PROMPT: Security or Adventure?

Daily writing prompt
Are you seeking security or adventure?

Uh, we are all seeking both. That is the fundamental strain of being human — the struggle between a need for novelty and a need for familiarity. We are all both tribesman and traveler — though in varied proportion. I love the traveler more in my own particular self.

PROMPT: Comfort

What strategies do you use to increase comfort in your daily life?

I don’t, but I have a lot of strategies for being more content in the face of various situations and environments — including uncomfortable ones. These include the yogic practice of dispassionate witnessing, minimalism, travel (and specifically minimalist travel to places – the less familiar the better,) and intense physical activity.

I think comfort as a major objective in life is overrated, and virtually insures a discontented life. A life in which one can be content, whatever may come along, is a happy life.

Solid Ground [Free Verse]

sole to cold earth:

it's the only way i know
 the limits of this world.

feet pressing into this globe
 are my tether to reality.

any other way, and the world
  could stretch forever.

the feel of my weight,
 popping to heel or ball:
  pronating & supinating,
  rolling & reaching,
   in dance or destruction --

 feet leaving the cold earth
  always reorient to the planet.

Five Wise Lines from Shakespeare’s Hamlet

We fat all creatures else to fat us and we fat ourselves for maggots… a king may go a progress through the guts of a beggar.”

HamLet to Claudius in Act IV, Sc. 3

One may smile, and smile, and be a villain.

Hamlet to Queen Gertrude in Act I, Sc. 5

I could be bounded in a nutshell and count myself a king of infinite space, were it not that I have bad dreams.

Hamlet to rosencrantz & Guildenstern in Act I, sc. 2

Brevity is the soul of wit.

Polonius to claudius & gertrude in act II, sc. 2

A knavish speech sleeps in a foolish ear.

hamlet to rosencrantz in act IV, Sc. 2

The Abyss [Free Verse]

Nietzsche said:

“And if thou gaze long
   into an abyss,
  the abyss will also
    gaze into thee.”


I must admit
   the first several times
    that I read this quote,
  I couldn’t tell if it was wise,
    or just had the patina of
     wisdom that comes from 
     parallel sentence structure.

Crisscrossing subject and object
    lends a ring of sagacity.

“If you can’t take 
    Mohammad to the mountain,
  the mountain must come to
    Mohammad.”


“Ask not what your country 
    can do for you,
  but what you can do 
     for your country.”


“If you can’t get the carrots 
    out of the refrigerator,
  get the refrigerator 
     out of the carrots.”


Yes, that last one is nonsense, 
    but it’s not nonsense like:

“The banana pirouetted fuchsia
     all over the underside of
      an A-sharp chord.”

The carrot quote probably took
     your mind some time —
      if only milliseconds —
       to relegate to the
        trash heap. 

That’s why this sentence structure 
     is beloved by godmen &
      politicians: because you can 
       sound wise even if you’re 
       kind of an idiot.

So, I was ready to classify Nietzsche’s 
     quote pseudo-wisdom when I realized 
      that my smartphone was the Abyss, 
       and it was certainly staring back at me.

  It stared through all the data collection &
     neuroscientific and psychological
      research designed to keep 
       a person scrolling.

Maybe Nietzsche was on to something
    that even he didn't fully understand. 

PROMPT: Romantic [Or, romantic]

Daily writing prompt
What’s your definition of romantic?

Depends on the context. If I’m thinking about poetry or philosophy (which I often am,) then it pertains to the early nineteenth century movement that counterpoised the Enlightenment. Those “Romantics” disliked what they saw as the cold rationality of Enlightenment thinking; they valued spiritual and mystical experiences, and they believed it was important to not throw out the spiritual “baby” with the bathwater. That is, like many Enlightenment thinkers, they realized that it was necessary to jettison many of religion’s noxious ideas (e.g. the concept of “chosen people”) and also realized that mindlessly following moral dictates that may or may not have made sense in the pre-Christian Levant could be detrimental to their present-day life experience. However, unlike most Enlightenment thinkers, they did find value in spiritual views of the world as well as in the pursuit of mystical experiences. William Blake (even though he is often labeled pre-Romantic) provides an excellent example. His poems are spiritual to the core, and yet explicitly reject a lot of the moralizing and toxic aspects of conventional religion.

Of course, that variety of “Romantic” is usually given a big-R, and so I suspect the question is after a more colloquial definition. With that in mind, I believe “romantic” means “that which facilitates the unity of two (or more, I don’t judge) people in an immersive intimate experience of each other during a common period of time.” I’m not big on trappings. I think people obsess over trappings because it allows them to slack on the physical / cognitive demands of being fully engaged. This is why sex (done well) is such a great tool both for relationship building and for personal development. It makes it relatively easy (i.e. rewarding) to stay fully engaged in a common experience and in the moment, and to not fall into the attentional abyss.

PROMPT: Self-Care

Daily writing prompt
How do you practice self-care?

1.) Move my body often and with vigor. 2.) Eat my veggies. 3.) Rest as though it’s an essential part of the process of living (i.e. not as though it’s goofing off between “doing stuff.”) 4.) Drop anything without value, making personal development as much a process of stripping away as it is of adding to.

Feel the Breeze [Free Verse]

Feel the breeze upon your face.
 Let it be all you know.

Don't ponder atmospheric lows.
 Just feel the breeze upon your face,
         and know:

There is a breeze.
         (Though it may not be
           what you think it is.)
 You have a face.
         (Though it may not be
           what you think it is.)

Five Wise Lines from Chōmei’s Hōjōki

drawing by Kikuchi Yōsai

On flows the river ceaselessly, nor does its water ever stay the same.

 Kamo no Chōmei, Hōjōki

No one owns a splendid view, so nothing prevents the heart’s delight in it.

Kamo no Chōmei, Hōjōki

Knowing what the world holds and its ways, I desire nothing from it, nor chase after its prizes. My one craving is to be at peace; my one pleasure is to live free from troubles.

Kamo no Chōmei, Hōjōki

These days, I divide myself into two uses — these hands are my servants, these feet my transport.

Kamo no Chōmei, Hōjōki

When I chance to go down to the capital, I am ashamed of my lowly beggar status, but once back here again I pity those who chase after the sordid rewards of the world.

Kamo no Chōmei, Hōjōki

Reference: Saigyō Hōshi, Kamo no Chōmei, Yoshida Kenkō. 2021. Three Japanese Buddhist Monks. New York: Penguin Books. 112pp.

Available Here

BOOK REVIEW: Asimov’s Foundation and Philosophy ed. by Heter Joshua & Josef Thomas Simpson

Asimov's Foundation and PhilosophyAsimov’s Foundation and Philosophy by Heter Joshua
My rating: 5 of 5 stars

Amazon.in Page

Release Date: August 24, 2023 [Paperback; ebook is out]

When I was a budding social science grad student, I learned that Asimov’s “Foundation” series was impetus for many young nerds of the previous generation to enter fields like Economics and Poli-Sci. The reason? At the heart of the story is a fictional discipline called Psycho-history, a mathematical field that’s premised on the idea that [while one can’t reliably forecast what an individual (or even small groups) will do,] given a large enough population one can make grand over-arching predictions about what will happen to society as a whole. It’s an idea that Asimov drew from his education in Chemistry, a field where one couldn’t say much about individual molecules but you could accurately model collective parameters (e.g. temperature.) It turns out that humans and their interactions are more complicated than gas molecules and so Psycho-history only works as a powerful plot device (a fact that Asimov discovered himself, supposedly driving mid-course corrections in the limited space he had to make them.) Anyhow, the idea that one might predict the unfolding of societal, economic, and international events was a powerful scholarly aphrodisiac for individuals who might otherwise have dismissed study of the social world as hopelessly and absurdly chaotic.

With that background generating curiosity and having read a number of Asimov’s books, I was eager to investigate this book that explores the philosophic underpinnings of Asimov’s fictional world. I was not disappointed. The imaginative “Foundation” series of books provides plenty of situations and ideas to which one can apply the lens of philosophy, from the limitations of reason and symbolic logic as tools to solve humanity’s problems to the morality of manipulation and questions of transparency that follow from it to what kind of free will — if any — can exist in a universe where Psycho-history works. This anthology of essays considers questions of mind, logic, morality, free will, identity, and existence, as well as various ideas from the Philosophies of History, Religion, and Science. The twenty-one essays are grouped into six parts by philosophic subdiscipline.

There are so many of these “pop culture meets philosophy” books out there, but I think this one does better than most because Asimov’s creative mind really offered such a rich assortment of ideas upon which to reflect.

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