
a black crow,
oily & otherworldly,
alights on a rock.

a black crow,
oily & otherworldly,
alights on a rock.

i follow the light
out of the woods and into
a yellow glade.

old wasp nest:
looks like the whole hive
hulked its way out.

on a narrow ridge,
covered with fine dust,
my foot slips. I’m awake!
Every time the bucks went clattering
Over Oklahoma
A firecat bristled in the way.
Wherever they went,
They went clattering,
Until they swerved,
In a swift, circular line,
To the right,
Because of the firecat.
Or until they swerved,
In a swift, circular line,
To the left,
Because of the firecat.
The bucks clattered.
The firecat went leaping,
To the right, to the left,
And
Bristled in the way.
Later, the firecat closed his bright eyes
And slept.

one hundred birds
startle at my presence;
one eyeballs me.
It thrives in silence and with calm --
ephemeral and gossamer.
It's ever-flowing harmony,
gliding with a solitary crane,
wisping like the gentle breezes
that rustle and billow one's robe,
trilling softly like a bamboo flute.
How does one become one with it?
A chance meeting, lucked into, but
don't lunge forward, or it'll vanish.
When you think it's attainable,
it twists in your hand and is gone.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the second of the twenty-four poems.