Category Archives: language

“Spring Thoughts” by Li Bai [w/ Audio]

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Yan grass shimmers like silken jade.
 Qin mulberry trees' green leaves droop.
 Your homecoming is now at hand
 As heartbreak has me thin and stooped.
 Spring Winds and I are strangers --
 Why, past my curtains, the inward swoop?

Chinese Title: 春思; Original poem in Simplified Chinese:

燕草如碧丝， 秦桑低绿枝；
当君怀归日， 是妾断肠时。 
春风不相识， 何事入罗帏？

Note: this is poem #7 in “300 Tang Poems” [唐诗三百首]

Wen Fu 2: “Introspection” [文賦二] by Lu Ji [陆机] [w/ Audio]

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Close your eyes and listen with care.
 Turn all your attention inside.
 Let your soul ride the Eight Borders
   At a galloping stride.

Inner space brightens, becomes more
 Compact, as one views the expanse.
 Words pour forth to cleanse the soul,
   As the Six Arts lend a fragrance.

Float, swim, and dive in the abyss,
 Heedful for words as it all soaks in...
 Sometimes the right word must be hooked,
  And hauled up where it can be spoken.
 But, other times, words are like birds,
 That fly themselves out of the clouds,
 To be downed by one swift arrow --
  Quite willingly freed of their shrouds.

Mine for lines lost ages ago --
 Rhymes unsung for ten centuries.
 Thank tight buds for the sweet flowers
   That they - soon enough - will be.

See past and present concurrently,
   At once, touch mountain and sea.

The Original in Simplified Chinese:

其始也，皆收视反听，耽思傍讯，精骛八极，心游万仞。

其致也，情曈曨而弥鲜，物昭晣而互进。

倾群言之沥液，漱六艺之芳润。

浮天渊以安流，濯下泉而潜浸。

于是沈辞怫悦，若游鱼衔钩，而出重渊之深；
浮藻联翩，若翰鸟缨缴，而坠曾云之峻。

收百世之阙文，采千载之遗韵。

谢朝华于已披，启夕秀于未振。

观古今于须臾，抚四海于一瞬。

BOOKS: “Troublesome Words” by Bill Bryson

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Bryson's Dictionary of Troublesome Words: A Writer's Guide to Getting It RightBryson’s Dictionary of Troublesome Words: A Writer’s Guide to Getting It Right by Bill Bryson
My rating: 5 of 5 stars

Publisher Site – Penguin Books

This is a guide to English words (and loanwords) that challenge even professional writers. It’s organized as a dictionary, and – in fact – the earliest edition of the book was entitled The Penguin Dictionary of Troublesome Words. However, the entries are far from mere definitions, and typically include examples of grammatical, stylistic, or spelling offenses, examples that are sometimes humorous (as are Bryson’s explanations.)

The most common classes of troublesome words are those that are redundant (or otherwise fail to add information) and pairs or groups of words that are frequently confused because of similar spellings or close — but not identical — meanings. That said, there are many other varieties of linguistic challenges confronted by the book, such as spelling mistakes and migrating meanings.

The book is dated. For some readers, that will make the book obsolete, but students of language may find it’s even more useful in showing the evolution of the language. This can be seen with respect to migrating meanings, words whose meanings started out being one thing but against the efforts of grammarians and other linguistic guardians were dragged into an alternate meaning by the force of mass usage. There are some instances where Bryson advises one to honor the original meaning and other cases where he points out that the ship has sailed and to just go with the flow. I’m sure these positions would shift if this book were to be updated again. (Originally written in the 1980’s, the book was revised and update in the early 2000’s, but language has continued to shift in these 20+ years.) In several cases words for which he suggests we stick to the original meaning have now completed their slide. (And many of the words he tells us to accept the changed meaning of are now so far past that original meaning that few readers will be aware the word ever meant something different.)

That being said, the book isn’t completely obsolete. As mentioned above, one of the most common classes of offenses are redundant and meaningless words, and these are almost all still relevant to writers today.

Bill Bryson has a unique relationship to the language, being both British and American, and one nice feature of the book is that he points out differences in spelling and usage that exist between the two countries.

There is an appendix discussing proper punctuation, a bibliography, and a glossary of linguistic terms.

If you’re reading this out of an interest in language, I’d recommend it. It’s light and humorous. However, if you’re in the market for a reference guide, you can surely find a more up to date (if less humorous) guide.

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BOOKS: “Literary Theory: A Very Short Introduction” by Jonathan Culler

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Literary Theory: A Very Short IntroductionLiterary Theory: A Very Short Introduction by Jonathan D. Culler
My rating: 4 of 5 stars

Publisher site – OUP

This brief guide tries to bring some clarity to the question of what literary theory is, a question which is a great deal more convoluted that it is in science (or even the social sciences) where the scientific method shapes our understanding of the term. Often when one hears about literary theory it’s in the context of Marxists, Feminists, or Psychoanalysts, and one might be forgiven for wondering whether those scholars don’t have a discipline of their own (not to mention how much can a Marxist – for example – illuminate The Little Prince or the poetry of Li Bai.)

I thought the book was well-arranged to shed as much light on the topic as possible. Of its nine chapters, the first two explore competing ideas of what constitutes “theory” and “literature,” respectively. There is a chapter (Ch.3) that distinguishes the field from the overlapping discipline of cultural studies. The remaining six chapters cover topical components of the field, including: language / meaning, rhetoric / poetics, story, performative language, identity, ethics, and aesthetics.

This book does a good job of offering some clarity and has a sense of humor as it does so (notably through satirical cartoons that illustrate the book.) If you’re looking for a layman’s guide to the subject, this one is readable and insightful.

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Spillage [Free Verse]

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What spills from the brush?
   What shapes are made
      on the page?
 
What curves? What lines?
   What crosses? What binds?
 
Who will chase after the sparks
   of meaning in those wild marks?

Evolution [Free Verse]

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Anywhere copies are made, 
   but copies aren't exact,
      selection will take place.

Some erroneous copies will 
    be more beloved than others.
      Some errors will propagate.
      Some errors will die out.

Thus is language,
   thus is chemistry,
   and thus is life.

BOOKS:  木兰辞 [Ballad of Mulan] by Anonymous

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The Ballad of Mulan: 木兰辞 (Simplified Chinese Characters with Pinyin)The Ballad of Mulan: 木兰辞 by Song Nan Zhang
My rating: 5 of 5 stars

Available online at YellowBridge

This is a short lyric poem (15-1/2 quatrain, or 62 lines) that tells the story of a young woman who disguises herself as a man and joins the military to fill a slot that would otherwise have required her aged and infirm father to serve. The tiny poem packs in ten-plus years, during which Hua Mulan serves with great distinction and then returns home to take care of her parents. It’s a well-known tale that emphasizes the importance of filial piety and sacrifice. Though outside of China (as well as Taiwan and other Chinese cultural enclaves,) many may know it from the Disney version which has been panned for ditching the Confucian values and replacing them with ones that were thought would resonate better with a Western audience.

The poem is mostly arranged in quatrains of five-character lines with alternate line rhymes.

It’s a quick read and there is no room for the detailed tales of heroism that are depicted in adaptations.

If one is looking for a culturally insightful telling of the story of Hua Mulan, this is the right place to look. I’d highly recommend reading it.

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BOOKS: 三字经 by 王应麟 [“Three Character Classic” by Wang Yinglin]

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三字经三字经 by 章炳麟
My rating: 5 of 5 stars

Available online — Project Gutenberg

This is a Confucian primer written in lines of three characters. It’s a children’s book in the sense that it’s aimed at children, but not necessarily with respect to being presented in a manner most conducive to childhood learning. (While it’s concise, the material isn’t presented in an interesting or memorable form. i.e. It’s intended for brute force rote memorization.)

The book consists of five sections, ranging between twenty-four and one hundred and six lines (72 to 318 characters per chapter.) The first introduces Confucian virtues. The second offers a broad overview of classics of Chinese philosophy. The third section lists the dynasties of China. The penultimate section describes ideal behavior from a Confucian perspective. The last, and briefest, section is largely a pep talk on studying hard.

As someone learning Mandarin Chinese, it’s interesting to see how sentences are formed in this sparse format, and this text offers insight into Chinese history and philosophy, in addition to providing a good early reader.

If you are interested in learning elementary Confucianism or you’re learning Chinese and looking for short and simple texts for reading, I’d recommend one look into the Three Character Classic.

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BOOKS: 孙子兵法 [Sunzi’s Art of War] by Sunzi

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孙子兵法白话全译孙子兵法白话全译 by 史哲 文
My rating: 5 of 5 stars

Available online – YellowBridge

In thirteen short chapters, Sunzi lays out a masterclass in strategy. One sees in Sunzi’s work the mark of a Taoist mindset, seeing it in the book’s emphasis on engaging in warfare only when necessary, doing things the easy way whenever possible, and never letting one’s ego write checks one isn’t able to cash in lives.

There is good reason that this is one of the world’s most well-known (if not the most well-known) treatise on warfare. Far from being complicated and technical, this guide is full of pithy teachings such as: “War is the way of deception.” “No country ever benefited from a long war.” “Defeating the enemy without fighting is supreme excellence.” “To be undefeated lies in oneself, to be victorious lies in the enemy.” “Know the enemy and yourself and victory is assured; know heaven and earth and victory is complete.” (And these teachings are even more concise in the original Chinese.)

In addition to basics like leadership, maneuver, and terrain, the book devotes chapters to both the use of fire and spies in warfare. (One’s level of understanding is central to strategic victory throughout Sunzi’s teachings.)

I’d highly recommend this book for anyone interested in strategy, martial arts, or other strategic pursuits. The book may be ancient, but it’s not obsolete by any means.

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BOOKS: “Linguistics: A Very Short Introduction” by P.H. Matthews

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Linguistics: A Very Short IntroductionLinguistics: A Very Short Introduction by P.H. Matthews
My rating: 4 of 5 stars

Publisher Site – OUP

This book offers an overview of the territory studied by the discipline of linguistics, from general topics such as what a language is and what distinguishes human language through more technical and scientific subjects such as the nature of vocal sound and the role of the brain in language.

It introduced me to some interesting ideas that I hadn’t previously given much thought, such as: the importance of redundancy in language, the idea that a word can’t necessarily be thought of as simply a label put on a pre-existing notion or thing, the question of whether language developed once or multiple times (independently,) how languages are learned, and how speaking influences thinking and vice versa.

Until the penultimate chapter (Ch. 8 – “Sounds”) I felt the book was doing a fine job of sticking to the basics, being interesting but not obscure. The “Sounds” chapter seemed to get more into the weeds than the rest (but, I’ll concede, it may have been part my relative interest in the topic, your results may vary.)

The book, like others in the series, has a few monochrome graphics as well as a “Further Reading” section.

If one is looking for a broad introduction to linguistics, I’d recommend this as a fine place to start.

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