BOOK REVIEW: Twain Illustrated: Three Stories by Mark Twain by Mark Twain [Ed. by Jerome Tiller]

Twain Illustrated: Three Stories by Mark TwainTwain Illustrated: Three Stories by Mark Twain by Mark Twain
My rating: 4 of 5 stars

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This collection gathers three pieces of Twain’s short fiction and presents them in an edited and illustrated volume. The stories are edited from the original published editions. My understanding is that the editing was confined to making the volume more readable to a present-day audience (and probably to younger readers, specifically.) As far as I can tell, that’s the case.

The three stories have in common that Twain, himself, features as a character. [This is less explicit for the second story than for the first and third, it being merely written in first person while the others reference Twain by name.] The first story, “Emerson, Holmes, and Longfellow,” is essentially a roast of those three important 19th century American poets. The story is written as though Twain is traveling on walkabout and happens upon a miner’s household where, as luck would have it, the three titular poets had stopped in previously. Supposedly, this was first a speech given in Boston at a celebration for another poet, John Greenleaf Whittier, and it went down like a lead balloon.

The middle story, “The Facts Concerning the Recent Carnival of Crime in Connecticut,” is about a mysterious visitor who comes calling who seems to know about all the narrator’s misdeeds. It turns out that said visitor is the narrator’s conscience. This personification of conscience is a clever plot device and makes for a hilarious story.

The final story is entitled “Running for Governor,” and it shows that fake news is far from a new phenomenon in American politics. It imagines Twain running for governor of New York and the one news story after the next presenting outlandish, contrived claims that begin to stick as Twain ignores them. This reminded me of the Twain essay that disabused me of the popular notion that we are [at any given time] in uniquely contentiously partisan times for American politics.

I enjoyed this collection. I would probably have preferred an unedited text, but it’s readable, engaging, and humorous as is. The illustrations are line-drawn, and many are cartoonishly jocular while others are more realistic caricatures. It’s certainly an entertaining read.


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BOOK REVIEW: How to Read the Wilderness by the Nature Study Guild

How to Read the Wilderness: An Illustrated Guide to the Natural Wonders of North AmericaHow to Read the Wilderness: An Illustrated Guide to the Natural Wonders of North America by Nature Study Guild
My rating: 4 of 5 stars

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Release Date: November 22, 2022

This illustrated guide is designed to help readers learn some of the most prolific trees, plants, animals, birds, coastal life forms, and night sky constellations of North America. For plant [and in some cases animal] identification, the book uses a handy flowchart method that asks questions, sending the reader to an appropriate marker depending upon the answer. For wildlife identification, it uses descriptions of not only the animal, but skeletal remains, scat, and tracks. It also gives alternate names and asterisms for constellations.

The pros of this book include: 1.) it focuses on the most common elements and doesn’t get bogged down trying to be all-inclusive; 2.) it uses a flow charts, diagrams, and drawings successfully to do much of the heavy lifting.

The downsides of the book are: 1.) it seems be much more Western US-centric, and often treats everything East of the Rockies as a single zone (not to mention minimal discussion of Canada or Mexico – so maybe it should be thought of more as a US guide;) 2.) in trying to be text-minimal, it occasionally states things in a way that lacks clarity.

If you want to get a basic understanding of the elements of nature for the United States, this book is worth investigating. It’s young reader friendly, but not exclusively so.


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BOOK REVIEW: Opium and Other Stories by Géza Csáth

Opium and Other StoriesOpium and Other Stories by Géza Csáth
My rating: 5 of 5 stars

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Release Date: December 13, 2022 [For the reviewed edition by Europa and translated by Kessler and Rogers]

Csáth was a Freudian who, in 1919 at the age of 31, murdered his wife before committing suicide. He was a brilliantly imaginative [if macabre-oriented] writer, and — as one might expect — this collection’s two dozen stories are dark, dreamy, and often detached from reality. The collection is full of hazy surreality and bleak obsessions, but it’s an intriguing and engaging read.

The book presents several recurring themes: mothers, murder, the murder of mothers, etc.; as well as repetition of surreal settings involving dreams, drugs, and demented minds. Therefore, I’ll only discuss a handful of my favorite stories in the hope they are a reasonable representation. In “Murder,” a man meets an acquaintance on the train and is told of the murder said acquaintance committed, told in a matter-of-fact tone. This prosaic approach to murder is a recurring element of Csáth’s stories as well, and it lends to both the surreal and eerie nature of the stories. “Little Emma” is about a “play hanging” committed by a group of kids. In “Young Lady,” a patient in an insane asylum tells his friend about his obsession with a young woman. “A Joseph in Egypt” is the story of a dream in which the dreamer engages in a tête-à-tête with a married woman. In “Toad” a man imagines he wakes up to find a monstrous toad in his bedroom, or so he believes. In “Matricide,” brothers attempting to rob their mother end up murdering her when she awakes during the crime. “Father, Son” is the story of a young man going to retrieve his father’s remains from the medical school that had come into possession of the body because his mother didn’t have the funds to afford a proper burial while the son was away overseas.

If you enjoy macabre and surreal stories, this collection is well worth reading. However, it will not be everyone’s cup of tea, owing to the dark tone and themes of the stories.


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BOOK REVIEW: Identity: A Very Short Introduction by Florian Coulmas

Identity: A Very Short IntroductionIdentity: A Very Short Introduction by Florian Coulmas
My rating: 5 of 5 stars

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This book explores the slippery metaphysical concept of identity — not only as it’s presented in philosophy, but also in psychology, law, politics, anthropology, and literature. It begins with individual identity and expands outward to encompass gender, political, socio-economic, and linguistic identities. The aforementioned slipperiness of identity stems from the fact that we all have an intuitive grasp of identity that could be leading us astray. It tends to make us believe that aspects of identity are inherent features of the universe, when – in fact – they may be arbitrary designations – in which case, a given criterion or classification of identity may be chopped up in different ways than a given culture happened to glom onto.

I learned a great deal from this Introduction, and feel it was well organized and presented. How we see various dimensions of group identity (as well as how we weight them) has a lot to do with our social tensions and strife, and the issues around identity are worth dissecting — despite the fact that it might seem like a dry academic topic at first blush.

If you’re interested in learning more about identity, selfhood, and how various group identities feature in an individual’s overall identity, this book is worth investigating.


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BOOK REVIEW: Swamp Thing, Vol. 1 by Brian K. Vaughan

Swamp Thing by Brian K. Vaughan, Vol. 1Swamp Thing by Brian K. Vaughan, Vol. 1 by Brian K. Vaughan
My rating: 5 of 5 stars

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The first thing to be aware of is that the protagonist of this book is Tefé Holland, daughter of Swamp Thing, and the titular character is only in the book for a few frames of flashback. This has the advantage of making for a confused and tormented lead character, a sort of coming-of-age element. Tefé struggles with who she is, and this leads to some wonky behavior. At times, she doesn’t do what would be expected of a superhero, but at other times she does, and this makes her character feel constantly off-kilter. One doesn’t straight away develop an affinity for the character, or – if one does – it comes and goes as she responds to varied situations in various ways. However, this seems to be intentional, a reflection of the fact that she doesn’t know if she’s the protector of the plant world, of humanity, of both, or of neither. She’s at once a pretty and sweet young woman and a terrifying god-like Elemental. She has a couple of “sidekick” characters, Barnabas and Pilate that help lend humanity and provide contrast (given the hardcore nature of these two men, they tend to make Tefé seem even more extreme as they are the ones to talk her down.)

While the Swamp Thing and its extended character-verse is heavy with environmental message, the book is not written to bludgeon the reader with rebukes or preach to the choir. It keeps the lessons subtle enough that I didn’t feel the book swerving into preachy mode, and it remains entertaining throughout.

I enjoyed this volume. It can feel a little disjointed and might read more smoothly for someone who’d read previous Swamp Thing series, but with attentive reading, one can certainly follow the action. (Another potential advantage of it focusing on the daughter character.) [FYI- This is the third of seven series.]

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BOOK REVIEW: Nights of Plague by Orhan Pamuk

Nights of PlagueNights of Plague by Orhan Pamuk
My rating: 5 of 5 stars

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Too soon? I’m interested to see how this brilliant novel does, not because anyone will question that it’s a well-crafted story but because it’s definitely less escapist in the wake of the COVID pandemic. Ordinarily, it would have all the emotional distance of historical fiction. However, here we have a novel set around the turn of the twentieth century, and it features the conspiracy theorists, the science deniers, the pandemic opportunists, and those prone to whistle through the graveyard as a disease eats their community alive – i.e. characters with whom we are now all too familiar.

The novel takes place on the fictional island of Mingheria in the Aegean (Mediterranean) Sea between Turkey and Greece during the waning years of the Ottoman Empire. Given its geography, Mingheria is a potential powder keg under the best of circumstances, being about half Greek Christian and half Turkish Muslim, both of whom overwhelm a group who identify primarily as Mingherian and who want to establish their own state, reflecting a primacy of Mingherian identity. (Not unlike those Kashmiris who want an independent Kashmir because they see their problem not as being a Muslim – Hindu one, but rather an India – Pakistan one.) While the story is full of both Mingherian domestic and international politics, it’s the plague that drives everything, or – more accurately – fearful (and often ill-advised) responses to the plague.

At the heart of the story are Princess Pakize and her husband, Doctor Nuri. The couple is diverted to Mingheria while sailing to China. The reason the Sultan changes their itinerary is two-fold: first, to fight a worsening outbreak of bubonic plague, and, second, to learn who killed the last doctor sent to lead the quarantine response, Dr. Bonkowski. (Bonkowski was a well-regarded medical expert who is killed by unknown perpetrators in the early chapters of the book.) As Nuri is engaged in public health matters and the Princess is occupied by writing letters to her sister and contemplating Bonkowski’s demise, they are swept up in events that will ultimately lead to a revolution and coup d’état. When those who oppose the public health measures (e.g. prohibition of Muslim funerary bath rituals) gain control, the epidemic swells to horrific proportions. As in Pamuk’s excellent novel, Snow, the tension between modern / progressive forces and religious traditionalists is ever present (not unexpected given Turkey’s long history of conflict between reformers and fundamentalists.)

This book is compelling and, in the wake of the COVID pandemic, makes a profound commentary on how far we haven’t come.


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BOOK REVIEW: Killadelphia Deluxe Edition, Book One by Rodney Barnes

Killadelphia Deluxe Edition, Book One (Killadelphia, 1)Killadelphia Deluxe Edition, Book One by Rodney Barnes
My rating: 5 of 5 stars

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Release Date: November 22, 2022

Just when you think the vampire subgenre has been done to death, a graphic novel comes along that grabs one’s attention and reignites one’s affinity for the trope. As the title suggests, one of the ways that this book establishes itself as something different is to lean into setting, a setting with a unique heritage but no particular connection to vampires, in this case Philadelphia. The book takes cross-genre to the extremes, involving not only speculative fiction / horror but, also, historical fiction and detective fiction.

Killadelphia doesn’t do anything groundbreaking, but it does an exemplary job with an assortment of common tropes and plot devices. Like Seth Grahame-Smith’s Abraham Lincoln: Vampire Hunter, the book mashes up vampires and historical figures, but – in this case – Barnes goes more obscure by using John and Abagail Adams. The book also plays on the dysfunctional father / son relationship as source of tension and character growth. In this case, James Sangster Jr. comes to Philly due to the untimely death of his father, James Sangster Sr., but the father’s death turns out to be more of an undeath, the detective having been caught up in an investigation that led him into a den of vampires. This ultimately plays into a reluctant team up as the Philly vampire scene goes epidemic.

There’s some ancillary material with this deluxe edition, most notably a werewolf comic that takes place in the same universe, called Elysium Gardens. [Otherwise, it’s the usual alternate cover art and author exposition type stuff.]

I enjoyed Killadelphia and would put it in the upper echelon of vampire-inspired graphic novels that I’ve seen of late.


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BOOK REVIEW: The Power of Podcasting by Siobhan McHugh

The Power of Podcasting: Telling stories through soundThe Power of Podcasting: Telling stories through sound by Siobhan McHugh
My rating: 5 of 5 stars

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This book is in part a how-to guide, and in part a history of podcasting’s rise, though a history that tries to look from within rather than from a distance as much as possible. The two major thrusts of the book are story and sound. Of the many varieties of podcasts that exist today, the focus of this book is on ones that are story-centric, be they non-fiction or fiction. [Of course, there’s an argument that all podcasts should employ story to some degree, even if they aren’t of a format that facilitates an overarching story.] McHugh, herself, uses stories and what I’d call meta-stories (i.e. the stories of how various podcast-delivered stories got told) extensively throughout the book.

With respect to sound, there’s a lot of background sound and music that makes the difference between a professional sounding podcast and one that’s not. This is a particularly difficult subject to grasp because – while one often experiences background sound and music drawing one deeper into the story (or – perhaps more accurately – one feels its absence as a vague sense of detachment,) one tends not to be aware of this background audio on a conscious level. Therefore, discussions that point out the thinking about background audio choices can be profoundly eye-opening for a neophyte, such as myself.

When I say that the book has a podcasting how-to aspect, I should emphasize it doesn’t get into the technical aspects (i.e. what kind of mic to buy and how to use it,) but rather it discusses such topics as scripting, interviewing, editing / reorganizing for effect, and starting out. The book also has chapters at the end about increasing diversity in what has been an extremely Caucasian-centric industry as well as offering insight into potential future directions of audio storytelling. Throughout. there are short interviews with individuals with expertise in the industry, and there’s an extensive appendix, listing podcasts and podcasting resources.

If you’re interested in starting a podcast or learning more about podcasting, I’d highly recommend this book.


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BOOK REVIEW: Body Am I by Moheb Costandi

Body Am I: The New Science of Self-ConsciousnessBody Am I: The New Science of Self-Consciousness by Moheb Costandi
My rating: 5 of 5 stars

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In this book you’ll learn about: a man who wanted a perfectly healthy leg amputated, a fisherman who felt like his hands were crab claws, a woman who felt she wasn’t responsible for the actions of her hand, various people who’ve experienced “Alice in Wonderland Syndrome” [i.e. feeling one has shrunk or stretched,] and about many other issues stemming from the body’s sensory and motor integration with what we think of as the mind. For most of us, the most powerful take-away to be gained from this book is just how wonderful and awe-worthy it is that we have bodies that are so well integrated and coordinated that we can go about life engaging in all sorts of fascinating and productive activities.

While this isn’t the only book that addresses this subject, I think it’s a topic worth learning more about and reflecting upon in depth. We can get so out of touch with the fact that our body is integrated with our mental and sensory experiences that we take “brain in a vat” scenarios as a given for the near future, as if one is the sum of one’s neuronal connections. This book will disabuse one this notion. In fact, the final chapter (Ch. 10) questions the proposition that copying consciousness is a matter of mastering such neuronal mapping. It’s easy to miss how much of our emotional experience is rooted in what’s happening in our guts and heart, and how much all the non-central nervous system parts of the body play in our conscious experience of the world.

I learned a great deal from this book and would highly recommend it.

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BOOK REVIEW: Comedy: A Very Short Introduction by Matthew Bevis

Comedy: A Very Short IntroductionComedy: A Very Short Introduction by Matthew Bevis
My rating: 5 of 5 stars

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This introductory guide examines comedy in a broad fashion, covering literary, historical, philosophical, and – to a limited degree – its psychological dimensions. The book investigates the shifting meaning of the word “comedy” and the changes in media and mechanisms through which it’s been conveyed. So, if you’re concerned (or hoping) that this book is simply an accounting of comedy as the literary genre counter to tragedy, that’s not the case. It discusses not only literature and drama, but also standup comedy and other devices by which humor is conveyed, and it uses “The Simpsons” as well as “Candide” and “Don Quixote” as examples to get points across.

This VSI guide does have a little bit of overlap with the “Humour: VSI,” but where that book focuses heavily on the theory of what makes something humorous, this book addresses that subject in a much more superficial way. On the other hand, this book spends more time looking at comedy from ancient times onward and how its ways have changed since the age of the classics. This guide also peers more beyond the cognitive and philosophical aspects of humor to how elements such as physicality, persona, and even death play into comedy.

It is a scholarly introduction, so one shouldn’t expect a laugh riot, but it is a more entertaining read than if it only looked at comedy as the literary mode opposed to tragedy. If you wish to develop further insight into the many facets of comedy, it’s worth checking out.


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