A precept-breaking monk for eighty years --
still, I'm ashamed of Zen that ignores cause and effect.
Sickness is the result of past karma.
Now how can I honor my endless connections?
Translation by Kazuaki Tanahashi and David Schneider in: Essential Zen. 1994. HarperSanFrancisco. p. 126.
Although you hide in the ebb and flow
Of the pale tide when the moon has set,
The people of coming days will know
About the casting out of my net,
And how you have leaped times out of mind
Over the little silver cords,
And think that you were hard and unkind,
And blame you with many bitter words.
So set its Sun in Thee
What Day be dark to me —
What Distance — far —
So I the Ships may see
That touch — how seldomly —
Thy Shore?
Wide are the meadows of night,
And daisies are shinng there,
Tossing their lovely dews,
Lustrous and fair;
And through these sweet fields go,
Wanderers amid the stars --
Venus, Mercury, Uranus, Neptune,
Saturn, Jupiter, Mars.
'Tired in their silver, they move,
And circling, whisper and say,
Fair are the blossoming meads of delight
Through which we stray.
Note: the word “shinng” seems to be spelled that way in all sources. I don’t know whether it was a typo, dialectic, or a heterodox spelling.
Thoughts conveyed by way of short verse
May degrade in eccentricity.
With bowed head, lonely and friendless.
Face up, vast sky where all is free.
Like one string stretched to perfect pitch,
But lacking all resonancy.
NOTES: Earlier I posted a translation by Tony Barnstone and Chou Ping, entitled A One-String Harp that was contained in The Art of Writing (Boston: Shambhala; p. 15) This, however, is my own translation. The original poem in Simplified Chinese is:
或讬言于短韵，对穷迹而孤兴。
俯寂寞而无友，仰寥廓而莫承。
譬偏弦之独张，含清唱而靡应。
What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new.
Speak of the spring and foison of the year:
The one doth shadow of your beauty show,
The other as your bounty doth appear;
And you in every blessèd shape we know.
In all external grace you have some part,
But you like none, none you, for constant heart.
Viswamitra the Magician,
By his spells and incantations,
Up to Indra's realms elysian
Raised Trisanku, king of nations.
Indra and the gods offended
Hurled him downward, and descending
In the air he hung suspended,
With these equal powers contending.
Thus by aspirations lifted,
By misgivings downward driven,
Human hearts are tossed and drifted
Midway between earth and heaven.
I dismount to share some booze,
And ask the wayfarer where he goes.
Begrudgingly, and with discontent,
He says, "I'll rest up near South Mount."
He asks me to just leave him be.
White clouds cross vast skies - endlessly.
This is poem 13 in the 300 Tang Poems [唐诗三百首.] The original poem in Simplified Chinese is:
下马饮君酒， 问君何所之？
君言不得意， 归卧南山陲。
但去莫复问，白云无尽时。
It might be lonelier
Without the Loneliness —
I'm so accustomed to my Fate —
Perhaps the Other — Peace —
Would interrupt the Dark —
And crowd the little Room —
Too scant — by Cubits — to contain
The Sacrament — of Him —
I am not used to Hope —
It might intrude upon —
Its sweet parade — blaspheme the place —
Ordained to Suffering —
It might be easier
To fail — with Land in Sight —
Than gain — My Blue Peninsula —
To perish — of Delight —
Everyone's journey
through this world is the same,
so I won't complain.
Here on the plains of Nasu,
I place my trust in the dew.
NOTE: This translation by Sam Hamill in The Poetry of Zen (2004) Boston: Shambhala, p. 131.
Tiger Riding for Beginners 