How often do you walk or run?
Every day. And sometimes I crawl, and – if there are monkey bars – I swing.
How often do you walk or run?
Every day. And sometimes I crawl, and – if there are monkey bars – I swing.
What strategies do you use to increase comfort in your daily life?
I don’t, but I have a lot of strategies for being more content in the face of various situations and environments — including uncomfortable ones. These include the yogic practice of dispassionate witnessing, minimalism, travel (and specifically minimalist travel to places – the less familiar the better,) and intense physical activity.
I think comfort as a major objective in life is overrated, and virtually insures a discontented life. A life in which one can be content, whatever may come along, is a happy life.
Mindfulness in Wild Swimming: Meditations on Nature & Flow by Tessa Wardley
Training and Conditioning for MMA: Programming of Champions by Stéfane Beloni Correa Dielle Dias
Yoga Anatomy by Leslie Kaminoff
Ageless Intensity: Effective Workouts to Slow the Aging Process by Pete McCall
Functional Training Anatomy by Kevin Carr
My rating: 4 of 5 stars
Exercise regimens that improve the body’s ability to coordinate movements in order to carry out particular actions relevant to the exerciser’s life have increasingly come to be valued in recent years. (Traditionally, fitness regimens often focused on one muscle / body part at a time without an eye toward whether the strengthened muscles worked well together when applied to the required motion – or sometimes regimens focused entirely on how the muscles look.) This book is designed to show muscle activation for a wide range of functional fitness training exercises. It is one volume in a series of anatomy for sports / exercise books put out by the publisher, Human Kinetics.
Each exercise under discussion features an anatomical cut-away drawing showing the muscles that are working, as well as a list of the primary and secondary muscles, a diagram showing which planes are being worked in during the exercise, a step-by-step description of how each exercise is performed, and a brief discussion of what functionality is improved by doing the exercise in question — always with a supporting drawing of a relevant action / motion. Some of the exercises offer a variation.
The book consists of nine chapters. The first chapter gives an overview of what functional training is (and how it contrasts with other approaches,) and provides the necessary background to understand the exercises explanations (e.g. the planes of the body,) the rationale for what exercises are included, and what must be kept in mind with this approach to exercise. Chapters two through five look at various types of exercise, besides strengthening exercises. These include: mobility / flexibility exercises (ch. 2,) motor control / movement preparation exercises (ch. 3,) plyometric exercises and kettle-ball (ch. 4,) and power exercises using heavy weights (ch 5.) Chapters six through eight focus on strength exercises by body part: upper body (ch. 6,) lower body (ch. 7,) and core / rotational strength (ch. 8.) The last chapter provides advice on how to put a program of functional training together.
The book doesn’t include much ancillary matter. The front matter consists of a brief preface, and the back matter provides an “exercise finder,” a detailed index to find the desired exercise rapidly. [The latter has a nice feature. It includes a drawing of the exercise. That’s useful because exercise names, while prosaically descriptive, can often be confusing (e.g. what two trainers call a “hip extension” may vary, though they will both no doubt feature extension of the hip joint in some way.)] There is a page for those who are using the book for Continuing Education (CE) credit that explains what resources are available.
I found this book to be beneficial and educational. I learned a few new exercises, and was provided with some interesting food for thought. The drawings are clear, both in their representation of the exercise and the anatomical cutaways. If you are looking for information on functional training, particularly which discusses muscle activation, I’d recommend you give this book a look.
The Modern Art and Science of Mobility by Aurelien Broussal-Derval
My rating: 5 of 5 stars
Amazon page
This book is designed to help athletes (and those who train athletes) increase mobility. The authors draw heavily upon yoga and martial arts drills (especially judo and jujutsu groundwork drills) in addition to the usual suspects of modern fitness – i.e. calisthenics, kettlebell, etc. It’s a visual book. The text is highly distributed toward the first half of the book. The heart of the book is pictures and descriptive captions of the exercises and practices described. This isn’t a complaint. I think there is sufficient discussion of the topics addressed and that said discussion was clear.
The book is organized into four parts, and — within each part — by anatomical region. The four parts are: Pain, Breathing, Movement, and Mobility. The section on pain offers many self-massage techniques, often using foam rollers or balls to counteract myofascial pain. I was particularly impressed to see an entire section devoted to breathing, and that it not only explored exercises to free up the diaphragm and intercostals (rib muscles) but also discussed issues such as the role of stress on breath. As mentioned the parts on movement and mobility are heavily oriented toward conveying exercise sequences graphically, and the chapters were oriented by parts of the body.
With a book that is so graphically-oriented, it’s important to mention that the photography, anatomical drawings, and diagrams are well done. The photos make it easy to see what is happening. It seemed to me that they used the right number of photographs to convey the movements involved, and they augmented these with arrows and lines to show direction of movement and alignments. It was usually quite clear what the movement was even before reading the captions. The photos are of varied sizes and orientations as needed to convey the exercise at hand. The anatomical drawings are clearly labeled.
I will say there were three exercises that I found troubling, but I gave the authors the benefit of the doubt as the book seems to be directed toward athletes. I don’t think these are things that will give most athletically-built people too much trouble especially when practice in moderation. However, as anyone may pick up such a book, I would be cautious of these three activities – especially if you haven’t been training in a while or are new. First, doing loaded lunges (i.e. barbells across the shoulders) with one’s knee way out forward of the toes. As the point of the book is mobility, I don’t have a problem with doing floor exercises on a knee this way, but that’s a lot of pressure to load onto connective tissue. Second, doing cobra (Bhujanga, or what they call “Sphinx”) with straightened arms and thighs resting on the floor. That almost always creates a sharp kink in the back with one spinal process prying into another. One can do Up-Dog (Urdhva Mukta Svanasana) with thighs off the ground or Cobra (Bhujanga) with your navel on the ground, but you shouldn’t confuse the two. Finally, they mention doing a roll up into shoulder stand. Unless you are extremely experienced, this is a bad idea because with the chin tucked into the chest there is very little room for error. Work up into shoulder stand slowly and easily. I will point out that this is what I noticed as a yoga teacher, individuals with other experience may see other issues, but I have some experience with the jujutsu drills and didn’t notice anything problematic.
That said, I thought this book was well done. The organization, explanations, and graphics were excellent and it will be a helpful resource for athletes working on mobility issues.
There are a few challenges that I observe regularly regarding back bends. Back bending poses can be difficult for a number of reasons, running from spinal processes (the bony projections on the back of a vertebrae) that simply won’t allow much range of motion to anxiety that may prevent practitioners who have the range of motion from performing these poses because of fear of falls or injury.
5.) Range of motion in the shoulders in Wheel pose (Chakrasana): The most frequent difficulty I see with wheel pose is an inability to get the hands under the shoulders when one lifts up into the pose. In the picture above, notice how one can see the face (or at least the nose and chin) forward of the arms. Often the head is well inside the arms, and this means that one is trying to hold oneself up with an unfavorable alignment. Physics isn’t on your side. Parents who’ve tried to hold a baby with a poopy diaper at arm’s length will know how heavy an otherwise light child can be when cantilevered out from the shoulders. Same idea with trying to do wheel pose with hands that aren’t under the shoulders.

Urdhva Mukha Svanasana (Up Dog); Note: weight is all on tops of feet and palms, i.e. thighs / knees are off the ground
4.) Mixing up Cobra pose and Up Dog: This is probably the most common back bending problem that I see. Practitioners straighten out arms in Cobra pose (with thighs resting on the mat.) Why is this a problem? Because, unless the individual has the spine of a Beijing acrobat, the practitioner will have a huge kink in his or her back and one spinal process will be ramming into the spine below it. One needs to lengthen the spine as one stretches it in order to avoid kinks (all the bending coming at one point with a great deal of pressure at that spot.) One can straighten the arms in up-dog because the spine is elongating downward by virtue of the legs hanging rather than resting.
A major cause of this problem seems to be that individuals with hyper-kyphosis (excessive rounding of the chest region of the spine) have great difficulty lifting up their chest because they are working against that excessive rounding. (And increasing numbers of people have this condition.)
3.) Excessive neck bending: If an individual doesn’t have a large range of motion in her spine or is anxious about back bends, many times she will tilt her head back to create the impression of back bending. This can cause undue strain on the neck, not to mention delusions of spinal flexibility.
2.) Don’t forget the psychology: I must admit, I’ve only ever taught scorpion pose in kids’ classes, but I’ve taught it in quite a few such classes. Kids love it as much as adults find it terrifying. As I’ve mentioned several times, some practitioner’s problem with back bends is rooted more in anxiety than anatomy. What I’ve come to realize is that it’s important to treat both of those causes with respect and compassion.
This may be an extension of my realization that it’s important to treat with compassion those whose weakness is strength, just as does one whose weakness is weakness. “Weakness is strength?” That doesn’t seem to make any sense. But the first “weakness” I’m referring to is yogic weakness — i.e. having a turbulent mind. Yogic weakness can result from weakness in terms of being frail and fearful of injury, but it can also result from delusions of grandeur and other mental handicaps that result from being strong.
1.) Go to the Himalayas, and try a camel: The options abound.
Bodyweight Strength Training Anatomy by Bret Contreras
My rating: 4 of 5 stars
This book combines a calisthenics manual with the anatomical drawings and descriptions necessary to explain the muscle activations involved in each exercise. It takes a very straightforward approach, being organized by body part. Each chapter discusses the component muscles of said part and their unique features, and then gives a series of exercises to work said part. For each exercise, at least one anatomical drawing is provided, showing the primary and secondary muscles being worked in the exercise. In some cases, more than one drawing is needed to convey the full range of motion of the exercise, but in many cases one drawing is sufficient. Each exercise also receives a brief bullet-point description of the action, a textual list of muscles utilized, and notes on issues and cautions to keep in mind to get the most out of the exercise.
Chapter 1 sets the stage for the rest of the book. It discusses general principles to be kept in mind like the need to balance opposing muscle groups, and it also lays out the advantages and limitations of calisthenics, or bodyweight, workouts over other approaches to fitness. Like a number of other calisthenics’ books, this one emphasizes the advantage of not necessarily needing any equipment. In other words, with a little creativity and some quality doors, robust furniture, or park access, one can do all of these exercises without either a gym membership or costly trips to the sporting goods store. Of course, one does need sturdy stationary objects to pull against, particularly to maintain a balanced upper body. What I like about this book more than some others I’ve read is that it emphasizes the need for safety in taking the equipmentless approach. I’ve cringed before in seeing some of the improvised set ups that have been jury-rigged as examples in other calisthenics manuals, but this book uses stout furniture and rafters to get the point across.
Chapters 2 through 9 each focuses on a particular body part, including (respectively): arms, neck and shoulders, chest, core, back, thighs, glutes, and calves. Each chapter starts with some general information on muscle action before launching into the exercises. If you have a particular interest in developing your glutes (i.e. your butt, your backside), then this is definitely the book for you. The author specializes in glutes, and while there are about a typical number of exercises for that musculature, the background information up front is more extensive than for most of the other chapters. For many of the exercises, the author proposes regressions and progressions — that is, easier and harder variants of a fundamental for those who either aren’t up to the basic yet or who need a harder version to challenge them.
The penultimate chapter, Ch. 10, presents whole-body exercises (e.g. burpees, mountain climbers, etc.) and discusses the benefits of including such exercises in one’s workout regimen. Included in this chapter is an introduction to both high-intensity interval training (HIIT) and to Metabolic Resistance Training (MRT.)
The final chapter offers an overview of all the factors to keep in mind when arranging exercises into a program (e.g. number of sets, repetitions per set, and how such considerations are varied depending upon one’s goals.) There’s a lot to consider when putting together a workout regimen, including: the necessary rest periods, balancing one’s workouts to avoid structural imbalances, and how to vary one’s approach depending upon one’s individual goals. A section on exercise for fat loss is included, which is important not only because there are so many people interested in that subject but also because there is so much misinformation out there.
As mentioned, most of the graphics are anatomical drawings showing the muscles in cut-away as the action of the exercise is being performed. There are a few other graphics to help clarify information, as well as tables in the last couple chapters to present information in an organized and easy to use fashion.
I found this book to be informative and well-organized. It’s a straightforward presentation of the skeleto-muscular action involved in various calisthenics exercises. If that’s what one is looking for, or even if one is just looking for a guide to bodyweight exercises, this book will meet your needs.