Killing Bliss [Free Verse]

I found bliss.

And cooked it on the
simmer setting
of my soul --

That vacant hole that
I let swell with color
and light.

My only worry was that
it would flash fry all
that I am.

But one worry is enough
to kill the joy,
to kill everything vibrant
& reckless within.

The bliss was quenched,
and it steamed & sizzled,
and all I could hear was its
deafening sound.

“A narrow Fellow in the Grass” (1096) by Emily Dickinson [w/ Audio]

A narrow Fellow in the Grass
 Occasionally rides --
You may have met him? Did you not
 His notice instant is --

The Grass divides as with a Comb,
 A spotted Shaft is seen,
And then it closes at your Feet
 And opens further on --

He likes a Boggy Acre --
 A Floor too cool for Corn --
But when a Boy and Barefoot
 I more than once at Noon

Have passed I thought a Whip Lash
 Unbraiding in the Sun
When stooping to secure it
 It wrinkled And was gone --

Several of Nature's People
 I know, and they know me
I feel for them a transport
 Of Cordiality

But never met this Fellow
 Attended or alone
Without at tighter Breathing
 And Zero at the Bone.

Lion Mind [Haiku]

the lion looks cross,
but, perhaps, it’s just a mask.
who knows the lion’s mind?

PROMPT: Motivation

Daily writing prompt
What motivates you?
The need to break free of the program -- e.g. to be master of fear & anger, not slave to them. 

PROMPT: Emotion

What positive emotion do you feel most often?

Contentment: the most sustainable of feelings.

Queen of Slaves [Lyric Poem]

Of all the masters & all the slaves,
   I find that mind fire burns in waves.
 And sometimes the emotions derail
   too quickly to lengthen the exhale. 

 Trees falling in the forest, unheard,
   can still crush a nest of baby birds.
 Turns out it's not the sound that matters,
    but what the destruction leaves in tatters.

The phrase “Queen of Slaves” comes from a Percy Bysshe Shelley poem (Canto 4, No. 24)

Low Pond Pathos [Haiku]

the pond 's drying up.
 the fish look sad,
  and I feel sad. 

Startle Response [Haiku]

even in death
 the scorpion can evoke
  momentary fear.

Scarecrow [Free Verse]

Scarecrow, n. - that which exists 
                         solely to evoke fear.

There are so many scarecrows:
   global - the end of the world
                    as we know it.
   societal - the end of the tribe
                    as we know it.
   individual - scarecrows of the soul.

Scarecrows lead us into the worst
        versions of ourselves: 
 The one who's stressed, and mean
        because of it.
 The one who imagines conspiracy
        around every corner.
 The one who sees threat in every
        change & in every difference.
 The one who wants an orderly world
        of people just like themselves -
        familiar, cozy, and lacking surprises.

Scarecrows even march us off to war,
        and war should be the scariest state
              imaginable --
        death doled out on a random basis.
 
War should be the scariest, but terrible certainties
         spur less fear than any old uncertainty.

BOOK REVIEW: Talking to Strangers by Malcolm Gladwell

Talking to Strangers: What We Should Know About the People We Don’t KnowTalking to Strangers: What We Should Know About the People We Don’t Know by Malcolm Gladwell
My rating: 5 of 5 stars

Amazon.in Page

This book uses a model that Gladwell has employed to great success in many books. That model goes like this: 1.) find some research findings that are counter-intuitive or otherwise in opposition to the consensus view (and preferably not well-known outside academia;) 2.) carefully select some fascinating real-world cases that seem to highlight said findings; 3.) skillfully present the cases in a highly readable and evocative narrative form, making surprising reveals for maximum effect.

In this case, the beating heart of the book is research by a University of Alabama, Birmingham professor, Timothy Levine, that shows that people are bad at catching liars because we are wired to accept statements as true and that some portion of population present appearances out of kilter with their truthfulness. (i.e. Some people come across as liars — even when telling the truth, and others appear truthful with pants ablaze.) This contradicts earlier research that suggests liars always have tells. [Interestingly, if true, Levine’s research upends studies Gladwell used in his previous book “Blink,” research by Paul Ekman that suggested that liars have “leakage” of “micro-expressions” that reveal their true emotional state. Gladwell admits his views have changed on the Ekman work. It’s the price of dealing with ground-breaking counter-intuitive research: sometimes, it’s not going to validate as well as one would like – not unlike the controversy about the Anders Ericsson’s “10,000-hour rule” that is the core of Gladwell’s 2008 book “Outliers,” and which seems much less robust in light of subsequent research.)

Gladwell employs a number of compelling stories to show how even individuals who should be the best of us at telling truth from lies (e.g. counter-intelligence officers, industry experts, and veteran law enforcement officers) do dismally at spotting lies and at grasping the true nature of what strangers hold in their hearts. [It should be noted that people are better truth detectors than lie detectors because of the aforementioned truth bias.] Readers also learn quirky facts such as why the sitcom “Friends” is insanely popular in many non-native English-speaking countries. (e.g. In Vang Vieng, Laos, I witnessed this myself, with several cafes and restaurants playing “Friends” on a loop all day every day.) The book also presents discussion of research overturning the idea that facial expression of emotions is universal.

I found this book to be an intriguing read and would highly recommend it for those interested in learning why it’s impossible to “read” strangers. I don’t know how well the ideas will validate, but the cases are interesting and compelling.


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