BOOKS: “Play” by Stuart Brown

Play: How It Shapes the Brain, Opens the Imagination, and Invigorates the SoulPlay: How It Shapes the Brain, Opens the Imagination, and Invigorates the Soul by Stuart M. Brown Jr.
My rating: 4 of 5 stars

Amazon.in Page

Why does biology encourage play? Why does it stop encouraging play at some point? Should play end, or should one maintain a dedication to play throughout life? These are principal questions addressed by this book.

Brown explores the advantages of leading a playful life, and he doesn’t restrict himself to childhood play. In fact, the book doesn’t restrict itself entirely to human play, but also presents insights derived from the study of other playful species. One of the most profound lessons from the book comes from a story about a sled dog that has repeated playful interactions with a polar bear — a hungry polar bear, at that.

The book is presented more like an essay or a collection of essays than the usual popular science or pop psychology book. That is to say, it is not annotated and lacks a bibliography. The author sites the occasional book or study in the text, but it’s in the manner one would see in journalism or essays. This approach has its advantages, but the flipside of those advantages are the disadvantages. On the positive side, the author is able to communicate more freely, including the ability to discuss more speculative possibilities than one would expect from scientific reporting (with its usual “just the facts” approach.) Of course, the extensive speculation will be frustrating to readers who want to know what evidence has been produced for the proposed benefits. Furthermore, it often feels like the speculation in question is of the “when you’re a hammer every problem is a nail” nature — i.e. when one is a play researcher, one may be inclined to see play as a panacea for all the ills facing humanity (it surely is for some, but probably not all.) [To be fair, the book is almost fifteen years old, and I suspect it was / is probably harder than pulling teeth to get academic funding for play research outside of early childhood development, and so part of what the book was probably trying to do was build enthusiasm for supporting this kind of research, which necessitated talking about possibilities that were outside the known.]

The book does have a chapter on “the dark side of play.” It deals with compulsive behaviors like gambling and video game playing addiction (i.e. not people who like playing video games once in a while, but those who go 48 hours without sleep and who live in cave-like darkness to limit screen glare.) Much of the chapter argues that, while those problems are real and of concern, the activities aren’t play, not as per the definition presented early in the book.

This book does make a sound case for a number of benefits of play and for not abandoning play in one’s youth. If you’re interested in how play can help one to cope in a world of uncertainty, to keep one’s mind and body healthy, and to maintain or grow one’s capacity for imagination, this book is well worth reading.

View all my reviews

BOOKS: “Imagination: A Very Short Introduction” by Jennifer Anna Gosetti-Ferencei

Imagination: A Very Short Introduction (Very Short Introductions)Imagination: A Very Short Introduction by Jennifer Anna Gosetti-Ferencei
My rating: 5 of 5 stars

Amazon.in Page

This is a concise guide to the subject of imagination, the capacity to conceptualize that which does not exist in reality. Philosophy is the primary dimension through which the subject is investigated, though the insights of poets (particularly Romantics,) authors, and artists are frequently presented — in several cases, in detail. Also, the author does discuss ideas from other disciplines as relevant (e.g. psychology, anthropology, science.) This is notable, for example, in Chapter 2, which looks at early signs of imagination in the human record and the evolution of this capacity.

Philosophical views on imagination have varied to the greatest possible extent, from Plato’s belief that imagination represents untruths and is therefore dangerous to various views suggesting that imagination is a good thing, is fundamental to what it means to be human (e.g. to empathy,) and is inescapable for humans. This Plato against the world dispute is revisited in several places throughout the book. Besides those of Plato, the views of Kant, Nietzsche, Wittgenstein, and Sartre are particularly extensively examined.

Creative types will find the final chapter (Ch.6 “Creativity from invention to wonder”) the most engaging part of the book as it deals with what makes for creativity. The chapter discusses topics such as whether constraints help or hinder creativity? Take, for example, poetry: does free verse poetry produce more imaginative material, or — on the contrary — is rhymed and metered verse more innovative and novel. If you think you know the answer, you might be surprised by the arguments that have been put forth.

I enjoyed reading this book and found it thought-provoking and worthy of the time.

View all my reviews

PROMPT: Creative

How are you creative?

By nudging letters into words, words into lines, and then dancing the mess into something that sings. By trying to tune into the Great Spontaneous.

BOOKS: The Creative Act by Rick Rubin

The Creative Act: A Way of BeingThe Creative Act: A Way of Being by Rick Rubin
My rating: 5 of 5 stars

Amazon.in Page

This book offers Rick Rubin’s philosophy of creativity and art. For those unfamiliar with Rubin, he’s a ZZ Top-looking music producer who contributed to a lot of successful albums, ranging from hip hop to the rock-n-roll of Tom Petty. He was a major player behind the Run DMC cover of Aerosmith’s “Walk This Way” that blew peoples’ minds in the 80’s. Interestingly, Rubin is neither a musician nor a technologist, and I heard him say in an interview that his great value-added was having an extremely high level of confidence in knowing what he liked. Rubin has a persona that is as much guru as music producer, and this book reflects this broad insight and wisdom.

In the book, Rubin lays out his view of the creative process and the mistakes people make with it, but along the way he offers insight into such interesting questions as why some artists only seem to have one major work in them. While Rubin’s experience is mostly with music (though he also worked with comedian Andrew Dice Clay on Clay’s albums,) his book is broadly targeted towards all artists, and he seems to use as many examples from literature and graphic arts as he does from music.

Rubin does sound a bit woo woo here and there, but I found that many statements — e.g. those that spoke of the universe’s role in artistry — could be interpreted in a way that wasn’t necessarily superstitious. While woo woo sounding statements often get on my nerves, I felt Rubin’s use was poetic and spoke to a broader truth.

I’d highly recommend this book for artists and creative types, regardless of field.

View all my reviews

PROMPT: Writing

Daily writing prompt
What do you enjoy most about writing?

First, the infinite variety of ways it allows one to express oneself. Second, the puzzle of dancing letters into sentences. Finally, the thought that the right combination of letters might cause someone to pee himself.

BOOK REVIEW: The Madman’s Gallery by Edward Brooke-Hitching

The Madman's GalleryThe Madman’s Gallery by Edward Brooke-Hitching
My rating: 5 of 5 stars

Amazon.in Page

Out: March 7, 2023 [Some editions may be out in your area]

The Madman’s Gallery presents a selection of bizarre, curious, macabre, grotesque, surreal, and psychedelic artworks with essays offering insight into the background of each painting or sculpture, including information on influences and what is known about what motivated these atypical acts of creativity. Not all of the artworks are the product of mental illness – though some are and when something is known about the artist’s mental state it’s mentioned. They are all just, in some way, preternaturally creative or unconventional.

I was pleased that the book exposed me to a new selection of art. There were only a few pieces with which (as a neophyte) I was familiar. These included: Van Eyck’s “The Arnolfini Portrait,” Bosch’s “The Garden of Earthly Delights,” Fuseli’s “The Nightmare,” Gentileschi’s “Judith Slaying Holofernes,” the Olmec heads, and Dali’s “The Persistence of Memory.” There were other well-known paintings that were referenced because they were influenced by or had something in common with the artwork under discussion.

The book disabused me of the notion that the latter half of the twentieth century art was the golden age of freakish art (though that era is well represented with discussions of Dada, Surrealism, performance art, etc.) It’s interesting to learn how much wild and weird art was being producing in previous centuries, given how little of it made it through the filter of history to a general audience.

There are many recurring themes throughout the book: death, blasphemy, fertility, demons, etc. But the latter portion of the book features some new sources of bizarre art, including hoaxes, forgeries, and AI art.

If you’re interested in art history, and particularly the weird side of the subject, I’d highly recommend you read this book.


View all my reviews

Spontaneous Ideation [Free Verse]

ideas accelerate to the surface
like air bubbles

from whence they came,
i cannot say

they passed up from below
the lit sea

from the darkness 

maybe, like air bubbles,
they follow a mostly straight path,
but i cannot say for certain
what happens below the light

i catch only the vapor that drifts up
out of the popping bubbles

and it must be gathered quickly 
before it spreads on the wind,
becoming lukewarm nothing...

damn increasing entropy!

BOOK REVIEW: Extreme Survival by Michael Tougias

Extreme SurvivalExtreme Survival by Michael Tougias
My rating: 4 of 5 stars

Amazon.in Page

Release Date: December 6, 2022

This book presents lessons from survival under intense, life-threatening turns of events. It focuses on the psychology of a survival mindset. The author has expertise in maritime survival, and a large portion of the cases explored involve survival at sea. Though the author did seek to include some variety, including concentration camps, home invasions, climbing accidents, etc. However, the maritime focus is worth noting because it’s in contrast to competing books which tend to give roughly equal discussion to a variety of different threats to survivorship.

There are three books I’ve read in recent years on extreme survival – i.e. Kamler’s “Surviving the Extremes,” Ashcroft’s “Life at the Extremes,” and Ripley’s “The Unthinkable.” Of these, the book that is most similar to Tougias’s is Ripley’s. The first two books focus much more on the physiology of survival in extreme environments. However, Ripley’s book also focuses on the psychological / mindset dimension of survival, though through a more diverse set of disasters.

The maritime focus didn’t bother me for three reasons. First, I’d rather have a person with expertise focus in that area than stumble about in lesser-known fields. It allowed Tougias to focus more on the stories of those with whom he’d conducted first-hand interviews. [The author did engage in a variety of stumbling in Chapter 8 [on the sunk cost fallacy] when he discussed the sunk cost fallacy as a separate but similar situation to those survival scenarios he’d already described [which were also cases of sunk costs] – i.e. it sounded like Tougias believes the sunk cost fallacy only applies to financial costs, which isn’t how economists look at the matter.] Second, survival at sea is one of the most intense scenarios I can imagine facing (i.e. I’m not concerned about survival in space, and I feel more experienced, competent, and -thus- less viscerally responsive to survive on terra firma – e.g. high elevation, deserts, etc.) Thirdly, since the book was on mindset, it didn’t need to be as diverse as the Kamler and Ashcroft books which examined the physiology of challenges presented by varied environments.

That said, I’d give a slight edge to the Ripley book, if you could choose only one. Still, this was a solid book on the subject, and did a great job with narrative examples and explanation of lessons. My criticisms are small. For example, like many books, chapters begin with quotations, but I felt they were the wrong quotations. Opening quotes are a widespread and fine approach when the quote is one that taps into the theme of the chapter. However, often the quotes in this book were from people involved in cases that were later presented within the chapter, and so the quotes often lacked context. If the quotes were meant to be hooks, some landed better than others. (A few simply left me befuddled.) On the other hand, the author did an excellent job with summaries at the end of the chapters.

All in all, this was a well-written book on survival, and I learned a great deal from reading it. If you don’t plan on reading multiple books on the subject, you might look into others first, but it’s certainly worth reading. And it’s a topic that gets one interested in reading more.


View all my reviews

BOOK REVIEW: Genius: A Very Short Introduction by Andrew Robinson

Genius: A Very Short IntroductionGenius: A Very Short Introduction by Andrew Robinson
My rating: 4 of 5 stars

Amazon.in Page

This book examines the myths and realities of that state of capability we call genius. It’s not about “geniuses” as individuals who test well on IQ exams, or who are eligible for Mensa membership, but rather about those luminaries who’ve made breakthroughs that changed the course of their discipline. It considers artistic and literary type geniuses (Shakespeare and Picasso) as well as scientific geniuses (e.g. Einstein and Darwin,) as well as discussing the differences (perceived and real) between these groups and the intriguing rarity of crosscutting figures (e.g. Da Vinci.)

The bulk of the book evaluates characteristics that are (rightly or wrongly) commonly associated with genius, including: heredity, education, intelligence, creativity, madness, personality traits, and discipline. Don’t expect clear and straightforward connections. That’s not the author’s fault. There just aren’t any traits unambiguously linked to genius in an uncomplicated way. One might expect education would be an unequivocal boon to genius, but it can be a hindrance to genius in its training of conformity. There may be a disproportionate number of geniuses with mental health issues, but there are even more without them. Hard work maybe a necessary condition, but it’s clearly not a sufficient one.

The book addresses a few other related subjects, beyond the traits associated with geniuses. For example, the degree to which genius can be defined and what it means if we can (or can’t) do so. Few individuals would be unanimously judged geniuses, and to the degree some are, mightn’t that say more about the public’s role in bestowing genius rather than the individual’s earning the designation. There is also discussion about eureka moments versus slow-builds.

This book is thought-provoking and raises intriguing and counter-intuitive debates. If you’re interested in the perception, the reality, and the interplay between the two with regard to genius, check it out.

View all my reviews

BOOK REVIEW: The Storyteller’s Handbook by Elise Hurst

The Storyteller's HandbookThe Storyteller’s Handbook by Elise Hurst
My rating: 5 of 5 stars

Amazon.in Page

Out: June 14, 2022

This is a book, but not one that one reads but rather one that one writes. It contains more than 50 imaginative and fantastical artworks intended to help creative parents build their own stories, while helping their children learn to become storytellers. There is a forward by Neil Gaiman (who has worked with the artist on previous occasions) and an introduction by Hurst, but otherwise there’s almost no text.

The animate subjects of the book are children and animals, but not just any animals. They are mis-sized, misplaced, mythical, imaginary, anthropomorphized, and extinct creatures in search of a clever explanation for their existence and behaviors. The usual suspects of our beloved stories are most well-represented: bears, lions, foxes, rabbits, birds, and fish – for example. But there are also less well-known creatures: mollusks, a mantis, kangaroo, koala, and armadillo. The settings are also designed to fuel the imagination: oceans, hot air balloons, impossibly floating places of all sorts, cities of gothic and fantastical architecture.

If you’re looking for a storybook where you have a graphic prompt to trigger your own story, this is a beautifully illustrated example of such a work.


View all my reviews