DAILY PHOTO: Urban Jungle, Bangalore

“I taste a liquor never brewed” (214) by Emily Dickinson [w/ Audio]

I taste a liquor never brewed --
From Tankards scooped in Pearl --
Not all the Frankfort Berries
Yield such an Alcohol!

Inebriate of air -- I am --
And Debauchee of Dew --
Reeling -- thro' endless summer days --
From inns of molten blue --

When "Landlords" turn the drunken Bee
Out of the Foxglove's door --
When Butterflies -- renounce their "drams" --
I shall but drink the more!

Till Seraphs swing their snowy Hats --
And Saints -- to windows run --
To see the little Tippler
Leaning against the -- Sun!

Wistless Sway [Haiku]

bees on wildflowers
ride out the breezes,
in wistless sway.

DAILY PHOTO: Below the Battlements, Tbilisi

Image

Hardwood Clock [Haiku]

chartreuse Spring leaves
tick their way toward matching
the evergreens.

“Dreamland” by Lewis Carroll [w/ Audio]

When midnight mists are creeping,
And all the land is sleeping,
Around me tread the mighty dead,
And slowly pass away.

Lo, warriors, saints, and sages,
From out the vanished ages,
With solemn pace and reverend face
Appear and pass away.

The blaze of noonday splendour,
The twilight soft and tender,
May charm the eye: yet they shall die,
Shall die and pass away.

But here, in Dreamland's centre,
No spoiler's hand may enter,
These visions fair, this radiance rare,
Shall never pass away.

I see the shadows falling,
The forms of old recalling;
Around me tread the mighty dead,
And slowly pass away.

BOOKS: “Mother Tongue” by Bill Bryson

The Mother Tongue: English and How It Got That WayThe Mother Tongue: English and How It Got That Way by Bill Bryson
My rating: 5 of 5 stars

Publisher’s site

This is a humorous and readable overview of the English language. It examines the language’s history and evolution, as well as exploring some niche areas of interest such as swearing, wordplay, and naming conventions. Bryson takes on such questions as how a language that’s a train wreck of non-phonetic spelling and logical inconsistencies that made a career for comedian, Steven Wright (e.g. Why do we park in the driveway and drive on the parkway?) becomes the world’s most broadly spoken language. (At this time, it’s even the most spoken in absolute terms, but the book is fairly old now.)

Part of what one learns is that English isn’t so bad. Yes, our spelling is random and nonsensical (despite many failed attempts to improve it,) but in some ways English is grammatically simpler than many languages. English also has a history of embracing loan words and so there’s something familiar for all comers. Bryson does provide a number of fascinating points about other languages, largely by way of comparing and contrasting them with English.

Bryson was born in America, worked much of his life in Britain, and moved back to America. This bi-nationalism gives him unique insight into some of the book’s central questions — e.g. whether the language of these two hubs of English language will diverge or converge. There has been a concern that the English language would become so fractured that it would no longer be mutually intelligible to those on opposite sides of the Atlantic. However, increasingly, there is greater concern that people who watch both British and American versions of “The Office” may homogenize the language into one in which regional differences vanish.

I found this book to be both interesting and entertaining and would highly recommend it for anyone who wants more insight into the English language presented in an approachable manner.

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DAILY PHOTO: Scenes from Balaxani

Heed the Grass [Senryū]

the lawn blossoms:
attracting minds that never
paid heed the grass.

“Cleansed” [Poetry Style #7] by Sikong Tu [w/ Audio]

It's as if ones gone mining --
From lead, silver refining.
That's how one cleanses a heart:
With pure love, not pining.

Like a pond from Spring rainfall:
Mirror to heavens and all,
Without defect of image --
True as the moon's bright, white ball.

Stargazing across night skies;
Singing songs of hermits, wise;
The water flowing today
Will know that bright moonrise.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the seventh of the twenty-four poems. This poem’s Chinese title is 洗炼, and it has been variously entitled: “Clean,” “Refining,” and “Wash — Smelt.”