Skirmish Line [Haiku]

rainclouds crawl nearer,
like a battle cruiser
 inching towards war.

In the Shadows [Haiku]

Morning Glories sit,
coolly, in the shadow of
Mexican Sunflowers.

“Grass of the Ancient Plains” by Bai Juyi [w/ Audio]

Lush grass covers the plains.
  One year it withers; the next, it thrives.
Wildfires burn, but not to eradication.
   With Spring winds, it's rejuvenated.
Its aroma floats in to subdue derelict paths.
  Vivid green overtakes the ghost town.
I say farewell to departing friends
  as intense feeling swells within.
In Chinese [Simplified]:

离离原上草  一岁一枯荣
野火烧不尽  春风吹又生
远芳侵古道  晴翠接荒城
又送王孙去  萋萋满别情

Sunken Forest [Haiku]

white pillars, once trees,
stand above the water:
 record of what was.

BOOKS: “36 Ways of Writing a Vietnamese Poem” by Nam Le

36 Ways of Writing a Vietnamese Poem36 Ways of Writing a Vietnamese Poem by Nam Le
My rating: 4 of 5 stars

Amazon.in Page

Release Date: March 5, 2024

This is a clever collection of poems, lighthearted in places but raw and incensed in others. (A pacing that I appreciate in poetry collections.) The collection draws heavily on the author’s experience being of Vietnamese ethnicity while growing up in the West. It touches upon the tragedies lived by his elders, but, more so, how his life (and perception of him) has been shaped by war and the diaspora it caused. The collection playfully engages with language and cultural concepts in a way that is interesting and – at times – scintillating.

My main gripe with this collection would be its occasional swerves into the domain of huge, rare, and super-specialized terminology. I enjoy being sent to the dictionary as much as the next person, but in a poetry collection – where evoking emotion is the name of the game – I find it takes me out of the experience.

I enjoyed reading this collection and would recommend it for poetry readers.

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“Trees” by Joyce Kilmer [w/ Audio]

I think that I shall never see
A poem lovely as a tree.

A tree whose hungry mouth is prest
Against the earth's sweet flowing breast;

A tree that looks at God all day,
And lifts her leafy arms to pray;

A tree that may in Summer wear
A nest of robins in her hair;

Upon whose busom snow has lain;
Who intimately lives with rain.

Poems are made by fools like me,
But only God can make a tree.

Cormorant Stitching [Haiku]

a cormorant weaves
into and over water:
no trace but ripples.

Introduction to Myth Making [Free Verse]

From the hilltop,
  one can watch nature reclaim:
 green grows up the glass,
 tufts sprout from each crevice
  and the man-made world is crevice-laden,
 one seed blown into a mortar crack
  will become a wedge --
   a sprout that splits stone.

Concrete and steel prove
  digestible:
  time, water, oxygen,
 the enzymatic requirements are few.

Fungi blooms from a pile-full of dung.

I don't know whether it's a desirable meal,
  whether our trappings & vestiges are
  haute cuisine,
   or merely a meal
   of convenience.

This place was once with us.
 Now, it's hidden so well
  that it's become a myth,
 a once firm and tangible thing --
  now invisible & conceptual.

Nature swallowed our world
 and farted our mythos.

“O sweet spontaneous” by E.E. Cummings [w/ Audio]

O sweet spontaneous
earth how often have
the
doting
   
    fingers of
prurient philosophers pinched
and
poked

thee
, has the naughty thumb
of science prodded
thy

  beauty  how
often have religions taken
thee upon their scraggy knees
squeezing and

buffeting thee that thou mightest conceive
gods

  (but

true

to the incomparable
couch of death thy
rhythmic
lover

  thou answerest

them only with

  spring)

River Ripples [Haiku]

ripples march
across the glassy river --
 faced by a reed phalanx.