Is your life today what you pictured a year ago?
I make no predictions. Forecasting is a sucker’s game.
PROMPT: A Year Ago
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Tag Archives: Philosophy of Life
“Without desire everything is sufficient” by Ryōkan Taigu
Without desire everything is sufficient.
With seeking myriad things are impoverished.
Plain vegetables can soothe hunger.
A patched robe is enough to cover this bent old body.
Alone I hike with a deer.
Cheerfully I sing with village children.
The stream under the cliff cleanses my ears.
The pine on the mountain top fits my heart.
Translation by Kazuaki Tanahashi and Daniel Leighton in Essential Zen (1994) HarperSanFrancisco.
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“A Passage to India” by Walt Whitman [w/ Audio]
Passage O soul to India!
Eclaircise the myths Asiatic, the primitive
fables.
Not you alone, proud truths of the
world,
Nor you alone, ye facts of modern
science,
But myths and fables of eld, Asia's, Africa's
fables,
The far-darting beams of the spirit, the
unloos'd dreams,
The deep diving bibles and legends,
The daring plots of the poets, the elder
religions;
O you temples fairer than lilies, pour'd over
by the rising sun!
O you fables, spurning the known, eluding
the hold of the known, mounting to
heaven!
You lofty and dazzling towers, pinnacled,
red as roses, burnish'd with gold!
Towers of fables immortal, fashion'd from
mortal dreams!
You too I welcome, and fully, the same as
the rest!
You too with joy I sing.
Passage to India!
Lo, soul! seest thou not God's purpose from
the first?
The earth to be spann'd, connected by
network,
The races, neighbors, to marry and be given
in marriage,
The oceans to be cross'd, the distant
brought near,
The lands to be welded together.
A worship new I sing,
You captains, voyagers, explorers,
yours,
You engineers, you architects, machinists,
yours,
You, not for trade or transportation only,
But in God's name, and for thy sake, O
soul.
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FIVE WISE LINES [December 2024]
Today as in ancient times
Mei Yaochen in Poets’ Jade Splinters
it’s hard to write a simple poem.
To be undefeated lies with oneself;
Sunzi in The ART of War (孙子兵法)
to be victorious lies with the enemy.
A buddha is an idle person.
Bodhidharma; Bloodstream Sermon
He doesn’t run around after fortune and fame.
What good are such things in the end?
Not what we have, but what we enjoy, constitutes our abundance.
Epicurus
Take more time, cover less ground.
Thomas Merton
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BOOKS: “The Book of Five Rings” by Miyamoto Musashi [trans. by Thomas Cleary] [w/ Yagyu Munenori’s “Book of Family Traditions”]
The Book of Five Rings: A Classic Text on the Japanese Way of the Sword by Miyamoto MusashiMy rating: 5 of 5 stars
Publisher Site – Shambhala Publications
This edition, i.e. The Shambhala Pocket Library edition, contains two guides to strategy, tactics, and philosophy of combat by famous early Edo Period swordsmen. The titular work is Miyamoto Musashi’s The Book of Five Rings, but the volume also contains Yagyu Munenori’s The Book of Family Traditions. The naming of the book is meant to capitalize on the continuing popularity of Musashi, who remains well-known to this day not only because of his own works and legend, but because of an afterlife in pop culture that ranges from Eiji Yoshikawa’s novel to a recent Netflix animated series. That said, one shouldn’t conclude Yagyu Munenori was some sort of slouch. He was, in fact, a martial arts teacher to the Shogun’s son, and he founded a branch of his family’s martial arts school that continues to this day.
It is interesting to see these two guides back-to-back, being by authors whose lifespans largely overlapped, though – in other ways – their lives were quite different. While there is some conceptual overlap in these guides, the two definitely show two very different minds at work, Musashi the pragmatic eccentric and Yagyu the Zen philosopher of noble standing.
Miyamoto Musashi is probably the most famous swordsman in Japan’s history. Oddly enough, he’s not known for his experience in battle (he lived at the tail end of the Warring States period and was only in a couple battles), but – rather – for his 62 duels. The Book of Five Rings and other works he left behind are certainly important factors in his continuing fame. Musashi was a bit of a renaissance man: painter, poet, and sculptor in addition to a swordsman. He also left behind a school of swordsmanship, Niten Ichi-ryū.
The Book of Five Rings is divided into five parts: earth scroll, water scroll, fire scroll, wind scroll, and void scroll.
The earth scroll provides an overview of martial science and an introduction to Musashi’s school, which is noted for its simultaneous use of both the large and short sword. A section is devoted the rhythm of martial arts, a crucial topic. It also includes what might be considered Musashi’s 9-point budō kun (a list of warrior precepts.)It’s worth mentioning a couple of these:
#7 Become aware of what is not obvious.
#9 Do not do anything useless.
The Water scroll describes Musashi’s approach to swordsmanship. It covers a range of elements of a martial art including footwork, the focus of one’s eyes, physical posture, mental posture, techniques, and approaches to cutting and thrusting.
The Fire scroll deals with the strategic or interactive aspects of the battle.
The Wind scroll explores other martial arts. Musashi discusses martial arts that use an unusually long sword, an atypically short sword, that focus on powerful strikes, and those that focus on many rapid strikes. He contrasts other martial arts with his own on subjects such as their focus with the eyes and their footwork.
The void scroll deals with, well, emptiness. It’s actually a short wrap-up.
Yagyu’s guide is much more philosophical and mind-centric. It’s not that Musashi doesn’t deal with such topics, but he also devotes considerable space to more practical nuts and bolts of swordsmanship and strategy. It’s also true that Yagyu gets into technical considerations such as control of distancing (if in a bit more poetic way than Musashi.) One can get a feel for the nature of Yagyu’s Book of Family Traditions [on the Art of War] by seeing how it is organized into three parts: “The Killing Sword,” “The Life-Giving Sword,” and “No Sword.” The latter two indicating the author’s belief in the importance of not equating warrior and killer (nor winning with killing) as well as not fixating on the sword.
These two men had great insight into strategy and the tactics of swordsmanship, their guides are worth being read and reread. And the two authors do offer two intriguingly different approaches to a similar subject.
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BOOKS: 道德经 by 老子 [a.k.a. Daodejing by Laozi]
老子道德经校释（简体中文版）: 中华传世珍藏古典文库 by 王弼My rating: 5 of 5 stars
Available in Traditional & Simplified Chinese [w/ multiple translations] at YellowBridge
Packed into the 81 brief chapters of this book is the core Taoist philosophy on life, human relationships, governance, and war. Most often, it offers a wisdom that turns conventional wisdom on its head, advocating for inaction over action, less over more, simplicity over complication, and for recognizing the usefulness of what isn’t.
Some of the book’s central ideas are captured in these quotes:
上善若水。水善利万物而不争. “The greatest good is like water. It benefits all without fighting.” [Ch. 8]
金玉满堂，莫之能守 “A house full of jade and gold cannot be guarded.” [Ch. 9]
知人者智，自知者明。胜人者有力，自胜者强。“He who knows others is smart; he who knows himself is enlightened. He who conquers others has power; he who conquers himself is mighty.” [Ch. 33]
柔胜刚，弱胜强。“Softness overcomes hardness; weakness overcomes strength.” [Ch. 36]
道常无为而无不为。“The Dao is constant inaction, yet nothing is left undone.” [Ch. 37]
善者，吾善之；不善者，吾亦善之；德善。“The good, I treat well; the bad, I also treat well. Yeah Virtue!” [Ch. 49]
知者不言，言者不知。“He who knows does not speak; he who speaks does not know.” [Ch. 56]
千里之行，始于足下。“The journey of a thousand li (“miles”) begins with a single step.” [Ch. 64]
天之道，不争而善胜 “The way of heaven is to win without fighting.” [Ch. 73]
信言不美，美言不信。“True words aren’t pleasing; pleasing words aren’t true.” [Ch. 81]
I think this is one of those works that should be read and reread. It may help rewire your brain in useful ways.
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“Nuns Fret Not at Thier Convent’s Narrow Room” by William Wordsworth [w/ Audio]
Nuns fret not at their convent's narrow room;
And hermits are contented with their cells;
And students with their pensive citadels;
Maids at the wheel, the weaver at his loom,
Sit blithe and happy; bees that soar for bloom,
High as the highest Peak of Furness-fells,
Will murmur by the hour in foxglove bells:
In truth the prison, into which we doom
Ourselves, no prison is: and hence for me,
In sundry moods, 'twas pastime to be bound
Within the Sonnet's scanty plot of ground;
Pleased if some Souls (for such there needs must be)
Who have felt the weight of too much liberty,
Should find brief solace there, as I have found.
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PROMPT: Hardest Decision
What’s the hardest decision you’ve ever had to make? Why?
Probably to leave a job. Because it was a move from stability, security, and respectability to… not.
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PROMPT: Pet Peeves
[Note: I will assume this to be the colloquial usage of “pet peeves” as I have no peeves about pets whatsoever (in fact, compared to most human children I see running around, I find pets to be positively civilized.)]
With that in mind:
1.) Forcing a “favor” on another person in expectation of some kind of reciprocation (usually outsized in scale to the fake favor.)
2.) Using the Q & A section of a program to make one’s own speech (the subtext being that one — rather than the lunkhead who just presented — should have been the one invited to speak in the first place.)
3.) Acting as though one particular set of cultural norms is the only moral / ethical way to live.
Bonus response: As we are presently on a blogging platform, I should mention a blogger’s peeve: Using another’s comment section as an advertisement for one’s own content — particularly with no actual comment about the post to which one’s “comment” is attached. I realize blogging is inherently a self-centered activity, but let’s not fall full-Narcissus into it.
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“The Human Seasons” by John Keats [w/ Audio]
Four Seasons fill the measure of the year;
There are four seasons in the mind of man:
He has his lusty Spring, when fancy clear
Takes in all beauty with an easy span:
He has his Summer, when luxuriously
Spring's honied cud of youthful thought
he loves
To ruminate, and by such dreaming high
Is nearest unto heaven: quiet coves
His soul has in its Autumn, when his wings
He furleth close; contented so to look
On mists in idleness -- to let fair things
Pass by unheeded as a threshold brook.
He has his Winter too of pale misfeature,
Or else he would forego his mortal nature.
