“Absolute” [Poetry Style #1] by Sikong Tu [w/ Audio]

With wear you will decay outside,
But inside resides the vital force.
Approach the Absolute through the Void:
One's strength will grow, and vim will course.
You can know the world and its Way,
Across space and time -- to the Source.
To desolation range hang dark clouds,
Air still as latitudes of the horse,
Move beyond all one knows by sight,
And gain the Center -- but not by force --
Hold onto this strength by hook or crook,
And flow the Endless by watercourse.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the first of the twenty-four poems. This poem’s Chinese title is 雄浑, and its translated titles include: “Energy – Absolute” [Giles] and “Vigorous.”

“You know where you despise” by Alexander Pope [w/ Audio]

You know where you despise
(Tother day) my little Eyes,
Little Legs, and little Thighs,
And some things, of little Size,
You know where.

You, tis true, have fine black eyes,
Taper legs, and tempting Thighs,
Yet what more than all we prize
Is a Thing of little Size,
You know where.

DAILY PHOTO: Sri Aurobindo Ashram of Bangalore

Five Wise Lines [June 2024]

The man who says to me, “Believe as I do, or God will damn thee,” will presently say, “Believe as I do, or I shall assassinate thee.”

Voltaire, in On superstition

The real voyage of discovery lies not in seeking new landscapes but in having new eyes.

Marcel proust

The translation of a poem having any depth ends by being one of two things: Either it is the expression of the translator, virtually a new poem, or it is as it were a photograph, as exact as possible, of one side of the statue.

Ezra pound

The people are of supreme importance to the ruler,
food is of supreme importance to the people.

Chinese adage

All translators face two choices: leave the reader in peace and drag the author closer, or leave the author in peace and drag the reader closer.

Friedrich schleiermacher (1768-1834)
[Referenced in Twenty-Nine GOODBYES, ed. by timothy billings]

“Love’s Philosophy” by Percy Bysshe Shelley [w/ Audio]

The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix forever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one spirit meet and mingle.
Why not I with thine? --

See the mountains kiss high heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth
And the moonbeams kiss the sea:
What is all this sweet work worth
If thou kiss not me?

“Fluid” [Poetry Style #24] by Sikong Tu [w/ Audio]

Like water spilling over rocks?
Like a bead's roll across the floor?
Cliches, they fail to tell the story,
As no doll shows life's splendor.
But the Earth' unsupported spin through space,
As the heaven's pivot and sprawl for more...
If you could find how it all began,
You'd see it'll be as it was before.
The high and bright realm of the gods
Returns to nothing and nevermore.
And if you lived ten-thousand years,
You might find yourself in days of yore.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twenty-fourth of the twenty-four poems. This poem has been alternately titled “The Flowing Style,” “Fluid,” “Motion,” etc. by varied translators from its Chinese title of 流动.

PROMPT: Spirituality

Daily writing prompt
How important is spirituality in your life?

If by “spirituality” one means some kind of attachment to the supernatural, then not at all important. If by “spirituality” one means experiencing the world with a sense of awe, wonderment, and unmitigated bliss, then very important.

“Abstract” [Poetry Style #22] by Sikong Tu [w/ Audio]

Lonely and longing to travel;
All alone and lacking a tribe.
Like the crane up on the mountain,
Or the cloud that enshrouds its peak.
Like the portraits painted by past
Masters, of souls you couldn't have known.
Like a leaf drifting on swift winds,
Bounding through the boundless spaces.
You'll never be able to hold it,
But can hear the song it dances to,
Those who accept this can tune in,
And the signal will only get stronger.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twenty-second of the twenty-four poems. This poem has been alternately titled “Abstraction,” “Elegance,” and “Drifting Aloof” by varied translators, but its original title is 飘逸.

“Form” [Poetry Style #20] by Sikong Tu [w/ Audio]

Quit seeking to firm up the soul;
Return to the unadorned truth.
One can seek the shape of water;
One can write of a pleasant spring.
Winds shift the shapes of clouds,
Flowers stand tall, and flowers droop.
The great waves of a sprawling sea,
The mountain's craggy ruggedness...
They all emulate the Great Way.
Every wonderful thing is dust.
Find semblance beyond shape or form.
In this person, the multitudes.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twentieth of the twenty-four poems. Translated titles vary. This one has been titled “Descriptive” and “Form and Feature” by varied translators.

PROMPT: Passionate

Daily writing prompt
What are you passionate about?

Being a better version of myself with each new day.