upside-down bees work frenetically in the plush depths
bees huddle in uncountable numbers; i watch, alone
the buzzing bee zips flower to flower, spurning perfect blooms
When it had penetrated to maximum depth —
only the hind tip of abdomen protruding —
the blossom fell away,
plummeting leisurely — as light things do,
in a lazy spiral toward the earth.
And as the blossom and its captive bee
passed out of sight below my window,
I could only wonder about the bee’s fate.
It did not zoom up past my window
at the last possible second
with a pronounced doppler shift
in the manner of stalled aircraft
pulling out of a dive in a Hollywood movie,
but that doesn’t mean the bee didn’t escape
If it didn’t escape,
what would that crash be like?
A light-weight creature trapped in the soft folds
of flower petals, with a combined lightness
such that air-resistance cannot be ignored
the way one does in Physics problems involving bowling balls.
What would that crash be like?
[A pantoum is a Malay form built in quatrains, and which uses repetition of lines. The second and fourth lines of one stanza become the first and third of the next. The final stanza can, but doesn’t necessarily, revisit lines from the first stanza.]
She concentrates on the hov’ring bee.
It becomes the sum of all things in her world.
There’s nothing else to feel or hear or see.
Only the bee alighting, body curled.
The bee is all that resides in this world.
Its undulation lulls her into trance.
She sees it flit and hover, its body curled.
The moment slows to show her its wee dance.