Winter Afternoon [Haiku]

winter clouds
hang thick and low, but -yet-
 the sun burns through 

DAILY PHOTO: Hungary’s Statue of Liberty, Gellért Hill

Taken in December of 2019 in Budapest

BOOK REVIEW: Project MK-Ultra Vol. 2 by Brandon Beckner, et. al.

Project MK-Ultra Vol. 2: Sex, Drugs, and the CIAProject MK-Ultra Vol. 2: Sex, Drugs, and the CIA by Brandon Beckner
My rating: 5 of 5 stars

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Release Date: November 15, 2022

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Volume Two continues the story of CIA’s crazy “experimentation” with LSD, ultimately leading to the fall of the MK-Ultra program. The story is built around strange but true events, but there is a fictionalized element, particularly with respect to the investigative journalist (Seymour Phillips) whose presence in the story is used as a mechanism to tie together events that may or may not have had much overlap in terms of common personnel. That is to say, fiction isn’t just used to make the story more intriguing (a tale this strange hardly needs much help in that department,) but to both fill in knowledge gaps (famously, most of the MK-Ultra files were destroyed) and to make a throughline connecting somewhat disparate events. The focus is on events surrounding Ronald Stark as well as the widening spillover of LSD from CIA programs into the civilian space – e.g. the birth of Ken Kesey’s Merry Pranksters.

The art in this book is amazing. Of course, much of it has to capture the sensory bizarrerie of psychedelic experiences, and it does that creatively. However, even the “sober” panels are colorful and present a captivating world. There’s a full-page depiction of Chinatown that blew my mind.

If you’re interested in a story built around the CIA’s dalliances with LSD, and the subsequent spillover into the civilian world, I’d highly recommend the two volumes of this book.

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BOOK REVIEW: Lessons by Ian McEwan

LessonsLessons by Ian McEwan
My rating: 5 of 5 stars

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This book not only shows the characters learning their lessons, it has a few teachings for the reader, as well. The story follows the protagonist, Roland Baines, as he receives a series of harsh life lessons, at the center of each is a woman. There is Miriam, his piano teacher at boarding school, a woman who enters into a manipulative sexual relationship with Roland while he’s still a minor. There is Alissa, the wife who abandons Roland and their seven-month-old child to pursue her writing career. Finally, when a woman, Daphne, comes along with whom he can at last have a healthy relationship with a dependable partner, he has difficulty embracing the relationship because of his earlier experiences. We also witness the intergenerational learning of Alissa, whose mother never made good on her own potential as a writer.

The lessons for the reader are profound. First, after developing an intense and visceral dislike for Alissa because she abandons a baby and seems so oblivious to the suffering her actions have caused (e.g. her husband being suspected of a murder that never happened,) we are reminded that disappearing dads are par for the course; we may think poorly of them, but we rarely have an intense emotional response to such situations. Second, we are offered insight into the “intentional fallacy” – i.e. thinking one knows the author’s intentions and subjective thought processes from what she writes.

I found this to be a powerful story that asks one to confront all manner of intriguing questions. (e.g. If an individual ditches her [or his] family for career, does it make a difference if that person is the best at what she does or if she’s mediocre or if she stinks?) I’d highly recommend this novel for readers of literary fiction.


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BOOK REVIEW: Making a Masterpiece by Debra N. Mancoff

Making A Masterpiece: The stories behind iconic artworksMaking A Masterpiece: The stories behind iconic artworks by Debra N. Mancoff
My rating: 5 of 5 stars

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Release Date: November 1, 2022

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In this book, Mancoff discusses a dozen works of art considered masterpieces, explaining how the paintings came to be, what influenced the artist, and what influence these paintings had on art or culture that contributed to their widespread designation as masterpieces. This background information is presented by way of helping to understand what it is about these paintings that made them stand out.

It’s an interesting selection. There are paintings, such as Botticelli’s “Birth of Venus,” da Vinci’s “Mona Lisa” and Hokusai’s “The Great Wave,” that one would imagine being on any short list of artistic masterpieces. There are others that one could imagine making the cut or not, but which are certainly iconic (e.g. Grant Wood’s “American Gothic.”) But there are also painters who one would expect to see included on the list, but whose most well-known or iconic work isn’t the one presented – e.g. Klimt’s “Woman in Gold” is discussed instead of “The Kiss” and Van Gogh’s “Fifteen Sunflowers” is included rather than “Starry Night.” The most controversial inclusion is the last, “Michelle Obama” by Amy Sherald – not because it’s not a beautiful painting and interestingly arranged for a portrait (which are usually pretty boring to a neophyte such as me,) but because it hasn’t been around for sufficiently long to know whether it will lodge itself in the collective conscious the way all the other entries have, so earning the designation of masterpiece. [It’s also owned by the Smithsonian’s National Portrait Gallery, and thus hasn’t had the commercial distinction by which masterpieces are usually determined – i.e. being auctioned for insane sums of money – e.g. Warhol’s soup cans (which are included in the book.)] That said, I liked that there were some “outliers,” as it was more opportunity to learn something new.

The book not only includes pictures of artworks as well as closeup details, but also pictures of works that were influenced by each and sometimes photos relevant to the story behind the paintings.

I enjoyed reading this book and learned a great deal about these important works of art.


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Nettle [Haiku]

i’ve seen nettles,
& i’ve felt nettles —
better the former

Bear Bouffant [Limerick]

There once was a quite sizable bear --
yet more imposing for its shaggy hair.
"If I took a shave,
I'd better fit my cave, 
but hunters would laugh, not beware."

DAILY PHOTO: Bare Tree on a Cemetery Hill

Taken in Westview Cemetery in the Autumn of 2021

Silent Chimes [Haiku]

silent forest.
wind chimes hang stiffly,
as leaves sway

Psychedelic Parade [Limerick]

An old man got caught up by a parade.
Street after street, he was barred by blockade.
But he didn't lose poise
'til walking plush toys
convinced him LSD was being covertly sprayed.