What lips my lips have kissed, and where, and why
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches toward Bethlehem to be born?
Orange orbs
cut with fearful faces:
Burning brightly
- daily & nightly -
As menacing medicine
for the cringe-impaired,
The ones who
never get scared --
unless a banal ball,
blazing & brainless,
(and in a manner
all but painless)
replaced the head
of their town's barber.
She walks in beauty, like the night
Of cloudless climes and starry skies,
And all that's best of dark and bright
Meets in her aspect and her eyes,
Thus mellow'd to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less
Had half impair'd the nameless grace
Which waves in every raven tress
Or softly lightens o'er her face,
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek and o'er that brow
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow
But tell of days in goodness spent,--
A mind at peace with all below,
A heart whose love is innocent.
I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert... Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.
I ventured beyond civilization,
and (by man's definition) I was lost.
I knew no near city, state, or nation.
Who knows what backwoods borders I'd crossed?
I'd drifted down streams: still and rapid tossed,
and when boat filled faster than I could bale,
I took to foot. Onward at any cost!
I passed over mountains and through their vales,
and trudged the badlands, unparted by trails.
But he who's lost is often he who finds,
and I learned history's forfeit details
in form of ruins in a sheltered blind.
Oh! What novel and beautiful sights
are had by lost souls in eternal nights!
Tiger Riding for Beginners 