“I Sing the Body Electric” [2 of 9] by Walt Whitman [w/ Audio]

The love of the body of man or woman
balks account, the body itself balks,
account,
That of the male is perfect, and that of
the female is perfect.

The expression of the face balks account,
But the expression of a well-made man
appears not only in his face,
It is in his limbs and joints also, it is
curiously in the joints of his hips and
wrists,
It is in his walk, the carriage of his neck, the
flex of his waist and knees, dress does not
hide him,
The strong sweet quality he has strikes
through the cotton and broadcloth,
To see him pass conveys as much as the best
poem, perhaps more,
You linger to see his back, and the back of
his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms
and heads of women, the folds of their
dress, their style as we pass in the street,
the contour of their shape downwards,
The swimmer naked in the swimming-bath,
seen as he swims through the transparent
green-shine, or lies with his face up and
rolls silently to and fro in the heave of the
water,
The bending forward and backward of
rowers in row-boats, the horseman in his
saddle,
Girls, mothers, house-keepers, in all their
performances,
The group of laborers seated at noon-time
with their open dinner-kettles, and their
wives waiting,
The female soothing a child, the farmer's
daughter in the garden or cow-yard,
The young fellow hoeing corn, the sleigh-
driver driving his six horses through the
crowd,
The wrestle of wrestlers, two apprentice-
boys, quite grown, lusty, good-natured,
native-born, out on the vacant lot at sun-
down after work,
The coats and caps thrown down, the
embrace of love and resistance,
The upper-hold and the under-hold, the hair
rumpled over and blinding their eyes;
The march of firemen in their own
costumes, the play of masculine muscle
through clean-setting trowsers and waist-
straps,
The slow return from the fire, the pause
when the bell strikes suddenly again, and
the listening on the alert,
The natural, perfect, varied attitudes, the
bent head, the curv'd neck and the
counting;
Such-like I love -- I loosen myself, pass
freely, am at the mother's breast with the
little child,
Swim with the swimmers, wrestle with
wrestlers, march in line with the firemen,
and pause, listen, count.

“I Sing the Body Electric” [1 of 9] by Walt Whitman [w/ Audio]

I sing the body electric,
The armies of those I love engirth me
and I engirth them,
They will not let me off till I go with them,
respond to them,
And discorrupt them, and charge them full
with the charge of the soul.

Was it doubted that those who corrupt
their own bodies conceal themselves?
And if those who defile the living are as bad
as they who defile the dead?
And if the body does not do fully
as much as the soul?
And if the body were not the soul,
what is the soul?

“One’s-Self I Sing” by Walt Whitman [w/ Audio]

One's-Self I sing, a simple separate person,
Yet utter the word Democratic, the word En-masse.

Of physiology from top to toe I sing,
Not physiognomy alone nor brain alone is
worthy for the Muse, I say the Form complete
is worthier far,
The Female equally with the Male I sing.

Of Life immense in passion, pulse, and power,
Cheerful, for freest action form'd under the laws
divine,
The Modern Man I sing.

Spine [Lyric Poem]

The spine is not a line.
It likes to twist and twine.
Bend it, stretch it, coil it;
Just don't bake, fry, or boil it.

PROMPT: Lazy Days

Daily writing prompt
Do lazy days make you feel rested or unproductive?

Rested. Definitely. I believe one has to think of rest and recovery as part of the process of living. If one thinks of it as just wasting time between “doing things,” then one isn’t going to get the most out of body and mind.

Machine Flow [Free Verse]

This machine can flow,
     moving over, around, 
     & through.

Skin conforms to the contours
     of musculature.

Muscle binds to bone,
     muscle that thickens
     and lengthens and ripples
     and pulses.

Bones that flex and recoil.

But that machine can flow --
     over, around, and through.

It can cause air to pop
     and water to slosh
     and earth to tremor.

It crawls through liquid,
    slices through gases,
    and slams the solids,

but can move over, around,
    and through.

BOOK REVIEW: Move by Caroline Williams

Move: How the New Science of Body Movement Can Set Your Mind FreeMove: How the New Science of Body Movement Can Set Your Mind Free by Caroline Williams
My rating: 5 of 5 stars

Amazon.in Page

This book presents a pop science accounting of some of the more interesting scientific literature on the benefits of moving one’s body – be it through dance, martial arts, walking, or otherwise. That being active is an important element of maintaining a healthy mind and body will come as no surprise. Still, there are a number of specific points this book makes that may come as a surprise to many, such as that those who do an hour of intense exercise a day but otherwise live desk warrior lives may not be as well off as they think.

As the topic (and the scientific literature from which the book draws) is huge, the author focuses specifically on the mental benefits of physical movement, both attitudinal / psychological benefits and cognitive benefits such as improved creative thinking or memory. I found the book’s organization to be beneficial, and – in particular – believe it was a smart move to include chapters on breath and rest – topics that are integral to a life of movement, but which might not spring to mind. Particularly, the chapter on breath discusses findings on synchronization of breath and movement more than does many books on breath or movement, as well as offering extensive discussion of the benefits of 3 and 6 breath per minute (bpm) breathing.

There are a lot of books out there on this subject – though usually they focus either on exercise or on a particular approach to movement. Those who read extensively on the topic may not find much that is new in this book. However, I think “Move” holds its own, and also distinguishes itself in some of its fine points of emphasis. Certainly, if one is looking for a book to introduce someone to the benefits of movement, this is a prudent choice.


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Balance & the Value of Learning to Fall

I saw something sad in the park this morning. A boy was trying to learn to ride a bicycle, but I could see that he never would — not with his present approach. Why? He had one training wheel, and the bike was leaning about 15-degrees off vertical as he struggled to use the bicycle as a tricycle. I could see that the metal arm that supported the training wheel was starting to bend from the strain — thus making the lean ever more pronounced. [Incidentally, with two training wheels, I think he might rapidly learn to ride because he’d experience tipping from one side to the other, through the balance point.]

I’ve told yoga students before that there are three timelines for learning inversions (upside-down postures, which all require one’s body to learn to balance 180-degrees out of phase with the balance we all mastered as toddlers.) The first timeline is if you are willing to learn break-falls (i.e. how to safely land when — not if, it will happen — one loses balance.) If so, one can learn any inversion (that one is otherwise physically capable of performing) in an afternoon. Second, if one gets near (but not up against) a wall, and only uses the wall when one is falling towards over-rotation, then one can learn the inversion in a month — give or take. Finally, one can lean up against the wall for a million years and one will not spontaneously develop the capacity to independently do the posture. Why? Because one’s center of gravity is outside one’s body, which means one is in a perpetually unstable state, and one cannot stabilize into a balanced position from a state of falling (and leaning is just falling with a barrier in the way.)

Finding balance requires that the body be able to adjust toward any available direction to counteract the beginning of a fall in the opposite direction. I was fortunate to have studied a martial art that required learning break-falls from the outset, this made learning balances (not just inversions, but also arm balances, standing balances, etc.) much easier because there was no great concern about falling. I knew my body could fall without being injured.

Without falling there’s no learning balance, and if you only fall into the under-rotated position, you are still not learning to achieve stable balance. At some point, you will need to experience the dread fall towards over-rotation.

Time to ditch the training wheels.

POEM: Sensation

i can feel my heartbeat
i shouldn’t feel my heart beat
but i’m sharply folded
when i stand and blossom
the warmth rushes through me
and the pins and needles
trickle through my body
subtle the sensation
time attuned sensation
now i know my heartbeat
subtle silent heartbeat

5 Ways to Fake It til You Make It

5.) Adopt a power posture: There’s been a lot of research in recent years suggesting that posture isn’t a one-way street–i.e. body doesn’t necessarily have to follow our mental state. One can reverse the flow, improving one’s mental state by adopting a strong  and confident posture.

One of the most thorough discussions of this phenomena is in Amy Cuddy’s book Presencewhich famously mentions the “Wonder Woman” pose. However, another widespread example is using the up-and-outward fist pumping posture that is widely seen among humans and even other primates (i.e. with arms outstretched as Usain Bolt is seen above.)

 

I got my eye on you

4.) Master eye contact: This is dreadfully difficult for an introverts such as myself. We tend to look anywhere but the eyes.

If one is traveling in risky places, it’s important to have a grasp of the fine art of eye contact. If one doesn’t make any eye contact, then one risks looking zoned out–potentially inviting aggression. If one rapidly  looks away, offering too short an eye contact period, one appears intimidated–potentially inviting aggression. However, if one’s eye contact is too long, it may trigger some primal fight impulse, or–at a minimum–suggest you have taken more interest in the individual–which may invite aggression. This means one has to balance a fine line that says, “I see you, you know I saw you. Now I’m going to do me and let you do you.”

 

3.) Adopt the opposing viewpoint:  Say you find yourself obsessing about some perceived slight or wrong.  While you want to address this issue, you want to be calm enough to avoid saying or doing something you’ll regret. You want to be seen as a sensible individual while being persuasive. The key is seeing both sides, and taking a moment to realize that your opposition is probably not the black-hearted villain of his own story. He likely has some reason for his behavior. Maybe it’s even a reason you can empathize with, given your own experience–i.e. being overworked and distracted, facing a decision that only allows for a best worst option, etc.

 

2.) Visualize it: It may seem as though anything that occurs solely in the mind can’t have that much force, but–in fact–it can. Visualizing can help one get over one’s anxieties. By systematically considering how events will unfold, one can break the cycle of worst-case scenario creation that the brain readily falls into. This will make an activity seem less intimidating and more manageable.

 

1.) Start small: Often when a person would like to be more kind or compassionate, she’s flummoxed or overwhelmed by the scale of the problem. She sees problems that she can’t make a dent in. So schedule one small act of kindness in a week or maybe a bigger one monthly, or as is possible. Do it, see its value, and be content.

One also sees a need for starting small with advanced physical practices. If you can’t do a yogasana or martial arts move, figure out what capacity building or modifications one needs to get to the end goal. Then take it on bit-by-bit. There are many videos on how to systematically build up to challenging maneuvers like the press handstand or planche, moves that almost no one can do with out a great deal of prep work.