the ferry docks
as the sun sets:
exit to darkness.
Day’s End [Haiku]
4
Romance, who loves to nod and sing,
With drowsy head and folded wing,
Among the green leaves as they shake
Far down within some shadowy lake,
To me a painted paroquet
Hath been—a most familiar bird—
Taught me my alphabet to say—
To lisp my very earliest word
While in the wild wood I did lie,
A child—with a most knowing eye.
Of late, eternal Condor years
So shake the very Heaven on high
With tumult as they thunder by,
I have no time for idle cares
Through gazing on the unquiet sky.
And when an hour with calmer wings
Its down upon my spirit flings—
That little time with lyre and rhyme
To while away—forbidden things!
My heart would feel to be a crime
Unless it trembled with the strings.
I watch the chairs
That watch the ocean,
Wondering whether
Some passerby will take
A seat to admire
The turquoise water
& crashing surf.
No one does.
Tourist and local alike
Spill by in a rush to get
Through paradise to
Somewhere else --
Probably a cruddy
Hotel room or
Unloved job.
Of course, if someone
Did take a seat,
They might be run off
On the grounds that
These are proprietary
Chairs.
[That's just the petty world
In which we live;
Where a business will
Protect its space for
Exclusive use by
Nonexistent customers.]
One might suggest that
It's too hot to sit
And admire the ocean,
But by the time those chairs
Have cooled,
The view will be
Blackness.
Down by the salley gardens
my love and I did meet;
She passed the salley gardens
with little snow-white feet.
She bid me take love easy,
as the leaves grow on the tree;
But I, being young and foolish,
with her would not agree.
In a field by the river
my love and I did stand,
And on my leaning shoulder
she laid her snow-white hand.
She bid me take life easy,
as the grass grows on the weirs;
But I was young and foolish,
and now am full of tears.
A tourist looks back fondly upon
A favorite destination;
A traveler is always at it.
A tourist loathes travel hiccups;
A traveler calls them stories.
A tourist jumps from one
Postcard vista to the next;
A traveler moves through the world.
A tourist collects knicknacks & geegaws;
A traveler collects experiences.
A tourist, between sights, seeks
A life experience as close to
Their homelife as possible.
A traveler wants a life experience
As close to local as possible.
A tourist has a favorite meal;
A traveler assumes he hasn't
Crossed paths with it yet.
A tourist leaves nothing to chance;
A traveler embraces the spontaneous.
A tourist takes comfort as a main course;
A traveler uses it like a condiment.
Language can be complex, reason may sprawl,
And words don't always seem to point the way.
Extremes aren't always clear and distinct.
Overhauls are not always an upgrade.
The gist may dwell in a key phrase or two --
Those words the whip that make it race or stay.
Though multitudinous words are in place
They must do more than roar, hiss, or bray.
Overuse of the whip exhausts the horse --
Keep the impulse to whip too much at bay.
The original lines in Simplified Chinese are:
或文繁理富, 而意不指适。
极无两致, 尽不可益。
立片言而居要,乃一篇之警策。
虽众辞之有条,必待兹而效绩。
亮功多而累寡,故取足而不易。
List three books that have had an impact on you. Why?
Steven Kotler’s The Rise of Superman changed the way I looked at mind-body development.
Water Margin [a.k.a. Outlaws of the Marsh] convinced me a sprawling epic could be worth reading if it was done well, it kicked my love of Chinese Literature into high gear, and it started me on the path of learning Chinese.
Self-Reliance and Other Essays by Ralph Waldo Emerson had a major influence on my early philosophical development — especially the titular essay.
Now, I’m thinking I should’ve pushed one of these out for Leaves of Grass by Walt Whitman, but perhaps another time.

unfurled buds,
not drooped to gravity,
tell Spring’s story.