Tag Archives: nonfiction

BOOK REVIEW: Native American Literature: A Very Short Introduction by Sean Teuton

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Native American Literature: A Very Short IntroductionNative American Literature: A Very Short Introduction by Sean Teuton
My rating: 5 of 5 stars

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This VSI (Very Short Introduction) stimulates curiosity from its very title. One might be interested in, but not necessarily intrigued by, titles such as: “Native American Folklore,” or “Native American Mythology.” However, when one thinks of the world of Native American story and language-centric art, one is likely to first think of oral storytelling, and then, secondarily, about the immensely popular genre / commercial fiction of someone like Stephen Graham Jones. Even if one is aware of some of the Native American literary works that got widespread attention and praise, works such as Momaday’s “House Made of Dawn” or the poetry of Joy Harajo, one may wonder whether there’s the basis for such a broad overview style book.

That’s just the notion that this book seeks to challenge. That said, until the final two chapters, it doesn’t always feel like the topic is as advertised. That is to say, with the exception of chapter two — which discusses the oral storytelling of various Native American tribes, much of chapters one through five is historical and cultural background designed to provide context for the creation of a Native American literary canon, but without talking about the canon’s components much. Some of the questions addressed include: how Native tribes came to written language, in general, and then to the English language, specifically; how self-image of tribal peoples shifted over time (and how that impacted the nature of written works;) the nature of various strains of Native literature (e.g. literature of resistance v. literature of assimilation, and so on.)

I learned a lot from this brief guide. I’m not going to lie, it does have some sections that are dry and quite scholarly, but it also raises some interesting ideas while introducing the reader to books that will be wholly unfamiliar to some and largely unfamiliar to most.

If you’re interested in how Native American literature came to be, I’d recommend one check it out.


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BOOK REVIEW: Jagannatha of Puri by Gayatri M. Dutt

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Jagannatha of puriJagannatha of puri by Gayatri Madan Dutt
My rating: 4 of 5 stars

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I recently visited Puri, and – seeing the little, big-eyed Jagannath idols and images all across Odisha – I was curious to learn about the mythology behind the Puri temple and its tripartite deity. This 30+ page comic may not be the most scholarly or detailed account, but it may be the quickest way to get the gist of the story. And the comic does present an intriguing morality tale that includes lessons of patience and unselfishness.

The story begins with a king who is obsessed with finding a fabled cave-shrine that he was directed to in a dream. The king sends his best men out in search of the cave as its whereabouts are unknown. In time, one of the men stumbles upon a village whose chieftain is said to regularly make secretive visits to the cave and its idol. And from there, the race is on to get the king to the cave. But the deity is elusive, and insists that its followers work together harmoniously.

It’s a clear and well-developed story. It blends intriguing trippy elements like time-travel and messages in dreams with traditional religious mythology.

If you’re looking for a brief explanation of the Puri temple and the Jagannaths, it’s worth giving this short comic a look.


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BOOK REVIEW: Romanticism: A Very Short Introduction by Michael Ferber

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Romanticism: A Very Short IntroductionRomanticism: A Very Short Introduction by Michael Ferber
My rating: 4 of 5 stars

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Romanticism was a literary, artistic, and philosophical movement of the late 18th and early 19th century. It’s commonly believed to have been a response to the Enlightenment, a desire to not throw out the baby with the bathwater as the influence of religion waned. In this book, we learn that that’s a misleading oversimplification, but not one completely devoid of truth.

Like a lot of “movements,” Romanticism is a fairly loose set, containing a disparate band of entities. This is exacerbated because it’s not just, say, a style of painting or of music, but rather it cuts across a diverse range of activities. Because of that, the book offers the least clarity in the opening chapters (ch. 1&2) and in the last one (ch. 6.) The first two try to rope in Romanticism and to differentiate it from “sensibility,” a movement oft-confused for Romanticism. The last chapter attempts to show the commonality that cuts across different domains, e.g. how are Romantic paintings similar to Romantic novels, or – for that matter – Idealist philosophy.

However, starting with chapter three, the book provides clear insight into the nature of Romanticism. Chapter three investigates poetry. Chapter four examines philosophy and Romantic attitudes towards religion and science. This was quite eye opening to me because I’d previously contrasted Romanticism with the Enlightenment, and here I learned that the Romantics’ views on religion and science were far from the opposite end of a spectrum. Chapter five shines light on the social context of Romanticism, focusing on politics, the French and the Industrial Revolutions, and War, but also evaluating what influence, if any, Romanticism had on changing views toward women.

I feel I came away from the book with a better understanding of Romanticism, and so I’d recommend it for others interested in learning more.

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BOOK REVIEW: Introducing Wittgenstein: A Graphic Guide by John Heaton

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Introducing Wittgenstein: A Graphic GuideIntroducing Wittgenstein: A Graphic Guide by John Heaton
My rating: 4 of 5 stars

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This concise guide offers a sketch of the life of the early twentieth century philosopher, Ludwig Wittgenstein, focusing on the evolution of his philosophical thought. As with other volumes in the series, it begins with biographical background of ancestry and youth before turning its focus to the ideas for which the subject gained fame, occasionally shifting back to more biographical focus to discuss impactful moments from his life. Wittgenstein served in World War I and had a somewhat strange academic career.

Wittgenstein had his hands in a lot of pots, studying the philosophy of logic, ethics, science, mathematics, language, and the mind. The book provides brief summaries of key ideas such as language games, family resemblances (as applied to groupings other than families,) philosophy as a form of therapy, the ubiquity of tautology in logic, the illusion of self, etc. In many cases, the ideas cut across neat boundaries as where questions of language, perception, and the nature of the self may overlap. I found I got the most out of Wittgenstein’s thinking on language and its limits. While some of the ideas were strange, others were illuminating.

This book provides a fine guide for the neophyte looking to be introduced to Wittgenstein’s work. Philosophers will likely find it lacking in depth, but few will find it too complicated or arcane. If you wish to learn more about the life and philosophy of Wittgenstein, it’s worth checking out.


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BOOK REVIEW: The Sunny Nihilist by Wendy Syfret

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The Sunny Nihilist: A Declaration of the Pleasure of PointlessnessThe Sunny Nihilist: A Declaration of the Pleasure of Pointlessness by Wendy Syfret
My rating: 5 of 5 stars

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In this book length essay, Syfret proposes that the reader reconsider the much-maligned philosophy of Nietzsche, arguing not only that it needn’t lead one into a dreary morass of gloomy thinking, but that it might just help one live more in the now while escaping brutal cycles of self-punishment. She has her work cut out for her, but she doesn’t shy from the challenge. Much of what she discusses could just as easily be presented under the guise of the less melancholious brother school called Existentialism, but Syfret embraces the vilified term, at least it’s cheerier side, under the moniker “Sunny Nihilism.”

Nihilism proposes that there is no inherent “god-given” meaning to, or purpose of, life. There’s no god to create such meaning and purpose. This notion is accepted as a given by most scientifically-minded people today, but it still results in the occasional visceral dread. For cravers of meaning, the argument goes like this: at least some of life is suffering, why should I subject myself to suffering if there isn’t some grand purpose and plan.

The retort of many nihilists and existentialists goes, “You only feel that way because you’ve made mountains out of molehills through your obsession with meaning, purpose, and divine plans. The experience of being able to experience life is awesome, but you make the whole of life such a daunting prospect that anything that doesn’t turn out perfectly makes you angst-ridden. You worry far too much, and – what’s worse – you’re usually worried about the wrong things. You’re missing the freedom that comes from being able to choose for yourself what you value and to put your setbacks in perspective.”

The book also explores such related issues as: coping with the pandemic, millennial malaise, celebrity deification, and how technology and social media influence the light and the dark sides of nihilism.

I found the book to be thought-provoking, and I’d recommend it for anyone looking for a philosophy to help them live through the trials of our age.

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BOOK REVIEW: Humour: A Very Short Introduction by Noël Carroll

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Humour: A Very Short IntroductionHumour: A Very Short Introduction by Noël Carroll
My rating: 4 of 5 stars

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As both Mark Twain and E.B. White made abundantly clear, humor is like a frog; dissection kills it and few are interested in watching that happen. Which isn’t to say that dissection isn’t useful. But it does mean that readers who are looking for a book that’s a laugh-riot are looking in the wrong place. Most of the example jokes were ancient when the book was first published eight years ago. (They’re good jokes. Bad jokes don’t become old jokes, they die ignominiously.) All that aside, this book provides an intriguing look into such questions as: 1.) why do we find things humorous in the first place? (We take humor for granted, but – think about it – there’s no rationale for things being funny that automatically springs to mind;) 2.) how, if at all, does humor relate to our broader emotional experience; and 3.) when, if ever, is humor unethical?

This concise guide has three parts. In the first part, we learn the various theories of humor, and learn that the author favors Incongruity Theory (i.e. humor is – first and foremost – a recognition of and response to incongruities.) In the second, the author discusses the debate over whether humor is an emotional experience, or something else. Finally, we learn about the value of humor and, in particular, the ethics of humor. There’s a continuum from those who believe that humor – in and of itself – is always ethical to those who think that it’s virtually always unethical (unless one can find a joke without a butt,) with many nuanced variations, in between.

I found this to be an intriguing guide to the philosophy and psychology of humor, and – if that’s what you’re in search of – you should check it out.


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BOOK REVIEW: Karate Science by J.D. Swanson

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Karate Science: Dynamic MovementKarate Science: Dynamic Movement by J.D. Swanson
My rating: 4 of 5 stars

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When I picked up this book, I did so with the hope that it would be to striking as Jiichi Watanabe’s excellent book “The Secrets of Judo” [now sold as “The Art and Science of Judo”] is to grappling. That didn’t turn out to be the case. If Watanabe’s book has a fifty / fifty split between science and judo, Swanson’s book is about 80 percent Karate manual and 20 percent science. It’s a fine book about karate techniques, but if you want to understand biomechanics and how to optimize your movement, I think you can do better (particularly, if you would like insights that apply beyond Okinawan Karate.)

The book had two failings, keeping it from living up to its potential. First, it didn’t use graphics as well as it could have to help the reader visualize what is being said, or to point out the subtleties under discussion. Second, it generally presents the science at a shallow level. I’d been pleased to see that there was a chapter on breath, because I think that’s one of the most important and under-discussed factors in any system of movement (martial or otherwise.) However, I was disappointed to see that there wasn’t much to it besides some philosophizing about ki-ai.

There were a few valuable tid-bits here and there, points about which the book adds to one’s scientific / bodily understanding. The best example of this is probably the discussion of Intra-Abdominal Pressure (IAP,) which is where the book most shines with respect to offering some food for thought.

If you study Okinawan Karate and are looking for discussions about the difference between how various schools perform techniques, this may be the book for you. However, if you’re expecting some science in a book entitled “Karate Science,” I suspect you can do better.


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BOOK REVIEW: The Beats: A Very Short Introduction by David Sterritt

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The Beats: A Very Short IntroductionThe Beats: A Very Short Introduction by David Sterritt
My rating: 5 of 5 stars

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This is the most fascinating book I’ve read in the VSI (Very Short Introductions) series, and I read a lot of these books as a means to mainline the gist of various academic subjects. I should point out that the subject matter is more colorful than the average scholarly topic. The Beats were a 1950’s American countercultural literary movement that some may confuse with the hippies of the 60’s, but which was different in many ways. As is emphasized in the book, the Beats were more about revolutions from within than they were about upending society. In that sense, they might have more in common with the Transcendentalists (i.e. Emerson, Thoreau, etc.) than the hippies. That said, some Beats did flow pretty smoothly from one movement to the next, and were both interested in revolution from within and without – most notably, Allen Ginsberg.

The first thing that one finds compelling is the biographical sketches of key Beat figures (i.e. chapters 3 and 4 on Beat novelists and poets, respectively.) A disturbing number of Beats lived tragically short lives, owing to drugs, alcohol (e.g. Kerouac,) and sometimes just being around a violent contrarian. Even the Beats who lived long lives had their share of outlandishness, such as William Burroughs killing his wife, Joan Vollmer, in an ill-fate William Tell imitation. (Those who know Burroughs from later in his career may wonder why he even had a wife, being gay and all. That’s just one of the ways that hidden, latent, and repressed homosexuality plays out as tragedy in the Beat story of the socially conservative 1950’s.)

The second thing I found absorbing was the discussion of how these writers and poets made art. Like the aforementioned Transcendentalists, the Beats drew heavily on Eastern philosophies and psychologies – most notably Buddhism, and Zen, in particular. Beat authors not only looked to the East for subject matter and aesthetics, but also to help them achieve the spontaneity and nowness associated with Zen. However, this wasn’t wholesale conversion to Buddhism, it remained a uniquely American strain, and also sought to draw inspiration from that most American of arts, Jazz.

If you’re interested in the Beats or their approach to writing, I’d highly recommend reading this book.


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BOOK REVIEW: The Transcendentalist by Ralph Waldo Emerson

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The TranscendentalistThe Transcendentalist by Ralph Waldo Emerson
My rating: 5 of 5 stars

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Free Online: Emersoncentral.com

In this short essay (about ten pages,) Emerson lays out an argument for Idealism over Materialism, and then contends that it’s reasonable to excuse oneself from the economic and civic aspects of society in favor of a simple life of introspection. [e.g. As Thoreau did in his years at Walden Pond.]

Emerson opens by suggesting that Transcendentalism is just Idealism by a different name. Idealism being a philosophical stance which puts consciousness at the fore while proposing that there is something beyond [that transcends] our experience of sensory information. The arguments put forth in favor of Idealism include the fact that sensory illusions exist and the Kantian critique of Locke’s view that there’s no more to the intellect than that which is or was sensory experience; Kant argues that there’s intuition. Kant’s influence is considerable, and Emerson explains that even the term “Transcendentalism” is derived from Kant’s use of the term “transcendental.”

The latter part of the essay echoes Emerson’s masterwork, the essay “Self-Reliance.” It proposes that it’s perfectly laudable to take advantage of the greatest gift one has, one’s consciousness, to introspect and indulge one’s need to better understand.

I may have mixed views on Emerson’s ideas, but one can’t say he doesn’t use language and reason and passion to make compelling claims. I found this brief essay to be both thought-provoking and inspirational, and I’d highly recommend it.


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BOOK REVIEW: Comparative Literature: A Very Short Introduction by Ben Hutchinson

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Comparative Literature: A Very Short IntroductionComparative Literature: A Very Short Introduction by Ben Hutchinson
My rating: 4 of 5 stars

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By the book’s end, I had a much better grasp of the field of Comparative Literature, which is a multidisciplinary subject concerned with comparing / contrasting various forms of literature across time and space (among other ways.) That said, it’s not one of the more friendly of books in this series for a neophyte in need of a grasp of the basics of a field. [I’m a big fan of the AVSI series, and frequently turn to it.]

I attribute the book’s problems to two factors. First of all, the first chapter didn’t feel like it really said anything, and I came away from it with the thought, “So, Comparative Literature is all the disparate things I thought it might be, and more.” I understand why there’s a desire for a broad overview upfront, but it would work better for a discipline that was more contained and orderly.

Second, while it might be the necessary way to tell the story of this discipline, the book spends a lot of space discussing comparisons between literary theorists and what felt like little in comparisons of works of literature. The challenge is that most readers come to such a book with an extensive understanding of major works of world literature, but few people outside the field are familiar with literary theorists and critics. A reader might expect to learn why and how “Don Quixote” would be compared to stories of Jorge Luis Borges or Ovid, but one learns more about how the ideas of Roland Barthes compare to those of George Steiner.

Once I got into the second chapter, I felt I was getting a little clarity on the subject and that the chapter was well organized for learning. In subsequent chapters, I found that there were many interesting ways of thinking about translation of literature, the debates in the field, and the competing ideas about discipline’s future. The book also has a useful further reading section that breaks down the various dimensions of comparative literature a little so that interested parties can find a line of attack to advance their studies.

Ultimately, I think the book helps one get a grasp of the subject, but I’d skip over the first chapter and then go back to it once one has a little confidence that there will be clarity rather than obscurity in store.


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