Tag Archives: Book Review

BOOK REVIEW: Zen in the Art of Writing by Ray Bradbury

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Zen in the Art of WritingZen in the Art of Writing by Ray Bradbury
My rating: 5 of 5 stars

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I rarely re-read books, but I’m glad that I revisited this one. I think I read it more smartly on the second go — more in a way that benefited from Bradbury’s style and message. The book’s nine essays, capped by a small collection of poems, convey lessons on writing, and – specifically – creativity in writing. Bradbury was among my favorite authors because he combined brilliant language with clever stories – i.e. he was creative on both levels. That’s a rarity. There are many excellent storytellers whose language lacks poetry or finesse. And, there are writers who are eloquent and evocative with language, but who either care little for, or have limited gift for, story.

While Bradbury claimed no expertise in Zen and doesn’t hide that he cribbed his title from a popular work by Eugen Herrigel entitled, “Zen in the Art of Archery,” it remains an appropriate title for the book and its eponymous final essay. Throughout the book, one can feel the Zen in Bradbury’s writing. He lets his words and analogies flow without becoming obsessively analytical about them – or at least appearing not to have been. Bradbury uses a lot of short, punchy sentences and a great many poetic applications of figurative language. He practices what he preaches as he both gives lessons and simultaneous demonstrations on how to write. His advice ranges from using single word writing prompts to shake one out of writer’s block, to the very Zen idea of avoiding thought – i.e. letting the words come from the subconscious. Lest one think that there is a conflict in a book on creativity that draws from another book’s title, there’s a recognition that creative writing is never wholly novel.

This book is well worth reading, not just for writers but for other artists and creative types as well. I highly recommend it.


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BOOK REVIEW: Monkey: New Writing from Japan: Vol. 2: Travel ed. Ted Goosen & Motoyuki Shibata

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MONKEY New Writing from Japan: Volume 2: TRAVELMONKEY New Writing from Japan: Volume 2: TRAVEL by Ted Goossen
My rating: 5 of 5 stars

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Out: December 28, 2021

This anthology of travel-themed short writings by prominent Japanese authors includes: short stories, essays, poems, excerpts from longer works, and even an illustrated story [i.e. “The Overcoat” by Satoshi Kitamura.] The nature and degree of travel varies considerably with some pieces being travelogues or setting-centric fiction, but other pieces explore travel in a more symbolic sense (e.g. “Hell” by Kikuko Tsumura or “Decline of the Aliens” by Hideo Furukawa.] And one piece, “Cardboard Boxes and Their Uses” by Taki Monma deals more with the topic of being shut in, so it might be considered a study in travel through its absence.

The anthology includes works by literary stars such as Mieko Kawakami, Haruki Murakami, and Yasunari Kawabata, and showcases translation by some of the most well-know translators of Japanese literature. [The edition ends with a dozen brief statements by translators about what they have found particularly daunting to translate — not necessarily because the literal translation is difficult but because the elegance of the origin language can be lost to clunkiness in the translated language.]

Among my favorite pieces were “The Dugong” (a historical fiction story with a “Journey to the West” feel to it,) Haruki Murakami’s essay entitled “Jogging in Southern Europe” (which anyone who’s ever exercised amid people who don’t exercise will find amusing,) “Five Modern Poets on Travel” [particularly the tanka of Kanoko Okamoto and the haiku of both Hisago Sugita and Dakotsu Iida,] and “Every Reading, Every Sound, Every Sight” by Jun’ichi Konuma. That said, I don’t think there was a clunker in the bunch, each piece was well-composed and translated, and I’d highly recommend reading this book.


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BOOK REVIEW: Why I Am a Hindu by Shashi Tharoor

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Why I am a HinduWhy I am a Hindu by Shashi Tharoor
My rating: 4 of 5 stars

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There are two core premises in this book. First, Hinduism is non-dogmatic and can be almost whatever a given believer needs it to be, and, therefore, the objectionable elements associated with it [e.g. casteism] aren’t the religion’s fault. Second, Hindu nationalism represents a break from Hinduism’s historical proclivity for acceptance, which (circling back to the first point) results from the fact that believers aren’t forced to accept particular beliefs, thus making it easier to accept that believers from other sects have different perspectives.

Overall, the book’s first part does a fine job of showing how Hinduism has historically been accepting, non-dogmatic, and pluralistic; and the second part neatly describes the many ways in which the Hindu nationalist movement has abandoned those same values – ironically moving away from Hinduism’s open and agreeable nature to adopt the parochial and fanatical ways that they’ve decried in others.

As common among those wishing to glorify religions as faultless, Tharoor does some whitewashing. He argues that casteism (as with other faults) isn’t the religion’s problem, but society’s. However, Tharoor doesn’t make a convincing argument that the caste system could stick devoid of religion’s authority, or even that there’s a clear distinction being made.

When I reviewed Kancha Ilaiah Shepherd’s Why I’m Not a Hindu, I mentioned that I was reading these two diametrically titled books to get a clearer picture of the religion. What I found was that they’re both anti-Hindu nationalist works, though coming from very different perspectives. I did learn a great deal from reading each of the books, though they largely talk past each other as opposed to offering the head-to-head one would expect, given the opposing titles.

I would definitely recommend reading this book, with the proviso that one be cautious for instances of embellishing or glossing over, which – it seemed to me – did take place.


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BOOK REVIEW: M.O.M.: Mother of Madness, Vol. 1 by Emilia Clarke & Marguerite Bennett

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M.O.M: Mother of Madness #1M.O.M: Mother of Madness #1 by Emilia Clarke
My rating: 4 of 5 stars

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Out: December 14, 2021

This graphic novel uses a story about a single mother who develops superpowers tuned to her emotional states as a means of exploring a wide range of social justice issues. On the positive side, the story has moments of humor and moments of poignancy, and it takes efforts to avoid being purely divisive in the way socio-politically themed works often are. On the other hand, the book becomes bogged down in preachiness at times, and would likely have been much more effective if it’d used story to convey ideas, trusting the audience to grasp the takeaway without hammering them with ham-fisted dialogue. To be fair, the book, using fourth wall breaks, sometimes acknowledges its own exposition dumps and other clumsy and clunky elements.

The artwork was clear, if sometimes a bit bizarre and quirky. (e.g. See cover)

Unfortunately, as I read the book what the story most reminded me of was the Halle Berry “Catwoman” movie, which no one [even, I suspect, Halle Berry] wants to be reminded of. One reason for this comparison was that both stories decry objectification and shaming while featuring only beautiful people, and they definitely [unconsciously, I suspect] perpetrated the “ugly equals evil” notion ubiquitous in storytelling.

It’s not a bad story and has its admirable qualities, but I think it could have been better if it were a bit more focused and less heavy-handed with the commentary. At times it seemed as if the author thought, “Oh, and I want to say something about this social travesty,” and then she inserted dialogue that seemed to have little to do with what was going on with the story at the moment. Or, perhaps, there was a list of disparate social issues that needed to be touched upon in the single volume.


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BOOK REVIEW: Ghachar Ghochar by Vivek Shanbhag (Trans. Srinath Perur)

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Ghachar GhocharGhachar Ghochar by Vivek Shanbhag
My rating: 5 of 5 stars

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This novella, translated from Kannada, shows the Indian family as both a gordian knot that can be the source of great strength through unity and as an unruly tangle that can neither be loosed nor made neat. It’s character-driven literary fiction that focuses on a young man in a family that becomes nouveau-riche. He is aimless and dependent upon the income of his family’s business, and that is fine and natural with him until his newly-wedded wife discovers he’s more man-child than the business executive his calling cards proclaim him to be.

I found the book to be both insightful and brilliantly crafted. As mentioned, it’s more about the family dynamic than a story, but it’s humorous, contemplative, and shows the psychology of family drama nicely.

I’d highly recommend this novella for readers of literary fiction.


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BOOK REVIEW: Expanding Consciousness by Mario Beauregard

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Expanding Reality: The Emergence of Postmaterialist ScienceExpanding Reality: The Emergence of Postmaterialist Science by Mario Beauregard
My rating: 3 of 5 stars

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Beauregard aims to persuade readers that the materialist view of consciousness is irredeemably irreconcilable with observed reality. In this objective, he fails. (He’s not alone. There are too many unknowns for the rational skeptic to take a firm stance on the nature of consciousness.) What Beauregard succeeds in doing is cataloguing research findings that could be interpreted as suggesting there is more to consciousness than materialists can account for.

Cleverly, Beauregard begins with the most compelling evidence and concludes with the most audacious, controversial, and unvalidated findings. That most compelling evidence is the role of mental attitude and beliefs upon health outcomes. It’s firmly established that mind state has a huge impact on health and health outcomes. From the placebo effect to a health outcome premium to those who pray (and believe there is a god that takes requests,) thought matters. Unfortunately for Beauregard, it’s a huge leap to say this means there is some sort of spirit force that acts on the material world. If one begins from the realization that the human body (and those of other animals) is really good at self-repair within certain limits and given certain conditions (and that among those conditions is the ability to dampen the stress response and trip the rest & digest mode,) then one needn’t call on anything supernormal / supernatural to explain the influence of thoughts on healing.

I don’t have the time or inclination to systematically go through the strengths and weaknesses of all the arguments, but the one I mentioned stands as an example of what is good and bad about the book. On the positive side, I think Beauregard accurately reports on some interesting findings, but then he uses them to bootstrap the position that materialism can’t work ineffectively. I found myself thinking “that does not follow” a great deal. Either there wasn’t enough known to draw a conclusion, or – as in the case of healing – there are competing hypotheses that work as well but without the need to appeal to anything so complicated or unproven as a web of consciousness.

Beyond healing, the book goes through findings that suggest the possibilities of extrasensory perception, telekinesis, and an afterlife for consciousness (e.g. near death experiences [NDE.]) In some cases, this evidence is strong but quite limited (usually limited both in the degree of effect and in understanding of what causes said effect,) but in a few cases the evidence is anecdotal and / or completely unvalidated. The same variation exists when Beauregard takes on competing hypotheses. In a few cases, I found myself thinking his refutations had compelling elements or bases, but in other cases the refutations seemed to be – at best – big stretches. [I expected an extensive refutation of the finding that OBEs (out-of-body-experiences, a common feature in NDEs) have been found to be triggerable at will using physical processes (electrical stimulation) to material (brain tissue,) but did not get it. To my mind, this finding is a challenging – though not damning – counter to postmaterialist arguments.]

If you’re interested in a cataloging of findings that suggest the possibility that there is more to consciousness than materialists propose, this is a fine book to check out. However, don’t expect a persuasive holy grail of persuasion, but rather a mixed bag that ultimately shows no more than the fact that there is a massive amount that we don’t know about how consciousness works.


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BOOK REVIEW: The Three-Cornered World by Natsume Sōseki

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The Three-Cornered WorldThe Three-Cornered World by Natsume Sōseki
My rating: 5 of 5 stars

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This novel was originally entitled Kusamakura or “Grass Pillow,” and it’s the Alan Turney translation that bears the title The Three-Cornered World. Turney drew from a concept that Natsume presents in the book – i.e. that an artist lives in the triangle created by the collapse of a corner called common sense. It’s a poetic and philosophical novel that is very much character-centric. In other words, if you must have an intriguing story, this book is not so much for you. However, if you find ideas and clever use of language appealing, you’ll love it.

The premise is that an artist takes retreat in the mountain countryside, and becomes infatuated with a local woman with a storied past. As the book tells us of the artist’s experience, it discusses aesthetics, the philosophy of art, and the place of emotion in artistic experience. This book is often compared to Bashō’s travelogue (i.e. Narrow Road to the Deep North) as it involves a great deal of elegant imagery and the occasional interspersed poem.

While the book is light on story, I was wowed by the author’s thought process and his use of language. While I’ve never read the original in Japanese, Turney’s translation is beautiful writing in its own right and I suspect it captures the sparse beauty for which Natsume’s work is famed. It is definitely worth reading.

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BOOK REVIEW: Murder on the Orient Express by Agatha Christie

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Murder on the Orient Express (Hercule Poirot, #10)Murder on the Orient Express by Agatha Christie
My rating: 5 of 5 stars

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This is one of Agatha Christie’s most popular and beloved murder mysteries, in large part because of the atmospherics and premise of the book. It’s not just that the murder takes place on a long-distance luxury train, an exotic and exciting setting to be sure, but that said train is stopped indefinitely by a build up of snow on the tracks in the mountains. What this does is to cut the detective, Hercule Poirot [who just happens to have ended up on the train,] off from the usual resources he would have at hand to solve a case – e.g. forensic science, law enforcement officers, etc. (Though forensic science wasn’t so advanced during the early twentieth century when the story takes place.) This requires Poirot to solve the case with only his wits, encyclopedic knowledge of crimes, and skepticism to piece together a solution to this locked-door mystery.

This was the first Agatha Christie novel I’ve read, and I felt it was a fine entry point into her work. While Poirot – like Sherlock Holmes – is a recurring character that features in a number of short stories and novels, this is a completely standalone story that requires no knowledge from the nine Poirot books that precede it. Poirot has other aspects in common with Sherlock Holmes, but is also quite distinct. Both detectives know pretty much everything there is to know about investigating crimes, but Poirot is much more personable and suave. This makes the Frenchman a more likable but less interesting detective than Holmes – i.e. Poirot is unflawed but correspondingly less believably brilliant.

I enjoyed this story. It does a spectacular job of building intrigue, and that is no doubt largely responsible for the book’s great success.


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BOOK REVIEW: Bliss by Sean Lewis

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BlissBliss by Sean Lewis
My rating: 5 of 5 stars

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This eight-issue graphic novel blends sci-fi and mythology to tell a story of the double-edged nature of memory – bringer of both bliss and trauma. At the story’s core is a father-son relationship in which both the father, Benton, and son, Perry, must come to grips with the fact that contained within the former is the greatest possible range of virtue and vice, a nearly irreconcilable mix of good and bad.

I enjoyed that the author instilled an intriguing strangeness to the book’s world using a mix of futurism, mythology, and creativity while at the same time dealing with primal human concerns. The book asks whether being free of memories can contribute to our being worse versions of ourselves (being able to forget misdeeds,) and whether healing (forgiveness of both self and others) can happen without memory.

I found this book to be provocative and well-composed. There were points at which it felt like the scale of deviation between the good and the bad Benton were unfathomably great. In other words, it felt like the motivation for his actions strained credulity. However, that encourages one to think about how a person might behave if he knew he could be freed of the memory of ill deeds.

I loved the story, the art, the world, and the characters. I’d highly recommend the book.


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BOOK REVIEW: Iranian Love Stories by Jane Deuxard & Deloupy

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Iranian Love StoriesIranian Love Stories by Jane Deuxard
My rating: 5 of 5 stars

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Out: December 14, 2021

This graphic novel shows what life is like in Iran. A French couple engaged in immersion journalism converses with Iranian men, women, and couples. As the title suggests, the theme of the book is intimate relationships (and marriage, when it – sadly – doesn’t fall into that category,) and the trials of love under an ultra-conservative theocratic regime. The book offers insight into how singles sneak love, how arranged marriages work (or don’t,) and how the bizarre in-law dynamics of arranged marriage are navigated. One also learns about non-amorous elements of Iranian life – i.e. the illicit nature of dog owning, workplace dynamics, etc.

The people Deuxard talked to were overwhelmingly wealthy, educated, and unhappy with the regime. That said, there’s a range of views presented. There were a few who were mostly happy – e.g. one young woman complained about the impossibility of openly dating, but said she was ultimately happy not to live in the West where she would probably have to work and / or take on other responsibilities she was freed of as an Iranian housewife. Additionally, one girl said that a relationship in Europe would offer no thrill because, you know, no one will murder you for smooching your boyfriend in Denmark. There were also many who desperately wanted out of the country, some of whom felt trapped and others who were working toward getting away (there are measures in place to make this difficult for many – e.g. if you have an Iranian degree, you have to pay it off before you’re granted an exit visa.) Some were hopeful that the theocracy would be overthrown, but most were resigned to a tormented life.

As a traveler, I’m fascinated by how people live at various places around the world, and so I found this book intriguing and thought-provoking. However, I can see how those who aren’t interested in such questions might find it a bit dull. It’s essentially documentary-style interviews in graphic novel format. That said, I thought the artist and writer did a good job of conveying mood. If you want to know what life is like in Iran, check it out.

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