BOOKS: “36 Ways of Writing a Vietnamese Poem” by Nam Le

36 Ways of Writing a Vietnamese Poem36 Ways of Writing a Vietnamese Poem by Nam Le
My rating: 4 of 5 stars

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Release Date: March 5, 2024

This is a clever collection of poems, lighthearted in places but raw and incensed in others. (A pacing that I appreciate in poetry collections.) The collection draws heavily on the author’s experience being of Vietnamese ethnicity while growing up in the West. It touches upon the tragedies lived by his elders, but, more so, how his life (and perception of him) has been shaped by war and the diaspora it caused. The collection playfully engages with language and cultural concepts in a way that is interesting and – at times – scintillating.

My main gripe with this collection would be its occasional swerves into the domain of huge, rare, and super-specialized terminology. I enjoy being sent to the dictionary as much as the next person, but in a poetry collection – where evoking emotion is the name of the game – I find it takes me out of the experience.

I enjoyed reading this collection and would recommend it for poetry readers.

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BOOKS: The NEW Comedy Bible by Judy Carter

The NEW Comedy Bible: The Ultimate Guide to Writing and Performing Stand-Up ComedyThe NEW Comedy Bible: The Ultimate Guide to Writing and Performing Stand-Up Comedy by Judy Carter
My rating: 5 of 5 stars

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As the title suggests, this is a soup-to-nuts exploration of building a standup comedy act. While the bulk of the book discusses how to build jokes that work in a comedy club setting, it also gives helpful tips on relevant issues such as stage fright, hecklers, bombing and bomb recovery, set arrangement, and editing material. It offers many insights that may seem counterintuitive to a neophyte reader.

In writing, there is a common distinction made between “plotters” and “pantsers” (as in “by the seat of one’s pants.”) Plotters do a lot of research and outline everything thoroughly before beginning to write (as most people understand the writing process.) Pantsers like to get right into the typing and are willing to have a much messier process in exchange for greater feelings of spontaneity and surprise. A similar distinction seems to exist in standup comedy. Jerry Seinfeld might be the posterchild for the comedic plotter, writing and rewriting jokes on paper and having an already finely honed collection of jokes when he goes into the comedy club to revise through audience feedback. Other comedians seem to like to work by riffing and editing material on the fly. My point is: this book will definitely appeal most to plotters. That said, I think it has a lot of useful information that will save pantsers a great deal of trouble, but I suspect those with intense pantser proclivities will be skeptical of such a step-by-step approach.

The book is set up as a workbook woven into an instructional guide. That is, it has exercises throughout. It also presents a lot of jokes and partial bits by headlining comics to help the reader see how successful comics apply the principles in question.

I enjoyed reading this book and found it helpful. I thought that many of the exercises were quite helpful in triggering joke ideas. If you are looking for a book that deals in both joke writing and comedic delivery, I’d highly recommend this book.

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PROMPT: Advice

What’s the best piece of advice you’ve ever received?

Use free writing to break through writer’s block.

PROMPT: Writing

Daily writing prompt
What do you enjoy most about writing?

First, the infinite variety of ways it allows one to express oneself. Second, the puzzle of dancing letters into sentences. Finally, the thought that the right combination of letters might cause someone to pee himself.

WORLD POETRY DAY: “Pay w/ a Poem” @ Urban Solace Cafe

Bangalore’s Urban Solace Cafe (https://www.facebook.com/UrbanSolaceCafe) does something cool, and kind to poets, for World Poetry Day. They have a “Pay with a Poem” event allowing people to buy a cup of coffee with an original poem today. So, if you’re in the Ulsoor Lake neighborhood, show them some love. My submission is below.

FOR THE LOVE OF COFFEE

It’s said we each have one true love.
    I fear I may have two.
  Oh Coffee, dearest black coffee,
    I love your rich brown hue. 

I love your lava-like hotness, 
    and how you energize.
  Some have said you’re bad for my heart,
    but that’s a pack of lies.

I’ll consume you in the morning, 
    but cautiously at night.
  For if I take you in the eve,
    there'll be Aubades at first light.

BOOK REVIEW: Funny on Purpose by Joe Randazzo

Funny on Purpose: The Definitive Guide to an Unpredictable Career in Comedy: Standup + Improv + Sketch + TV + Writing + Directing + YouTubeFunny on Purpose: The Definitive Guide to an Unpredictable Career in Comedy: Standup + Improv + Sketch + TV + Writing + Directing + YouTube by Joe Randazzo
My rating: 5 of 5 stars

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Get Speechify to make any book an audiobook

Former editor of the hilarious faux-newspaper, The Onion, (Joe Randazzo) provides a broad overview of the humor creation industry, and the many jobs, therein. Whether you’re interested in scriptwriting, performing stand-up, or starting a YouTube channel that provides color commentary of crippling skateboarding accidents, this book has tips and insight into how said job works, how to do the job, and how to avoid the pitfalls. And, as expected, the book offers humor throughout. That said, the first priority is educational, so one shouldn’t expect a laugh-a-minute humor extravaganza.

The book is divided into five parts. The first four parts delved into the various humor content creation jobs (writing, performing, making pictures, and making internet content,) and the last part is about the common business aspects like understanding intellectual property rights, knowing the difference between an agent and a manager, and learning how to get people to give you money for a product you don’t yet have.

One nice feature the book offers is brief interviews with various experts such as Judd Apatow, Weird Al, Joan Rivers, many people you’ve never heard of but I’m sure are good at what they do, and a few that you will have heard of if you have obsessive niche tastes in humor. The interviews are short, but it does help to have insight from someone whose life has largely focused on a particular dimension of humor creation. Randazzo has a diverse background, including writing, performing, and television and internet work, but there are fine insights to be gained from a specialist.

I got a lot out of this book and would recommend it for those interested in the humor content creation industrial complex.

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Anonymous [Free Verse]

scribe & chronicler:

face unknown,
name unknown,
soul laid bare by way of words --

words that reveal from
the inside out --

it's not the way 
we're accustomed 
to getting acquainted

we're used to surface learning
'til we scratch through,

but here we have:
no name,
no face,
but deep insight

BOOK REVIEW: Zen in the Art of Writing by Ray Bradbury

Zen in the Art of WritingZen in the Art of Writing by Ray Bradbury
My rating: 5 of 5 stars

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I rarely re-read books, but I’m glad that I revisited this one. I think I read it more smartly on the second go — more in a way that benefited from Bradbury’s style and message. The book’s nine essays, capped by a small collection of poems, convey lessons on writing, and – specifically – creativity in writing. Bradbury was among my favorite authors because he combined brilliant language with clever stories – i.e. he was creative on both levels. That’s a rarity. There are many excellent storytellers whose language lacks poetry or finesse. And, there are writers who are eloquent and evocative with language, but who either care little for, or have limited gift for, story.

While Bradbury claimed no expertise in Zen and doesn’t hide that he cribbed his title from a popular work by Eugen Herrigel entitled, “Zen in the Art of Archery,” it remains an appropriate title for the book and its eponymous final essay. Throughout the book, one can feel the Zen in Bradbury’s writing. He lets his words and analogies flow without becoming obsessively analytical about them – or at least appearing not to have been. Bradbury uses a lot of short, punchy sentences and a great many poetic applications of figurative language. He practices what he preaches as he both gives lessons and simultaneous demonstrations on how to write. His advice ranges from using single word writing prompts to shake one out of writer’s block, to the very Zen idea of avoiding thought – i.e. letting the words come from the subconscious. Lest one think that there is a conflict in a book on creativity that draws from another book’s title, there’s a recognition that creative writing is never wholly novel.

This book is well worth reading, not just for writers but for other artists and creative types as well. I highly recommend it.


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BOOK REVIEW: Writing Haiku by Bruce Ross

Writing Haiku: A Beginner's Guide to Composing Japanese PoetryWriting Haiku: A Beginner’s Guide to Composing Japanese Poetry by Bruce Ross
My rating: 5 of 5 stars

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Out: March 15, 2022

With this guide, Ross offers a compact guide to navigating Japanese poetic forms and the offshoots and variations that have evolved in America. The book does have a particular focus on the American and international style of haiku, and related forms, though the author always lays the groundwork by first exploring the “rules” of the traditional Japanese form. He also discusses concepts, such as wabi and sabi, that heavily inform Japanese poetry. However, most of the examples come from English language writers, and there’s extensive discussion of how American haiku differs in form and substance. This makes the book particularly useful for English-as-native-language writers who wish to capture the flavor of this spare and elegant poetic form, but who have limited acquaintance with the Japanese language and culture.

I didn’t think I’d need another guide for writing haiku after reading and re-reading William Higginson’s The Haiku Handbook, but Ross does cover a few topics in greater depth and detail, particular haiga (combining graphic arts with haiku,) renga (a partnered / team style) and several American variations, and ginko (a nature walk-based practice.)

The book has graphics as needed (i.e. in the haiga section,) and offers and extensive set of recommendations for further reading as well as resources.

While I’ve been writing haiku, tanka, and senryū for some time, I learned a lot from this book, and it got me excited to try some of the forms with which I’m inexperienced. I’d highly recommend this book for beginner, intermediate, and advanced haiku poets.


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BOOK REVIEW: Good Writing is Like Good Sex by C. S. Johnson

Good Writing is Like Good Sex: Sort of Sexy Thoughts on WritingGood Writing is Like Good Sex: Sort of Sexy Thoughts on Writing by C.S. Johnson
My rating: 3 of 5 stars

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Sex sells. This book attempts to capitalize on that fact to achieve a foothold in the concise writing guide market, a class of books for which there is no shortage and whose entrants include established masters such as Stephen King, Ursula K. Le Guin, and Ray Bradbury. Given the nature of this market, having hinted at sexiness as a hook, it behooves the writer to boldly embrace that hook, but this isn’t done. I’m not suggesting the author needed to venture into pornographic territory, and I understand that the book is not about writing erotica, specifically [a point that is made quite clear.] However, the banal and disembodied references to sex make the material drier than it otherwise would be. In creating a book that could be read by, say, the Pope or the chairwoman of the Southern Baptist Convention Lady’s Auxiliary without so much as the hint of a blush, the book draws attention to just how much it’s failing to follow its own advice. [I would go as far as to say that if a person had a rare condition in which the slightest sexual arousal would cause his or her heart to violently explode, killing everyone in a ten-foot radius, I would feel safe sitting next to that person on the couch as they read this book.]

The book takes a soup-to-nuts approach, reflecting upon the usual range of topics including: prep work, characterization, tension building, and editing. The information is good, and it’s presented in a brief and readable fashion. That said, it would be a much better first guide than one for someone who has read extensively on the subject because there isn’t much that is novel, either in the advice or the way in which it’s presented. If you’ve read other books on writing, you’ve probably read this advice before – and, in many cases, read it stated in a much more interesting fashion. There are some odd inclusions. At one point the author discusses the parts of speech. If you don’t understand the parts of speech, no writer’s guide will help you, and you probably need to revisit elementary school.

In this kind of book, examples are essential, and, here too, some odd choices were made. One such choice was the author using her own writings. [If you’ve read writing guides by well-known authors, you’ll note that they don’t even use their own writing, and instead tend to use stories like “Macbeth” or folktales – works that are well known to the broadest imaginable readership.] Among examples that weren’t from her own writing, there was a mix of more and less obscure references. It’s not so much that insufficient information was presented to get across the author’s point, but rather that a kind of affinity is achieved with readers when they have familiarity with a story, and that is sacrificed when the couldn’t possibly.

The long and the short of it is this, I think the book was a fine concise writing guide. It presents the information clearly and in a logically arranged fashion. That said, choices were made that felt odd – mostly in using sex as a hook and then eschewing any sense of sensuality. If you’re looking for an introduction to writing, you could do worse than this one [but you could probably do better as well.]


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