone and Chou Ping in The Art of Writing (1996) Boston: Shambhala.

DAILY PHOTO: Wat Lat Krabang

BOOKS: “The Romance of the Three Kingdoms” by Luo Guanzhong

Three Kingdoms (4-Volume Boxed Set)Three Kingdoms by Luo Guanzhong
My rating: 5 of 5 stars

Publisher Website – Penguin

The edition that I read was the Penguin abridged version that fits this sprawling epic into a single volume of a little over 600 pages. This is one of the four Great Classics of Chinese literature (along with Journey to the West, Water Margin, and Dream of the Red Chamber.) It offers a fictionalized telling of a period of Chinese history featuring a three-way civil war, especially centered upon the Han attempt to maintain its Imperial line against challengers, a fight that would ultimately end in the reunification under the Jin.

I’ve loved reading the Chinese classics. While this book and Water Margin feature massive ensembles of characters and could become clunky and cumbersome to read, they don’t because stories are told in intense battle-sized chunks and with a profound capacity to build character hooks that maintain clarity despite so many characters.

I would break this book up into three parts. The first (and by far the bulk of the story) focuses on a trio of great warriors that form a kind of blood-brother pact: Xuande, Guan Yu, and Zhang Fei. Under Xuande’s leadership, these men fight to keep the Han imperial line intact. (It’s fair to say it could also be seen as focusing on the opposition to these men, notably Cao Cao.) The next bit continues the action as the masterful strategist, Kong Ming, tries to keep the wheels rolling on Xuande’s army after the dramatic deaths of the aforementioned trio, and finally there is a section in which it is as though all the great warriors are gone, resulting in an inevitable reunification as there are no longer those who can fight insurmountable odds. As I describe it, it might seem anticlimactic, but it is far so, but I would count it a tragedy.

To me, this book read more like historical fiction than did Water Margin, the latter (also excellent) is almost like fantasy: its characters are so much larger than life as to be veritably superhuman. That said, this novel does feature some magic, but the characters feel much more life-sized — if not without a measure of grandiosity.

I’d highly recommend this book for readers of historical fiction. It’s highly engaging and readable, despite being long and of epic of proportions.

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