BOOK REVIEW: Ender’s Game by Orson Scott Card

Ender's Game (Ender's Saga, #1)Ender’s Game by Orson Scott Card

My rating: 4 of 5 stars

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Ender’s Game is the story of a boy, Ender Wiggin, whose intelligence and capacity for ruthlessness lead the military establishment to believe that he’s the last hope for mankind. The book is set in a future after the Earth has been invaded twice by an alien species called the buggers, and now the Earth is planning its own “preemptive” invasion to end the bugger threat once and for all.

The novel follows Ender’s life from his short home life as a “third”—a rare third child for which special permission must be granted—through his post-war life. (This entire timeline transpires before adulthood.) The bulk of the novel takes place in Battle School, where Ender receives his training in military tactics and strategy and spends much of his time in zero gravity war games. He rises up through the ranks quickly, as expected, but not without stirring some animus in the process. He learns strategy both through war games and through the mind-field of real world animosity by others who are jealous or feel insulted by his brilliance.

As Commander material, Ender is considered to be in the Goldilocks zone. His older brother, Peter, is too cruel; his sister, Valentine, is just too kind. (All three Wiggin children are geniuses.) Ender has the right mix to fight the buggers. His problem is that the world forces him to be ruthless and his compassionate side makes it hard to cope.
While Ender leaves home young and early in the novel, there is a subplot involving the older Wiggin children that is revealed over the course of the book—showing the reader more of the tormenting brother and the loving sister who shaped his worldview. Ender does interact with Valentine in person on a couple of occasions, but his only interaction with Peter is a brief mention of correspondence at the end of the book.

Ender is an intriguing character. He is always the outsider, by birth as a third and then through isolation in Battle School that is facilitated by the conflicted head of the Battle School, Col. Graff.

I won’t get into the ending except to say that there is a twist at the novel’s climax. I will say that the reveal of this twist felt a little anti-climactic to me. However, as the real story isn’t about fighting the buggers, but Ender’s internal struggle, this isn’t as dismaying as it might otherwise be.

One can tell that this is a series book because it climaxes and resolves relatively early, leaving a fair amount of space to set up the next book. This actually helps the twist offer some surprise because the reader sees that there are so many pages left for the novel to resolve itself.

Card does an interesting thing in making the central character stronger than everyone around him–at least until he’s introduced to his new guru, Mazer Rackham–the Commander who won the key battle of the second bugger invasion and who is alive by virtue of a relativistic trip. Ender’s superiority seems like a recipe for boredom, but it works because what we don’t know is whether Ender is stronger than everyone else pitted against him combined, and, moreover, we don’t know whether he is strong enough inside to withstand all the horridness to which he is subjected. A lot of the tension of the novel is really internal to Ender. Unlike Peter, who would revel in ruthlessness, Ender is tormented by all of the violence he must perpetrate.

I’d recommend this novel. It has its flaws, but it is quite readable and Ender’s character is intriguing from start to finish.

The movie version is coming out tomorrow. I haven’t seen it, but here is the trailer.

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BOOK REVIEW: 250 Things… by Chuck Wendig

250 Things You Should Know About Writing250 Things You Should Know About Writing by Chuck Wendig

My rating: 3 of 5 stars

Amazon page

You’re not going to get any visionary insight from Wendig’s book. What you will get is a lot of practical advice on writing salable commercial fiction delivered in a concise and humorous package. However, be forewarned, Wendig’s humor isn’t for everyone. It’ll appeal most to frat boys and others who enjoy the gratuitously bawdy.

The book really is arranged as a list of 250 pieces of advice on writing commercial fiction. These items are arranged logically into chapters covering topics such as character, setting, plot, description, screenwriting, and marketing your manuscript. The book offers a good way to review a lot of information if you enjoy the author’s sense of humor.

Rather than recommend the book without reservation, it may make more sense to make a couple lists of my own.

List I: People who will love this book.
-If you watch Robot Chicken and Archer, you’ll love this book.
-If you want to be the next Chuck Palahniuk,…
-If you send freakish porn to co-workers and are shocked by their stunned silence,…

List II: People who will hate this book.
-If you watch Downton Abbey and The MacNeil Lehrer Newshour, you’ll hate this book.
-If you want to be the next Chaucer,…
-If you are a deacon or lay minister in your church,…

Wendig’s language doesn’t leave a lot of room for middle-of-the-road views. His attempts to entertain as he informs will make the book quite readable for some and unpalatable for others. However, I suppose if you’re in the Venn intersect of those who watch both Downton Abbey and Robot Chicken you might have middling views on the book.

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BOOK REVIEW: American Gods by Neil Gaiman

American Gods (American Gods, #1)American Gods by Neil Gaiman

My rating: 5 of 5 stars

Amazon page

American Gods is the story of a hapless and gentle brute who goes by the nickname “Shadow.” We meet Shadow as he is being released from prison a few days early because the wife that he loved dearly has passed away. While the description of Shadow’s imposing size and criminal activity might lead us to believe he’s an unsavory character, we find him sympathetic from the outset–though we don’t learn that it was virtue more than vice that landed him in prison until late in the book.

Given that the name of the book is American Gods others who’ve read it may wonder why I say it’s about Shadow instead of being about a war between America’s old gods and its new ones (e.g. technology and mass media.)The latter statement is more likely what one will read on the dust jacket. However, for me it was the character of Shadow that kept me reading. As with any great novel’s main character, Shadow is put in predicament after predicament, and one must see how he’ll handle them. Eventually, we suspect that enough will be enough and he will have to choose to act in his own best interest rather than in the moral manner.

The importance of character in this novel doesn’t mean that it’s lacking a plot. Early on we are given a great hook when Shadow is introduced to the character of “Wednesday.” The hook is that Wednesday seems to know things about Shadow that no one could, and he makes a proposal to Shadow. The reader is thus drawn in and wants to know how Wednesday knows the impossible and whether Shadow will agree to the vague offer. While we don’t know what agreeing will mean for Shadow, we suspect that it’s tailor-made to land him back in hot water.

While Shadow seems to be always ending up with the short end of the stick, what makes things interesting is that he’s not dumb. He doesn’t stumble into these traps unwittingly. Rather, Shadow defies convention and, by some measures, is really quite a sharp man. Often, he sees the folly of his decisions but is compelled by virtue to act in ways that put him at risk.

Shadow is on a journey of self-discovery throughout the book, and what he ultimately discovers about himself is spectacular.

In a way American Gods is Neil Gaiman’s commentary on America, and Shadow represents America at its most virtuous. We see plenty of America’s faults and failings in the process, its vainglory and hunger for power. But in Shadow we see a character who is honor bound to do what he thinks is the right thing–even when it comes at great personal cost and even when he knows he is being manipulated.

I found this novel to be highly readable and would recommend it. It has Gaiman’s characteristic humor, darkness, and dark humor.

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BOOK REVIEW: The Mind of the Guru by Rajiv Mehrotra

The Mind of the Guru: Conversations with Spiritual MastersThe Mind of the Guru: Conversations with Spiritual Masters by Rajiv Mehrotra

My rating: 3 of 5 stars

Amazon Page

The Mind of the Guru is a compilation of 20 interviews with various teachers and spiritual leaders. While most of the individuals are from Indian spiritual traditions or offshoots thereof, the author makes concerted efforts to represent a range of religious and spiritual traditions.

The list of interview subjects is impressive and includes: The Dalai Lama (Tibetan Buddhism), Thich Nhat Hanh (Zen), S.N. Goenka (Vipassana), BKS Iyengar (yoga), Deepak Chopra (medical doctor and spiritual pundit), Sri Sri Ravi Shankar (Art of Living founder), Desmond Tutu (Christianity), and The Aga Khan (Islam.)

The book is at its best when these gurus are discussing their thoughts on development of the mind and spirit. Obviously, there is a lot of this type of discussion as that is the expertise of most all of the assembled teachers.

A brief forward by The Dalai Lama sets the theme of the discussion. His Holiness states that in Buddhist tradition one becomes a teacher because one has students. Consider this in contrast to traditions that fallaciously believe the title of teacher is granted from above. A master teacher may grant a teaching licence, but that’s just a piece of paper unless someone shows up to one’s lessons. He then goes on to say that one should abandon teachers who act in an unwholesome manner. This, too, is an important point. Having invested oneself in loyalty, it can feel like betrayal to leave a teacher who no longer suits one.

His Holiness is the lead chapter interviewee. In the early part of the chapter, he presents many thoughts on Tibetan mind science. “Mind science” may seem like a strange term, but there’s an important part of Tibetan Buddhism that deals not with deities and conceptions of morality, but with understanding and improving how the mind operates.

If one comes from a tradition in which science and religion are in tension, this may seem unusual, but there is a definite scientific approach (observing the mind and playing out experiments with it.) One doesn’t see a rift between science and religion in Tibetan Buddhism. In fact, His Holiness says that if certain parts of the religious tradition were proved not to exist, they would have to be abandoned. (For those beginning to raise objections, shown to be unlikely and disproven are two different things.)

A second Tibetan Buddhist, Sogyal Rinpoche, addresses the topic of death, and lends the book one of my favorite quotes: “If you are worried about dying, don’t worry, you will all die successfully.”

The first part of this five part book also includes interviews with Thich Nhat Hanh and S.N. Goenka. The former talks about mindfulness and the “interbeing,” and the latter describes the Vipassana approach to meditation and its development. Interbeing is a term coined by Hanh to address a being who is connected to all things. For those unfamiliar with Vipassana, it’s a meditation practice that emphasizes 10-day intensive meditation retreats. There are many retreat centers where this is practiced around the world, including one in the city in which I currently live, Bangalore.

The second part deals with the unity of mind and body. BKS Igenyar, head of a self-named branch of Hatha yoga, opens the chapter with discussion of his background and approach to yoga. Deepak Chopra talks about the intersection of science and spirituality. David Frawley talks about Ayurvedic medicine as well as some more “out there” subjects, such as astrology.

I hadn’t heard of two of the three interviewees in part three, Swami Ranganathananda and Mata Amritanandamayi. However the third interview was Sri Sri Ravi Shankar, a guru well-known internationally for his soft-spoken teachings that combine yoga with a secular spiritualism rooted in Hinduism but not explicitly advocating it. Swami Ranganathananda is from Ramakrishna’s order, which was a secular spiritualism movement rooted in Vedantic traditions but embracing diversity of belief. Mata Amritanandamayi is one of only two women interviewed for the book, indicating women haven’t achieved equality in guru-hood just yet–for all the talk of enlightened thinking. (This is not a dig at the author, who probably went out of his way to include these two to have diversity in gender as well as diversity of tradition.)

The fourth part adds to the diversity by opening with an interview with Sufi Muslim, Pir Vilayat Inayat Khan. Sufi is the mystical branch of Islam. (Mysticism meaning a belief structure in which God is considered to be part of one and is accessed by mindfulness and introspection. This in contrast to the largest strands of the world’s major religions in which God is conceptually something distinct from the self and is an entity to be worshiped. Most major religions have mystical elements or a mystical branch, including Christianity and Islam.) This interview eases us away from the traditions that are either of India or have their roots in India. (By that I mean that Buddhism has its roots in India, though, for example, Zen is different from Buddhism as practiced in India today.)I say “eases us away” because the mystical nature of Sufi would not create much cognitive dissonance in yoga practitioners, Hindu spiritualists, or Zen monks, but, instead, shares much common ground.

The second chapter in part 4 is that by the other female guru, Radha Burnier, who is a practitioner of Theosophy, which means “divine wisdom.” This modern development is secular in that it doesn’t advocate a particular religion, but rather engagement to fix societal problems and eliminate biases and divisions. In the interview we get a hint of the divides that plagued this organization.

Part four is rounded out by interviews with Swami Parthasarathy and U.G. Krishnamurti (not to be confused with Jiddu Krishnamurti, who probably would have been included in this book if he hadn’t died in the 1980’s.)The former speaks about the end of knowledge and the latter about his role as an anti-guru, rejecting traditional approaches to thinking about spirituality.

The fifth part of the book is entitled “The Ethics of Engagement” and I’m afraid it’s where the wheels roll off. It has six excellent authorities, Desmond Tutu, Baba Amte, Ajarn Sulak Sivaraksa, Swami Agnivesh, The Aga Khan, and Karan Singh.I don’t criticize the selection of interviewees, but what happens here is that the chapters predominantly become about politics and policy. Some of this discussion is present throughout the earlier chapters, it’s a point that the author/interviewer finds either intriguing or salable. For example, he asks The Dalai Lama about the politics of Tibet and China, but only after much wisdom is shared.

Here is my–sure to be highly controversial–view on the subject. Wise people show the least wisdom when they’re speaking of politics and policy. I understand why readers may want to hear their thoughts, and I know that as leaders they shape movements in these domains. However, their thoughts on such subjects rarely pack the wallop of value they do when they are talking about subjects like improving one’s mind or living a moral life–subjects on which they have great authority.

What happens when the wise talk about policy is the same thing that happens when most people do, they fail to understand the complexity of the issues and they end up making a lot of “have our cake and eat it too” statements. The most common of these is that we need to: a.) raise all the poor to a certain standard of living (a noble cause), b.) eliminate attachment to materialism and consumerism (also a fine cause, no one should be addicted to “stuff.”)

As one trained as an economist, however, when I see these statements issued by the same person in the same interview, I laugh. We have no idea how to achieve these two things simultaneously; anybody who tells you they do is living in a dream world or is deceiving you. If everybody decided tomorrow that they didn’t need a bunch of new gadgets and widgets, this wouldn’t help pull the poor out of poverty. On the contrary, it would lessen their opportunities to raise their quality of life. Conversely, if you want to pull people out of poverty, they have to produce and sell things that other people want. Rising incomes result from rising productivity, and rising productivity comes with rising production–but someone has to buy that increased production. If you have a way to truly get around this dilemma and it’s one that economist haven’t thought of before and which hasn’t either been proved wrong or internally inconsistent, I will personally lobby for you to be nominated for next year’s Nobel Prize in Economics, and would place a bet on you to win.

I will say that some of the authors seem more savvy of the political and societal domain than others. For example, Mata Amritanandamayi says, “Even if we remove all nuclear weapons from our armories and transfer the to a museum [that last bit is, admittedly, a really bad idea], it wouldn’t bring an end to war. The real nuclear weapons, the negative thoughts in our mind, should be eliminated.” In other words, you can’t fix society’s problems through dictates, particularly when those dictates are in contradiction.

One of my lesser complaints with the book is that the author sometimes asks leading questions (i.e. he subsumes a conclusion in the way he forms the question.) However, almost invariably the speaker sets the record straight, but it makes one wonder about how the message is shaped by the interviewer.

There may be a little too much cultural self-congratulation going on throughout the book for some. There’s a primacy fallacy theme throughout the book that India had everything perfect until it was infected by Western ideas. This isn’t to imply there aren’t fantastic ideas and cultural developments that have come out of India. I wouldn’t have read the book if I didn’t believe there were, but there was also the caste system and some other fairly giant issues of institutionalized injustice like women essentially being sold off into marriage.

An example of this bias can be seen in the talk of Swami Ranganathananda. He says of Socrates, “Had he been in India, he would have been honored and worshipped.” Yeah, if he were of the right caste, maybe, but he also might have been bludgeoned to death in a fashion far more brutal than having to drink hemlock.

Overall, I would recommend the book. It is an impressive collection of teachers and all of them have something intriguing to offer in food for thought. One just needs to go back to The Dalai Lama’s Forward and not be so awe-inspired that you fail to look critically at the message of each.

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BOOK REVIEW: Gitanjali by Rabindranath Tagore

GitanjaliGitanjali by Rabindranath Tagore

My rating: 5 of 5 stars

Amazon page

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Gitanjali is the most well-known work of the Bengali polymath Rabindranath Tagore. Tagore was the first non-European winner of the Nobel Prize for Literature (1913.) While Gitanjali is a work of poetry, Tagore didn’t restrict himself to this form, but also wrote stories, novels, plays, and music.

Gitanjali translates to “Song Offerings” and while the English version is a translation, it was translated by Tagore himself. Thus, there is no need to wonder whether the translator got it right or injected too much of his own worldview into the process.

This collection of 103 poems (the original Bengali has 157)displays both beautiful language and thought-provoking sentiments. This may be why the work is so beloved and stands the test of time.

I’ll share a few of my favorite passages:

“The child, who is decked out with prince’s robes and who has jeweled chains round his neck loses all pleasure in his play;…” -Poem VIII

“O fool, to try to carry thyself on thy own shoulders! O Beggar, to come to beg at thy own door!” -Poem IX

“On the day when the lotus bloomed, alas, my mind was straying, and I knew it not.” -Poem XX

“On the seashore of endless worlds children meet.” -Poem LX

“In the moonless gloom of midnight I asked her, ‘Maiden, what is your quest, holding the lamp near your heart? My house is all dark and lonesome,– lend me your light.’ She stopped for a minute and thought and gazed at my face in the dark. ‘I have brought my light,’ she said, ‘to join the carnival of lamps.’ I stood and watched her little lamp uselessly lost among lights.” -Poem LXIV

“And because I love this life, I know I shall love death as well.” -Poem XCV

The edition I have, which is published in India by Rupa Press, contains Tagore’s Nobel Prize acceptance speech as well. (The Amazon page I’ve linked to shows the edition that I read, but the cover shown above is a different version. The poems are all the same because Tagore self-translated, it is only the supplemental matter that is different.)

I highly recommend this collection of poems.

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BOOK REVIEW: Know Your Mind by Sri Sri Ravi Shankar

Know Your MindKnow Your Mind by Sri Sri Ravi Shankar

My rating: 4 of 5 stars

Sri Sri Ravi Shankar is an Indian guru headquartered in Bangalore, India. In addition to his work as a spiritual leader, he heads up an organization called the “The Art of Living,” which has both a philanthropic mission and a role in spreading knowledge of yoga. Among his most important accomplishments is the development of a breathing technique for helping to attain greater emotional well-being. However, he may be most broadly known for occasional appearances on television programs such as those of CNN International.

The slim volume K(no)w Your Mind contains a series of short chapters, many of which are partly in Q&A form–coming from talks he has given internationally. The common theme of these discourses are how one can understand one’s mind and learn to live in a way that maximizes happiness.

Sri Sri’s approach is quite mainstream when compared to more controversial gurus such as the late Bhagwan Shree Rajneesh (i.e. Osho.) There is little that would raise hackles of most people. It proposes nothing magical–though Shankar supports belief in some, broadly defined and mystical, deity. His approach doesn’t rely on said deity. The book is essentially just about training the mind to look at the world in a different way.

One example that the author uses in various permutations is that people dwell on the negative. As he says, “When you are healthy, you never ask the question, ‘Why am I healthy?’When you are sick you say, ‘Oh, why am I sick?'” Similarly he mentions that, if someone tells us they like us we don’t question it, but if they tell us they hate us, then we do.

When asked how to avoid stress, he states flatly that one shouldn’t avoid it, but rather learn hope to cope with it more effectively.

On the positive side, the book conveys a lot of good information in a highly readable format. Shankar explains the mind with humor and occasionally with a parable or narrative to help make the lessons more memorable.

However, if one is looking for a systematic approach, one won’t so much find that here. It’s clear that this is a series of snippets from talks combined together. If that’s what you’re expecting, then it shouldn’t be a problem. However, if one is expecting a step-by-step guide, this book may not suit one. Occasionally it’s helpful if on has some yoga terminology in one’s head like samadhi or pranayama, but context should make the meaning clear.

I’d recommend it for someone looking for food-for-thought on bite-sized pieces on issues like memory, emotion, and mindfulness.

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BOOK REVIEW: Pocket Guide to Hatha Yoga by Michele Picozzi

Pocket Guide to Hatha Yoga (The Crossing Press Pocket Series) (The Crossing Press Pocket Series)Pocket Guide to Hatha Yoga (The Crossing Press Pocket Series) by Michele Picozzi

My rating: 4 of 5 stars

Amazon page

Having moved to India, I’ve been wanting to take advantage of the wealth of expertise in yoga. However, part of the problem is that there is such a wealth of knowledge. There are many different schools, each with different approaches and focal points, and each of those with separate branches. So I began, as I often do, among the shelves of one of my local bookstores. (Yes, here in India, we still have local bookstores [plural emphasis intended.])

That is where I picked up Michele Picozzi’s Pocket Guide to Hatha Yoga. A slight book of only about 100 pages, this guide serves as a sort of “Yoga for Dummies.” (I’m aware that there is a book by that title, but it’s probably not as concise.) Despite a mild bias against learning about yoga from Westerners (what’s the point of being in India–yes, I realize it’s irrational), I picked up this thin guide because it was only 70 rupees (less than $1 US), and I like the way it was organized.

It begins with a quick overview of the many schools of yoga. Next, it does the same for the many branches of Hatha yoga–which by all accounts seems to be the most popular school. I found this very helpful. The book doesn’t get bogged down in the minutiae, but rather presents a short paragraph hitting the highlights that differentiate one sect from another.

Then the book gets to the meat of the subject (my apologies to vegetarians for that analogy.) It gives helpful tips for one who has never been in a yoga studio before. Then it has chapters on postures (asana), breathing exercises (pranayama), and meditation (dhyana.)We learn that these are but three of yoga’s 8-fold path (not to be confused with Buddhism’s 8-fold path.) For the neophyte, it may be news to learn that there is more to yoga than just bendy poses.

The last chapter deals with basics of a yogic/ayurvedic diet. Here I learned that the Dalai Lama isn’t a vegetarian, among many more important advice about how and what yogis and yoginis should eat.

There are appendices containing line drawings of about 45 of the most fundamental asanas (all of the graphics in the book are line drawings), a glossary, and a list of references.

If you are brand new to yoga, I would recommend this book. You can get it through Amazon for only a little more that 70 Rupees.

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DAILY PHOTO: Bangalore Literature Festival

Taken September 27, 2013

Taken September 27, 2013

I spent Friday September 27th at the Bangalore Literature Festival. This was the second year of the event, and the first day of this year’s festival. Pictured onstage here is Sri Sri Ravi Shankar, a world-famous guru and charitable foundation leader who is headquartered in Bangalore. He drew the biggest crowd that I saw, although the rest of the talks I went to were on a secondary stage called Lawn Bagh. (“Mysore Park” was the name of the main stage.)

I went to a panel entitled “Vision for India” that featured a politician, a retired General, and a well-known pundit. The panel solicited the three men’s opinions on the future of India. It was fascinating to the international affairs / economist trained part of me. There were some political and economic reforms all of them seemed to agree on, but, great for this type of panel, there was some controversy as well.

I also went to panels on crime fiction, geographic-centric poetry, and the coexistence of literary and commercial fiction in the publishing space.

I was impressed with the festival. The caliber of speakers and authors was high. They had to contend with something that no other literary festival that I’ve been to had to, and that is that there are many written languages  in India–and at least one French and  German writer each that I saw. While English was the lingua franca of the festival, I heard poetry in Tamil, French, and other languages as well.

The campus it was held on, Velankani Park, was sparkling clean held a lot of interesting plant life.  This was my first trip out to Electronic City. It seemed odd that they held the festival so far from the city center, but I can see why in a way. As one of the speakers said during the “Visions” panel, it’s a first world oasis in a third world country. The little I saw, verified that. That said, if they wish to grow, they may need to put it closer to the city center. (Of course, as the metro comes on-line and people start using it, this may become a moot point.)

They did have trouble controlling the schedule. By the end of the day they were about 45 minutes behind. This is something that they’ll have to control if they wish the festival to grow beyond three stages. In terms of quality, this was very much like a scaled down version of my previous home city’s literary festival, the Decatur Book Festival. However, DBF has about 20 stages and a much bigger vendor space. This means the DBF has to have “stage Nazi’s” that will crack the whip. Even with a compact three-stage campus, they probably need to build defined break space into the schedule.

BOOK REVIEW: Man of Steel by Greg Cox

Man of Steel: The Official Movie NovelizationMan of Steel: The Official Movie Novelization by Greg Cox

My rating: 3 of 5 stars

Amazon page

This is the first novelization of a movie I’ve reviewed. In fact, I haven’t even seen the movie yet. However, from the trailers I can see a little of how the book describes the events of the movie. In the afterword the author, Greg Cox, indicated that he hadn’t yet seen the completed movie. (Not surprisingly, considering the desire to get the book out in time.) He presumably worked mostly from the screenplay, and perhaps some unedited scenes from the movie. At any rate, unlike a movie adaptation of a novel, one expects a novelization to be spot on with the movie’s story.

As I’ve said in other posts, it’s hard to do Superman really well. Stories are all about tension, and it’s hard to build tension if your hero is indestructible and has god-like powers. [The sequel is supposedly Batman v. Superman, and one has to wonder how this can be done well. Batman is formidable, but the Joker sometimes gets the best of him, and the Joker is no Superman.] At any rate, I think this rendition does a better job than most, and vastly better than the epicly-awful 2006 Superman Returns.

The story begins on a dying planet Krypton as a coup led by General Zod takes place. Both Jor-El (Superman’s father) and Zod believe the planet is dying, and that urgent steps need to be taken to save the Kryptonian race. However, they differ vastly on how to go about saving the race. Zod believes in saving certain blood lines, and Jor-El believes in a much more balanced and progressive approach.

When we are introduced to Clark Kent/Kal-El/Superman, he is a young man who is living a secret life. He engages in episodes of heroic derring-do, but has not yet donned the costume and is forced to move nomadically from one dead-end job to the next as his powers are revealed. There are also many flashbacks to cue us in to his troubles and dilemmas as a child.

Shortly after Kent realizes who he is and gets some Kryptonian backstory, Zod and his band of zealots shows up–newly escaped from the phantom zone. The climax and resolution of the movie involve Superman’s battles with Zod and the General’s fierce underlings–with a love interest subplot between Lois Lane and Superman.

What this story does right is to introduce a strong foe for Superman to battle. Not only does Zod have a numerical advantage, he is a life-long warrior and is thus more experienced. Zod’s second-in-command, Faora Hu-ul, is a worthy adversary in her own right. This is not Superman versus a green, glowing rock.

The challenge of this type of story (as with movies like The Avengers) is that, having set up an “immovable object meets irresistible force” scenario, it’s extremely hard to resolve the tension in a manner that is both logically and emotionally satisfying. While I have criticized movies for this, if the visuals are impressive enough it seems to work with viewers. It works because it creates enough emotional satisfaction for one to suspend concern about whether the resolution makes any sense based upon what is known from earlier in the story. It’s harder to reliably do this in writing. Therefore, you may find the ending a bit flat after an intriguing build up.

I doubt it’s worth reading the novelization and seeing the movie, except if one is interested in how one’s internal view of it matches with the movie (in which case one should avoid the trailers and read the novelization first.)

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For those who do want to view the trailer.

BOOK REVIEW: Wise Blood by Flannery O’Connor

Wise BloodWise Blood by Flannery O’Connor

My rating: 5 of 5 stars

Amazon page

Wise Blood is a character-driven novel about a young veteran, Hazel Motes, who becomes a devout atheist. If that sounds like an oxymoron, let me explain. After becoming enamored with a preacher (and having the blood of a preacher man in his veins), Motes begins to preach the tenets of his newly formed Church Without Christ. In essence, Motes believes in religion without believing in God (the opposite condition of that which some of us find ourselves.)

This was Flannery O’Connor’s first novel, and it’s the first of her novels that I’ve read. I have, however, read some of her stories, and Wise Blood displays a dark humor similar to that found in O’Connor’s best know story “A Good Man is Hard to Find.”

Throughout the book, Motes struggles to convey the depths of his disbelief. He attacks false prophets. He follows through on an act of self-mutilation that he had earlier discovered the preacher, Asa Hawks, could not. Thus proving his lack of faith to be stronger than the preacher’s faith. Motes is wooed by both by the nymphomanical daughter of Hawks, Sabbath Lily, and later by his landlady, Ms. Flood. While Motes doesn’t necessarily remain chaste, he does maintain a kind of priestly detachment from the pleasures of the flesh.

An interesting part of the story details Motes’s interaction with a con-man named Hoover Shoats who co-opts Motes’ preaching sessions and starts his own Holy Church of Christ Without Christ–which passers-by find to be a source of amusement–as a bastardization of Motes’ message. Motes rejects Hoover, but sees his mission being usurped anyway. Motes shows deadly seriousness in his desire to be taken seriously in the word that he preaches.

This novel was apparently built from a series of stories, and a little bit of discontinuity can be sensed early on. However, that’s just part of the charm of a book that is sometimes thought-provoking, sometimes humorous, and sometimes both.

I would recommend book for anybody, excepting those hard-core pious who grow red-faced with rage in the face of atheism or other beliefs.

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