Category Archives: Review

BOOK REVIEW: Book of Haikus

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Book of HaikusBook of Haikus by Jack Kerouac
My rating: 5 of 5 stars

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For a guy who didn’t realize “haiku” was singulare tantum (like “deer,” having only a singular form,) Kerouac crafted poignant and evocative haiku. This Beat writer, best known for his semi-autobiographical novels (e.g. On the Road and The Dharma Bums) sought to create a sub-form that he called “American Haiku.” Like many English language haiku poets, Kerouac abandoned the 5-7-5 syllable format, but where others traded in the rule for a more English-friendly one (e.g. 2-3-2 stressed beats,) his American haiku used three simple lines and no strict counts. [Note: The relatively long syllables of English can cause the stark, sparse feel of Japanese language haiku to be lost.]

Lest one think this Beat poet jettisoned all the rules, he’s truer to the rules of content than to those of form. He uses season words widely in evoking a state of mind. Also, he sticks to pure observation to a surprising degree. [Traditionally, haiku merely suggested imagery, letting readers reach cognitive and emotional insights on their own.] There are some poems that are actually senryū [a poetic style that is the same as haiku in form, but which deals in humor and human foibles,] but not as many as I expected. Kerouac deals much less in political rage and shocking content than his Beat contemporary, Allen Ginsberg.

To give a taste of his haiku, here are a couple fine examples:

One flower
on the cliffside
Nodding at the canyon

Birds singing
in the dark
In the rainy dawn

I delighted in this collection. It reflects Kerouac’s Buddhist insights, plays off the work of Japanese haiku masters, and blends classic haiku with rare touches of uniquely American irreverence. I’d highly recommend it for poetry readers.


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BOOK REVIEW: Indian Philosophy: A Very Short Introduction by Sue Hamilton

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Indian Philosophy: A Very Short IntroductionIndian Philosophy: A Very Short Introduction by Sue Hamilton
My rating: 4 of 5 stars

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A concise guide to Indian Philosophy is a tall order. Over millennia, the discipline has had time to swell. This necessitated some careful pruning and selection on the part of the author. While the book does present key distinctions between all six of the orthodox schools of Indian Philosophy (i.e. Nyaya, Vaisheshika, Samkhya, Yoga, Mimamsa, and Vedanta,) the only one of the heterodox schools that it substantially addresses is that of Buddhism. (There are three major heterodox schools of Indian Philosophy by most accounts – Caravaka, Buddhist, and Jain, though some also include Ajivika and Ajnana to make five.)

This book focuses on the most novel ideas of each of philosophical schools under study, and it particularly focuses on points of debate where there is disagreement within or between schools. The book, therefore, moves metaphysics, ontology, and epistemology, but doesn’t explore all major philosophical questions for all the schools.

If you’re looking for a book that sums up the key points of debate between and within major schools of Indian philosophy, this is a great book. It does the job quite well and with a minimal page count. If you need a book that offers insight into more than the major points of contention, but extends into a given school’s stance on some of the less provocative questions, I’d recommend Chatterjee and Datta’s “An Introduction to Indian Philosophy” (it’s much longer and denser, but dives deeper and farms wider.)

I like how this book was organized and thought it did a good job of being both concise and clear (a duo that doesn’t play well together with regards complex philosophical subjects.)

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BOOK REVIEW: The Complete American Gods by Neil Gaiman; Adapted by P. Craig Russell

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The Complete American Gods (Graphic Novel)The Complete American Gods by Neil Gaiman
My rating: 5 of 5 stars

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Out: September 28, 2021

This is the graphic novelization of Neil Gaiman’s brilliant story “American Gods.” The tale begins with the protagonist, Shadow Moon, being released a few days early from his prison sentence to attend the funeral of the wife whom he has been longing to see. On the flight home, he sits next to a gregarious man named Wednesday who offers him a job and who knows way too much about Shadow. While Shadow initially rejects the offer, Wednesday is relentless. When Shadow finally gives in, he’s introduced to a world where nothing is as it seems, a world of gods, demi-gods, and folklore heroes.

The premise is simple, but magnificent. America is a hard land for gods. The country’s melting pot nature makes for so many old gods: Native American gods, Norse gods, African tribal gods, pagan gods, Hindu gods, Slavic gods, etc. Then there are the new gods like “technology” and “media.” Comparing the average American’s screen time versus time in church or in prayer, it’s not difficult to tell which side is winning the war for the affection and attention. Still, the new gods exist in an ephemeral landscape. So, Wednesday is going around trying to build support among old gods for a war between the old and new gods — no easy task as a self-confessed con man.

It’s been a while since I read the novel, but this adaptation felt true to my recollection of the original story. It seems closer to the original than, say, the Amazon Prime series (which I also enjoyed, but which often diverges, particularly to build out some of the secondary characters’ arcs.)

This is definitely worth a read, whether you’ve read the novel or not. The artwork was well-done, and I highly recommend it.

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BOOK REVIEW: Proust & the Squid by Maryanne Wolf

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Proust and the Squid: The Story and Science of the Reading BrainProust and the Squid: The Story and Science of the Reading Brain by Maryanne Wolf
My rating: 5 of 5 stars

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Time to get meta, and do some reading about reading. Wolf’s book explores the neuroscience of reading, the evolution of writing systems, and what keeps some children from learning to read as rapidly as most. If you’re wonder about the seemingly arcane title, Proust’s essay “On Reading” planted a seed of thought that would become this book. The squid bit reflects the aquatic creature’s famous neurological adaptability, which is also witnessed in the learning human brain. Reading as both a mystic experience and as the unanticipated consequence of an extremely plastic brain are among the book’s recurring themes.

Another recurring idea is that reading has a cost. This view was famously expressed by Socrates, who believed reading would contribute to diminished memory, intellectual laziness, and other problems. Wolf reflects upon Socrates’ criticisms, but also draws a parallel between Socrates’ ideas on the subject and the present-day argument that the internet / social media is driving us inexorably and inevitably toward an “Idiocracy” type world.

The parts of the book that deal with the neuroscience of reading do get a bit complicated. It would be hard for them not to as reading is a complex task unfolding within the most complex system that we know of. However, wouldn’t say that this book is any more dense or incomprehensible than most pop neuroscience books – especially as it’s mixed in with less challenging material.

My understanding of dyslexia (Ch. 7 & 8) grew considerably while reading this book. I learned that it isn’t a unitary affliction, but can come about at any of a number of cognitive tasks that have to transpire during reading.

If you’re interested in how humanity learned to read, the benefits and costs of this capacity, and what dyslexia really is, this book is definitely worth reading.

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BOOK REVIEW: Neil Gaiman’s Neverwhere Adapted by Mike Carey

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Neil Gaiman's NeverwhereNeil Gaiman’s Neverwhere by Mike Carey
My rating: 5 of 5 stars

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This is a graphic novelization of one of the greatest urban fantasy novels, ever. While it’s been a while since I read the novel, this adaptation felt true to my memories of the original (one of my all-time favorite novels.) Carey did make a perspective shift from the third-person in the book to first-person in the comic book, but, otherwise, the story is substantially unchanged.

The protagonist is Richard Mayhew, a seemingly preternaturally average middle-class Londoner. Mayhew is going about his life as a suit-and-tie office worker with a domineering fiancé when he almost literally stumbles across a wildly-dressed young woman on the sidewalk. Mayhew’s decision to help the young woman will force him to reckon with a London that exists in parallel to the one he knows, a London of Marquises and angels and monsters and magically-endowed thugs for hire – any (or all) of which may present hazards to his health and well-being. The young woman is the last remaining heir to an important aristocratic family of London Below, and her problems are more dire than being passed out on the sidewalk.

Despite having read the novel, I enjoyed the graphic novel immensely and found it well worth retaking this beautifully rendered trip through the looking-glass into the London that exists beyond our world. This hero’s journey offers a satisfying character arc and many turns and surprises. Even if you’ve read the novel, I’d recommend giving this adaptation a look.

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BOOK REVIEW: The Amazing Adventures of Kavalier & Clay by Michael Chabon

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The Amazing Adventures of Kavalier & ClayThe Amazing Adventures of Kavalier & Clay by Michael Chabon
My rating: 5 of 5 stars

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Escaping 1939 Prague, Joe Kavalier moves in with family in Brooklyn, becoming fast friends with his younger cousin, Sam Clay. Combining their talents, Joe as artist and Sam as writer, the young men create a number of popular comic book characters. For those unfamiliar with comic book history, a major stream running through this story involves the trials of “work for hire.” Because of the nature of comic book publishing, creative types tended to work on salary (giving the publisher all rights to whatever was created – e.g. TV shows, toys, etc.) Because of this, the creators of some of the most lucrative characters and stories received little credit or financial reward (relative to the profits.) While these artists / authors didn’t lose their shirt if a title failed, there’s something offensive about Corporations (or actors) shoveling in money from a franchise while the creator lives a dank suburban existence.

If it were just about the unfair lives of comic book creators, the book would be interesting — but not 600+ pages interesting. What makes this a compelling story is that each of the titular characters has a darker challenge with which to deal. For Joe, it is an obsession with bringing as much of his family to safety as he can, and coping with his rage against the Nazis. For Sam, it is the fact that he is a closeted and conflicted gay man in 1940’s and 50’s America. The driving question is whether the two men will be able to avail themselves of the tripartite support network (themselves, plus Rosa – Joe’s girlfriend,) or whether either (or both) will self-destruct because of an inability to do so.

This is a well-crafted novel and I highly recommend it.

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BOOK REVIEW: Henry VI, Part 2 by William Shakespeare

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Henry VI, Part 2Henry VI, Part 2 by William Shakespeare
My rating: 5 of 5 stars

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Project Gutenberg

Whereas the previous part of this trilogy was a war story largely set in France, this middle section is much about courtly intrigues and more local threats to the Crown. It does see the “War of the Roses” infighting between York and Somerset come to a head, as well as a successful plot by the new Queen and Suffolk (who might be making the beast with two backs) to get rid of the much beloved Gloucester (the King’s protector / advisor.) And there’s a brief but tumultuous rebellion led by a commoner who thinks himself kingly material, Jack Cade.

Despite the fact that the historical events of this play are among the latter half of those covered in Shakespeare’s histories – chronologically — it is believed that this is one of Shakespeare’s first (and, quite possibly, THE first.) Like other early Shakespearean works (e.g. “Titus Andronicus,”) it doesn’t have all the bells and whistles by way of beautiful language. That said, it’s loaded with tension and has elements one might recognize from latter works, such as the comedically capricious nature of crowds. (Shown when the people yo-yo between Cade’s rebellion and the aristocrats who argue for loyalty to the Crown.)

The possibility that this might be Shakespeare’s first may seem unlikely because it turned out to be “Part II.” However, one piece of supporting evidence is the play’s intense cliff-hanger. [Henry VI, Part 1 is comparatively self-contained, but this this part ends with the King being pursued by York’s forces — who’ve dominated in a skirmish against loyalist forces.]

This may be an early play, and – thus — not one of the Shakespeare’s most mellifluous works, but it’s engaging and definitely worth a read.

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BOOK REVIEW: Avadhūta Gītā by Dattātreya

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The Avadhuta Gita - Song of the AsceticThe Avadhuta Gita – Song of the Ascetic by Dattātreya
My rating: 5 of 5 stars

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Free Online: Sankaracharya.com

An Avadhūta is a mystic who’s transcended a dualistic view of the world, avoiding distinctions between self and everything else. Often, these sages are compared to those of various spiritual traditions who display divine madness, theia mania, crazy wisdom, or whatever one wishes to call it (e.g. the Nyönpa of Vajrayana [Tibetan] Buddhism, or sages such as Ikkyu [Zen] or Saint Simeon [Christian.]) That’s because said individuals may behave in ways that seem strange because the conventions of society often doesn’t make sense in the context of the Avadhūta’s worldview.

“Avadhūta Gītā” translates to “Song of the Free Soul,” and it consists of eight chapters of poetry that read like sutras or epigrams (concisely stated bits of wisdom.) The poem can feel a bit redundant as it repeatedly hammers home the experience of a world free of duality and distinction, singing the virtues of oneness in oh so many ways. That said, other valuable lessons are eloquently conveyed throughout. For example, chapter two explains why one shouldn’t worry on the bona fides of one’s teacher, but rather take from him or her what is of use and not worry if a teacher doesn’t know everything. It makes the apt comparison that one doesn’t need a freshly-painted and ornately-trimmed boat to cross the river, anything with essential boat-like qualities will do.

There are many English translations of this poem. I compared two, and they read quite differently but conveyed the same gist. I’m not qualified to speak to how either compared to the original Sanskrit, but I didn’t feel either translation greatly outpaced the other in terms of conveying ideas (though one was more eloquently composed [though arguably with less clarity.])

If you’re interested in Yogic and Indian philosophy, I’d recommend giving this poem a read.

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BOOK REVIEW: Power Born of Dreams by Mohammad Sabaaneh

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Power Born of Dreams: My Story is PalestinePower Born of Dreams: My Story is Palestine by Mohammad Sabaaneh
My rating: 4 of 5 stars

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Out: October 7, 2021

This graphic novel reflects upon the Israel-Palestine conflict through the lens of the author’s (artist’s) time in prison. At first, I found the story to be an evocative personal account of life in prison, but as the story continued it felt progressively less personal and more propagandistic. The central theme is that Palestinians feel imprisoned by circumstance, regardless of whether they are actually in a jail or not.

Still, it’s not the kind of work that will constructively advance a dialogue. It will rub those who sympathize with Israel the wrong way because it’s far from an unbiased account of events, vilifying the Israelis while glorifying (or failing to acknowledge) the Palestinians who engage in violence. This bias is particularly notable in the back matter, which presents accounts that seem journalistic, but which selectively present information to make it appear that all fault lies exclusively on one side.

To be fair, the author spent time in jail for (as best I could learn from the internet) what sounded like consorting with unsavory characters. [Which reeks of Soviet-style “justice,” but the book doesn’t really delve into the reason for his imprisonment, and – even if it did – I’m not sure that I’d trust that it’s the complete truth – given the way the general narrative is presented. So, I couldn’t tell you whether the author is an artist wrongly imprisoned for expressing himself, or whether he did something that was truly and legitimately seditious.]

The art is linocut to create a chiaroscuro effect (i.e. white lines, black background) and is stylistically interesting.

I enjoyed the art and found this to be an interesting read, but I wouldn’t recommend readers take it at face value as a fair account of the conflict, but rather as one man’s personal message about the conflict.

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BOOK REVIEW: Punderworld, Vol. 1 by Linda Sejic

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Punderworld, Volume 1Punderworld, Volume 1 by Linda Šejić
My rating: 4 of 5 stars

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Out: August 25, 2021

Punderworld is a disneyfied telling of the love story of Persephone and Hades from Greek Mythology. I mean that in two ways. First, the art seemed stylistically reminiscent [to my neophyte eye] of a movie like “Frozen” (all the people are preternaturally good-looking / charisma-laden and even the Underworld has the sort of charm that makes it seem like it would be a nice place to visit.) The other sense in which it reminded me of a Disney story is that, while it comes from Greek Mythology, it is written and drawn to maximize resonance with a present-day American reader, and would probably be fundamentally unrecognizable to an ancient Greek even if translated into ancient Greek. (As the “Aladdin” animated movie would not resonate with an Arab viewership as much as it would Americans.) Punderworld could also be thought of as a Rom-Com of the star couple of the Underworld. [I assume the title is a “Branjelina”-like meet cute confection of a word.]

The story dragged a bit in the first half, but made good in the second, and I ended up enjoying the book more than I expected to. If you’re up for a disney-esque telling of this ancient Greek love story, give it a look.


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