How often do you walk or run?
Daily. I don’t live in an aquarium (thus allowing swimming as the predominant mode of transport,) nor am I a potted plant that stays where I’m set. Also, flying is out of the question, except in an airplane.
How often do you walk or run?
Daily. I don’t live in an aquarium (thus allowing swimming as the predominant mode of transport,) nor am I a potted plant that stays where I’m set. Also, flying is out of the question, except in an airplane.
A walk in the park. Most things in life are no walk in the park, but you can’t say that about a walk in the park.
[This message brought to you by WALK IN THE PARK.]
Tell us about the last thing you got excited about.
Going for a walk this morning. (I’m like a dog that way…. except I don’t pee during my walks… usually.)
As I walk through the woods,
I flow through something
As it flows around & against me...
-- Like a slipknot --
I don't know what it is.
I just feel the slightest of drags
As I feel the greatest of exhilarations.
The drag is subtle...
-- Like a slipknot --
What it is in me that slips past
Whatever it is in nature --
I don't know.
But I know there is an interaction,
Of sorts,
Like a free end through a noose...
-- Like a slipknot --
How often do you walk or run?
Every day. And sometimes I crawl, and – if there are monkey bars – I swing.
On Looking: Eleven Walks with Expert Eyes by Alexandra Horowitz
My rating: 5 of 5 stars
This is a field guide to getting the most out of walks in the city; though it’s presented through a series of essays. City-centeredness is the book’s niche. There are tons of books that teach one how to get more out of the subtle signs and signals seen in nature, but we tend to miss the nature (and a good deal of the culture) in our city walks because we view them in a utilitarian fashion and because there is so much shouting for our attention that it’s easy to miss nature’s subtle cues.
The book consists of 12 chapters—each of which is organized around a city walk. Eleven of these walks are with experts who offer the author (and her readers) greater insight into some dimension of the city walk experience that is often lost to the limits of our attention. When I use the word “expert,” I use it broadly. The reader may find some of these individuals more worthy of the title “expert” than others—e.g. two among them are the author’s 19 month old son and her dog—but they all offer a unique insight. [You may recognize the author’s name from a popular book she wrote on dog behavior, and that’s a particular area of interest for her.] Others are the kind of experts that might testify in court or be asked to give a consultation at a corporation. Along the way, Horowitz inserts more general information on the psychology and science of human attention–and its limits—as is relevant to the larger discussion.
The twelve chapters are organized into three parts. The first part deals with the inanimate dimension of the city. Its four chapters deal with the things that children notice owing to either their height or their unjadedness, the natural materials of the city (rocks and biomass), fonts and signage, and the under-appreciated ordinary.
The second part explores the animate part of the city, including insects, animals, and humans. The reader will learn that–despite the fact that they may only see the occasional bird or squirrel—the city is teeming with non-human fauna. The two chapters that deal with humans take quite different perspectives. One is with the Director of the Project on Public Spaces, an expert on how cities are organized (by planning, organically, and by default) and the effect that this has on people and their movement through cities. The last chapter in this part is by a doctor whose expertise is making diagnoses in the style of Sherlock Holmes by means of close observation of the minutiae of a person’s appearance and posture.
The final part is about the sensory experience of a city walk. The first chapter in this section details a walk with a blind woman who is attuned to moving about the city using her other senses. There’s a chapter with an expert on sound, and the walk she takes with her dog—whose experience is largely informed by its olfactory sense. The last chapter is a short summation of what the author has learned and begun to apply in her own solo walks.
The book has few graphics, e.g. depictions of relevant art. There are source citations arranged by chapter in end-note form.
I found this book to be intriguing and beneficial. I think we could all benefit from city walkers who were more tuned in to what was going on around them. (Sadly, the trend seems to be going the other way.) I’d recommend this book for anyone who likes to take a walk, and nature lovers may find it unexpectedly fascinating.
Bat black skies above
Jinking, rolling, and dipping
Dog-fighting for food
The Morning Glory
After dark is monotone
But remains shapely
A pack of street dogs
Bursts into barking, relief
Their mark? Lunchbox man,
Shadow silliness
Man flails his arms overhead
Walking behind me