But I can’t help but notice That the flower is long-stemmed, Raising it high above the mud.
A tropical newbie, I used to confuse Lotuses & Water Lilies. Then I learned the simplest Way to distinguish the flowers (From a distance) Is that Lily pads Rest on the water, While Lotus leafs Also try to rise above the muddy water.
I can’t help but wonder whether Our admiration has made the Lotus too good for its mud?
The fog envelopes me. I draw vivid pictures on its white surface.
I don't know how I do it, But I know why.
It's a craving: To fill emptiness, To disallow silence.
The fog's texture is Subtle, but existent.
Should I not sketch my story On that white surface, But rather give it my attention then I might see that texture, and then see it clearly, and - eventually - feel it as I glide my hand though space... Blind and at ease.
You glow in my heart Like the flames of uncounted candles. But when I go to warm my hands, My clumsiness overturns the light, And then I stumble Against the tables and chairs.
This is how the wind shifts: Like the thoughts of an old human, Who still thinks eagerly And despairingly. The wind shifts like this: Like a human without illusions, Who still feels irrational things within her. The wind shifts like this: Like humans approaching proudly, Like humans approaching angrily. This is how the wind shifts: Like a human, heavy and heavy, Who does not care.
I WOULD be as ignorant as the dawn, That has looked down On that old queen measuring a town With the pin of a brooch, Or on the withered men that saw From their pedantic Babylon The careless planets in their courses, The stars fade out where the moon comes, And took their tablets and made sums-- Yet did but look, rocking the glittering coach Above the cloudy shoulders of the horses. I would be -- for no knowledge is worth a straw -- Ignorant and wanton as the dawn.