The Outsider [Haiku]

two parrots peck
as a chipmunk watches -
the outsider

Fall in the Cemetery [Haiku]

autumn graveyard --
one tree holds its leaves
for no one in particular

Turtle’s Back [Haiku]

water rolls 
over rock rounded like
a turtle's shell

Daisies [Haiku]

two white daisies
smile bright and strong among
the wilted purples

Red Maple [Haiku]

a red maple leaf
flutters from a tree
to adorn my coat

The Shimmer Space [Common Meter]

I fell into a deep dreamhole
amid the broad daylight,
and tumbled and tumbled, stumbling
out in the dark of night.

I lost so many hours of life
where reflections shimmer.
I could not breathe, nor could I float -
I, the swimless swimmer.

I dropped, lost in those reflections.
They were my mind's great curse,
luring me to a shimmer space
that I could not traverse. 

Biodestiny [Free Verse]

linked machine to machine
we're bio-destined to oblivion

we can take our fidget romps,
but we're still turds migrating
through a litterbox called life

among us are sentient volcanoes,
self-aware, but not aware

BOOK REVIEW: The Three-Cornered World by Natsume Sōseki

The Three-Cornered WorldThe Three-Cornered World by Natsume Sōseki
My rating: 5 of 5 stars

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This novel was originally entitled Kusamakura or “Grass Pillow,” and it’s the Alan Turney translation that bears the title The Three-Cornered World. Turney drew from a concept that Natsume presents in the book – i.e. that an artist lives in the triangle created by the collapse of a corner called common sense. It’s a poetic and philosophical novel that is very much character-centric. In other words, if you must have an intriguing story, this book is not so much for you. However, if you find ideas and clever use of language appealing, you’ll love it.

The premise is that an artist takes retreat in the mountain countryside, and becomes infatuated with a local woman with a storied past. As the book tells us of the artist’s experience, it discusses aesthetics, the philosophy of art, and the place of emotion in artistic experience. This book is often compared to Bashō’s travelogue (i.e. Narrow Road to the Deep North) as it involves a great deal of elegant imagery and the occasional interspersed poem.

While the book is light on story, I was wowed by the author’s thought process and his use of language. While I’ve never read the original in Japanese, Turney’s translation is beautiful writing in its own right and I suspect it captures the sparse beauty for which Natsume’s work is famed. It is definitely worth reading.

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Rock at the End of the World [Haiku]

rock swells from sea,
a perfect perch to think on
the world's end