With respect to giving a performance, not since elementary school plays, and I was not good. As for speeches, yes, a number of them.
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Category Archives: drama
St. Crispin’s Day Speech [from HENRY V] by William Shakespeare [w/ Audio]
This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a-tiptoe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say "Tomorrow is Saint Crispian." Then will he strip his sleeve and show his scars, And say "These wounds I had on Crispian's day." Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words -- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester -- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered -- We few, we happy few, we band of brothers; For he today that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now a-bed Shall think themselves accursed they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's Day.
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BOOKS: The Importance of Being Earnest by Oscar Wilde
The Importance of Being Earnest by Oscar WildeMy rating: 5 of 5 stars
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This play is an amusing cautionary tale on the dangers of “Bunburying” and / or leading a double life. “Bunburying,” a term coined by Wilde in this play, is the act of concocting meetings with a fictitious friend to get out of tedious familial (and other social) obligations. Don’t want to go to Aunt Bessie’s potluck? Tell her that your friend with a plausibly absurd name (e.g. Bunbury) has ruptured a disc in his back and desperately needs your assistance. Bunburying is the specialty of one of the two bachelor characters this story is built around, a man named Algernon. The other, Jack, goes by the name Ernest when he is in London, and has to invent the story that he has a brother when his town and country dichotomy of personalities starts to be seen through by those other than Algernon.
This humorous tale revolves around both Algernon and Jack finding desirable fiancés while being tangled in the web of their own duplicity. Much of the humor comes from the interactions of Algernon and Jack, two men who are quite alike, though Jack thinks himself more respectable. Algernon is more at ease with his own scamp-like nature and plays a role similar to that played by Lord Henry in Wilde’s novel, The Picture of Dorian Gray. That is, Algernon offers many a quotable line that at least has the appearance of wisdom — if, often, a kind of nihilistic wisdom.
This play is definitely worth reading.
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Five Wise Lines from The Importance of Being Earnest by Oscar Wilde
The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature, a complete impossibility!
Algernon
Oh! it is absurd to have a hard and fast rule about what one should read and what one shouldn’t. More than half of modern culture depends upon what one shouldn’t read.
ALgernon
It is awfully hard work doing nothing. However, I don’t mind hard work where there is no definite object of any kind.
Algernon
One has a right to Bunbury anywhere one chooses. Every serious Bunburyist knows that.
Algernon; [fyi: “Bunburying” is the use of appointments with ficticious individuals to get out of one’s duties and obligations.]
One should always eat muffins quite calmly.
Algernon
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Five Wise Lines from Macbeth
by Theodore Chasseriau
“There’s no art to find the mind’s construction in the face.”
Duncan in Act I, Scene 4
“Bloody instructions, which, being taught, return to plague the inventor.”
Macbeth in Act I, Scene 7
“when our actions do not, our fears do make us traitors”
Wife of Macduff in Act IV, Scene 2
“Then the liars and swearers are fools, for there are liars and swearers enough to beat up the honest men and hang them up.”
Son of Macduff in Act IV, Scene 2
“Life ‘s but a walking shadow, a poor player, that struts and frets his hour upon the stage and then is heard no more. It is a tale told by an idiot, full of sound and fury signifying nothing.
Macbeth in Act V, Scene 5
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BOOK REVIEW: The Translations of Seamus Heaney by various [Trans. by Seamus Heaney / Ed. by Marco Sonzogi]
The Translations of Seamus Heaney by Seamus HeaneyMy rating: 5 of 5 stars
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Release Date: March 21, 2023 [for the reviewed edition]
I’d read Heaney’s approachable yet linguistically elegant translation of Beowulf long ago, and was excited to see this collection of his translations coming out. The one hundred pieces gathered make for a diverse work, from single stanza poems to epic narratives and timed from Ancient Greece through modernity. The pieces include works from well-known poets such as Baudelaire, Cavafy, Dante, Brodsky, Horace, Sophocles, Ovid, Pushkin, Rilke, and Virgil. But most readers will find new loves among the many poets who aren’t as well-known in the English-reading world, including Irish and Old English poets. I was floored by the pieces by Ana Blandiana, a prolific Romanian poet who’s a household name in Bucharest, though not so well-known beyond.
I’d highly recommend this anthology for poetry readers. Besides gorgeous and clever use of language, the power of story wasn’t lost on Heaney and his tellings of Antigone (titled herein as “The Burial at Thebes,) Beowulf, Philoctetes (titled “The Cure at Troy,”) and others are gripping and well-told.
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BOOK REVIEW: The Art of Auditioning, Second Edition by Rob Decina
The Art of Auditioning: Second Edition by Rob DecinaMy rating: 4 of 5 stars
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This is a revised edition of a book about how to audition for television shows. The first edition was written in 2004 by a successful casting director (now VP for Casting at CBS) and teacher of casting, and the revision includes industry changes due to technology and the pandemic. For example, it explores the post-COVID shift toward more self-taped auditions and the best practices for them. It also has a few new notes about how the author’s perspective has changed on an issue or two with his new experiences.
This book is niche. Except for a chapter on how to become a casting director, it’s all about preparing actors to audition for a television series. While it might seem that auditioning would be auditioning, apparently television auditioning is quite different from stage auditions and even a little bit different from other on-camera auditioning (e.g. for movies.) To a neophyte, such as myself, the book might be expected to present teachings about acting, but one of the major recurring themes is that acting and auditioning are separate (if related / overlapping) skills and that the latter presents a number of additional considerations. It’s these considerations that are explored in the book – e.g. how to plan and determine your own acting choices (being undirected,) how to behave before and after the audition, how to know what are good or poor investments for a new actor, and how to not be unappealing or ridiculous with your attempts to distinguish yourself.
The book is honest and direct, to the point that the most frequently repeated advice is to not expect to get the job. That’s probably also among the book’s most controversial advice, but the author feels it helps new actors to get out of their heads, to deal with the tons of rejection all of them will face, and to not fall into the bad behaviors that some novice actors think will help to separate him from the pack [while such behaviors often only serve to annoy the casting agent.]
As I said, it’s niche, but if you want to learn how auditioning works or how the sausage is made in the entertainment industry, it’s a quick and well-organized read.
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BOOK REVIEW: Iphigenia in Aulis Adapted by Edward Einhorn [from Euripides]
Iphigenia in Aulis: The Age of Bronze Edition by Edward EinhornMy rating: 5 of 5 stars
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This illustrated play is an adaptation of Euripides’ drama of the same name. The title character, Iphigenia, is the daughter of King Agememnon and she’s lured to Aulis by her father to be a human sacrifice, but under the fraudulent claim that she’s to be married to Achilles. [Because, you know, people tend to not show up if you invite them to be murdered, but they’re much more amenable if you invite them to marry a hunky half-god.]
It’s a simple and straightforward story, but one that is never-the-less evocative and dramatic. Agememnon’s will to kill his daughter falters for a time and when his wife, Klytemnestra, scores Achilles’ support for the cause of saving her daughter, it’s unclear how things will unfold. It’s a story that encourages one to reflect upon fate and the virtue of sacrifice, while showing that different chains of causality applied to the same event can radically alter the perception of justness. When Iphigenia’s death is seen as the means to get back Helen (who eloped with Paris to Troy,) it’s vile and despicable. However, when it is viewed as the means to get the fleet moving in order to restore the honor of those assembled nations pledged to fight, that’s a different matter.
I found this play to be compelling and well worth reading.
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BOOK REVIEW: The Medea by Euripides [Trans. Gilbert Murray]
The Medea of Euripides by Gilbert MurrayMy rating: 5 of 5 stars
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Project Gutenberg
This tragedy follows up the myth of “The Golden Fleece.” That hero’s journey culminated in three trials which Jason (of Jason and the Argonauts) must complete in order to acquire the golden MacGuffin. Jason succeeds in large part because (arguably, entirely because) Medea, daughter of the fleece’s owner, i.e. King Aeetes, gives Jason some potions to make the trials a cinch. She does this in exchange for Jason’s everlasting love.
And, herein, lies the heart of this play’s conflict. Jason – like many heroes of Greek Mythology – is kind of a jerk. In flashing forward to the beginning of this play, we find Jason has traded Medea in for a younger and higher stature wife (i.e. a princess whose father doesn’t despise and disown her). [Note: Technically, Medea may not be married to Jason because of legalities, but she did bear him two boys.] To add insult to injury, Jason’s new father-in-law (King Creon) insists that Medea and her two boys be exiled, effective immediately.
What makes this play so fascinating is that we have sympathy for Medea’s plight, but then her inner monologue turns to the nuclear option she will employ – killing Jason’s new princess-wife and, more disconcertingly, her own children. Medea goes back and forth about her plan, showing reluctance to kill her boys, at least. So, the reader (viewer) ends up finding Jason loathsome because he steadfastly refuses to accept any blame for how poorly things have gone, but – on the other hand – he’s being more reasonable. (i.e. He talks kindly and isn’t murdering anyone.) It’s a fascinating reflection on the battle between rationality and passion.
I’d highly recommend this play. It’s a short and straightforward story, but it does present a great deal of food-for-thought.
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Shakespeare’s Tragedies, Condensed: Part, The Last
I King Lear too much loved being praised, and too little recognized love. He shunned the daughter he should’ve kept, and held tightly those in need of a shove. II Timon of Athens spent lavishly, but then - in his time of great need - no one would return the favor, so he gave his last coin to watch Athens bleed. III Antony is a love-struck boy, and plots are afoot he can't grasp. He ends in slow suicide by sword, while Cleopatra goes out with an Asp. IV Coriolanus was kind of a jerk, and that's why he was exiled. But he could vanquish all of Rome. Death to the reciprocally reviled!
Tiger Riding for Beginners 