When I heard the learn'd astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander'd off by myself,
In the mystical moist night-air, and from time to time,
Look'd up in perfect silence at the stars.
In a square hut -
beside a craggy pass -
lived a Crouching Tiger,
a man of spontaneity
who danced to no music,
staggered when sober,
rested in times of urgency,
& labored when there seemed
to be nothing in need of doing.
He was courted by Emperors,
but shunned them.
The only way the Emperor
could get him to visit was
to order his exile.
Rains have come & gone.
Neon red shape-shifts
across the puddles,
and sparkles on glistening
roadways.
People converge
on those rain slick streets,
expecting to be fed.
Vendors work crinkling tarps,
trying to remove them without
sloshing standing water --
working with controlled haste.
Fires are lit and dialed in.
Soon plumes of aroma
from street food delicacies
will stretch down the street:
Silently calling & bewitching.
What a moment!
When you realize
that your lips had been more numb
than from Szechwan peppercorns,
and that numbness
has slid into paralysis.
You are dying:
death by Fugu --
poison blowfish.
Your heart will stop.
You will keel over,
falling from your stool
at the sushi counter.
A booth-dweller,
seeing you bounce off
an adjacent patron,
wonders why you don't
bring your arms up to catch yourself,
but - of course - they're dangling
uselessly,
and so you land face first.
The booth-dweller cringes.
There's nothing to be done for you.
You had the nerve
to try the Fugu!
But, while Fugu life is exhilarating;
Fugu death is inglorious.
Bohemians gathered around the absinthe bottles, the light hitting the bottles shone a radioactive shade of green. That green light threw blotches against walls & floors & people & anything else there was to illuminate. The more they drank, the less green the mottling -- not because the empty glass was clear, & didn't refract, or spray green, but because the splotches turned every color -- every color there is -- and the colors danced around the increasingly amorphous surfaces. Until, at last, everyone was asleep, and visions of Green Fairies danced in their dreams.
Eight arms
seeking eight
different states
of being.
Winding sinuously
toward eight
different ends.
Wrapping opposing
limbs around
antipodal objectives,
it risks tearing
itself in twain…
but knows better.
With lazy mazy motion the fish slips through its watery world. With no apparent purpose but to trace out a route through dreamland.
One foot in the river. One foot on the shore. Both feet sunk in the mud. The fisherman casts his net with perfect flick and spin, muck extruding between toes. The sling is the one quick part of the movement: quick, but unrushed. The net is hauled back, slowly and methodically, pressing out excess water while offering no escape route. How many casts per day? As many as are necessary. There are other fishers, out on languidly rocking boats, casting out in the river. And in rivers everywhere: in the Mekong, the Amazon, the Euphrates, and the Mississippi Delta. Everywhere, they are casting.
When setting sunlight warms
silvery tree trunks &
mangrove reeds,
and they alternate with
deep shadows,
I finally understand
the tiger’s camouflage.
I click on Google Maps;
a pin highlights for a cemetery,
and, here, I stumble upon
graveyard reviews.
These reviews intrigue me because
it seems to me that if one is capable
of writing a cemetery review,
then one is unqualified.
And, if one is qualified to comment
on the caliber of an eternal resting place,
then one is unlikely to be capable of
posting a review.
I read one of the one-star reviews
and see that the reviewer's principal complaint
is an overabundance of "pocong."
"What is a 'Pocong?'" you may ask.
It is a Javanese ghost that takes up
occupancy in death shrouds.
Why is there a Javanese ghost
infestation in a cemetery 4000 kilometers
from Java, and -- as near as I can tell --
with zero Javanese occupants?
The review does not say,
but I love that someone panned
a cemetery based on the presence
of foreign ghosts
[and not because it is simultaneously
phasmophobic and xenophobic.]
But because it shows an unbridled commitment
to one's imagination that is usually
only seen among children.
Tiger Riding for Beginners 