Tap the resonance
And vibrate at the rate
Of those eternal emanations --
The thrumming under-pulse
Of the Universe.
The ripples that can't be heard
Or felt haptically,
But must be tuned into
To feel, otherwise.
Downshift what is you --
Put your Self into idle.
Don't panic
As you start to slide --
Frictionlessly,
A lack of friction that's
Unfamiliar & Uncomfortable,
But which will be the way
One's worldline plays out --
Effortlessly -- to the end.
Stoop anywhere and pluck it up,
But if you look 'round - it's not there.
Any path may lead you to it.
A stroke of the brush becomes Spring,
And the flowers are in full bloom. --
It's like seeing a new year dawn:
Snatch at it and you won't have it.
Seize it by force and you'll be poorer.
Be like the old mountain hermit --
Like duckweed gathered by stream flow.
Find calm amidst storms of feeling
By knowing Heaven's harmonies.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the tenth of the twenty-four poems.
There once was a popular actress
Who most found cruel, catty, and tactless,
But the very worst part
Was the state of her art,
She only played herself in a different dress.
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys! -- An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime. --
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues, --
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
NOTE: Dulce et decorum est pro patria mori is a line written by Horace in Latin that translates to: “It is sweet and fitting to die for one’s country.”
There once was a preacher with Tourette's
And his case was as bad as it gets.
In times of aplomb,
He'd shout an f-bomb,
Making mourners more than a little upset.
home to birds & squirrels,
the tree holds life in every
crotch & hollow.
Thou wast that all to me, love,
For which my soul did pine --
A green isle in the sea, love,
A fountain and a shrine,
All wreathed with fairy fruits and flowers,
And all the flowers were mine.
Ah, dream to bright to last!
Ah, starry Hope! that didst arise
But to be overcast!
A voice from the Future cries,
"On! on!" -- but o'er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast!
For, alas! alas! with me
The light of Life is o'er!
No more -- no more -- no more --
(Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree,
Or the stricken eagle soar!
And all my days are trances,
And all my nightly dreams
Are where thy grey eye glances,
And where thy footstep gleams --
In what ethereal dances,
By what eternal streams.
in early spring,
the river is twining streams,
and tiny green isles.
