Tag Archives: Book Review

CLASSIC WORKS: Bushidō by Inazo Nitobe

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Bushido: The Soul of JapanBushido: The Soul of Japan by Inazo Nitobe

My rating: 4 of 5 stars

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On the whole, people are ambivalent about feudal times. On the one hand, it was a horrible time to be alive for 99.5% of the population. Chances are that if you’d lived during that time you’d be toiling ceaselessly on the land with no hope of improving your lot in life. Everything was determined by heredity, with merit having little to do with anything. This added insult to injury because that person you’d have had to suck up to was as likely to be putz as not.

On the other hand, there is widespread nostalgia for those times because one can’t help but feel that they were the golden days of virtue. As Ralph Waldo Emerson said, we think that society is ever advancing, but, in reality, we advance like a wave–losing as much on the backside as we gain on the front.

Inazo Nitobe’s book gives us an accounting of the chivalric virtue practiced by the samurai, the warrior class of feudal Japan. Bushidō means the way of the warrior. Nitobe lived after Japan’s feudal era, in the late 19th and early 20th centuries. Nitobe was an educator, and the book has a feel of erudition. Interestingly, the author was a Quaker and received education in the West, and, therefore, is able to contrast the Japanese worldview with that of Westerners.

The book is built around discussion of the seven virtues of bushido: justice, courage, benevolence, politeness, sincerity, honor, and loyalty. Each of these virtues has a chapter devoted to it (Ch. 3 through 9.) But first the book introduces bushido as an ethical system, and then it explains the effect that Buddhism, Shintoism, and Confucianism played in the development of this system.

Later chapters outline the education and training of a samurai, the importance of stoicism, the institution of suicide (seppuku), the symbolism of the sword in Japanese society, the role of women, the role of bushido as an ethical system in the present-day (his present), and its proposed role in the future. It is interesting that the book begins by discussing those things that influenced the development of bushidō, and it ends with discussion of how bushidō influences the larger world.

Our views of virtue have changed, but at some level remain consistent. The seven virtues are all still considered virtuous, but we don’t regard them in the same way today. In some cases we are undoubtedly better off with today’s views, but that’s not always the case.

Consider the seventh precept, loyalty. We still value loyalty, but in today’s world the rule of loyalty has an ever-present Shakespearean addenda: “to thine own self be true.” In other words, we no longer believe in loyalty that is blind as was valued in the days of old.

Sincerity, by which Nitobe generally means honesty, is also seen in a different light today. As depicted in the Jim Carey movie, Liar Liar, there’s a widespread view that it’s better to fib and make someone feel better than it is to tell the truth and hurt that person’s feelings.

One of the most intriguing chapters is the one that deals with seppuku. This is a concept that has never been well-understood in the West, and it’s a major point of cultural disconnect. While the Japanese have tended to see suicide as a means to restore honor that was lost in failure, in the West we tend to see it as a more pathetic and cowardly affair. I’ve recently been reading Ian Fleming’s You Only Live Twice, and this is one of many points of diverging attitudes between “Tiger” Tanaka and James Bond.

Bushidō is definitely worth a read. It’s thought-provoking, and is one of those books to be read slowly and conscientiously.

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BOOK REVIEW: Einstein’s Dreams by Alan Lightman

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Einstein's DreamsEinstein’s Dreams by Alan Lightman

My rating: 4 of 5 stars

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One might think that a novel written by a physicist would make for dreadful reading–and most of the time one would probably be correct. However, Lightman’s Einstein’s Dreams is a fascinating read. The arc of the book–what makes it a novel rather than a series of short scenes–is conveyed by a prologue, a few interludes, and an epilogue. These brief sections show an Albert Einstein as he went about life trying to work out his special theory of relativity.

In between the interludes are a series of written sketches that depict dreams that might have been had by Albert Einstein between April 14th and June 28th of 1905. Each of these dreams depicts an alternative universe in which time is not experienced as we experience it: that is, as an inexorably flowing river with a clearly defined arrow. In one dream, time is circular. In another, a lifetime is compressed into a day. In another, there is no flow of time; the world is a snapshot. In another, immortality is the norm. In the latter dreams of the book, we see a convergence on time as we know it–though in dream-like abstraction.

This short book is both creative and well-written. Lightman excels at creating scene through vivid description. His approach to structure is unique.

One thing that might have improved the book is if the author had been a little bolder. Lightman feels the need to explicitly state what is going on in each dream world. However, his description is strong enough that such discussion is generally anti-climactic–one already knows how time is working (or not working) in a given universe before the author states it explicitly. Thus, these explicit descriptions succeed only in taking one out of the dream.

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CLASSIC WORKS: Slaughterhouse-Five by Kurt Vonnegut

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Slaughterhouse-FiveSlaughterhouse-Five by Kurt Vonnegut

My rating: 4 of 5 stars

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If you’re like me, you had to read this in high school. I reread it as an adult because the first time its awesomeness was tarnished by the fact that it was mandatory. Being a pessimistic youth, my thought was, “How good could it be if they are making me read it?” They don’t make you read Batman; they make you read Moby Dick. I’m glad I reread it as an adult. Little did I realize, my knee-jerk rejection of the book as something forced upon me, beyond my control, was mirrored by the theme of the book.

Slaughterhouse-Five tells the story of Billy Pilgrim, an optometrist who survived the Dresden fire-bombings was abducted by an alien race and became “unstuck in time.” If you didn’t get this impression, the book is strange. As the term “unstuck in time” suggests, there isn’t a chronological sequencing of events. Instead, the story leaps around from Pilgrim’s adult life as an optometrist to his time as a young soldier in the military to his time as an exhibit in a Tralfamadorian Zoo.

While the novel covers a lot of life, many of the important themes are seen in protagonist’s war experience. It should be noted that there is an autobiographical component to this book. Vonnegut was a prisoner of war who was ordered to help dig for survivors in the wake of the fire-bombing of Dresden. This gave Vonnegut a unique perspective of war and how similarly it is experienced by the enemy. An important line of tension in the book is between Pilgrim’s character and that of the jingoistic Roland Weary.

The Tralfamadorian subplot has a lot to do with being out of control, and learning that perceptions of control are illusory. This is exemplified by the time jumps, which leave Pilgrim completely unable to predict what will happen next. Then there is Pilgrim’s experience being exhibited in an alien zoo, what  could be less in control than that.

Like most of Vonnegut’s work, Slaughterhouse-Five is a dark comedy. There is humor throughout, but humor wrapped in the macabre. For example, whenever anyone dies there is a chorus of “So it goes.”

Everyone should read this, and reread it if necessary.

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BOOK REVIEW: Smile When You’re Lying by Chuck Thompson

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Smile When You're Lying: Confessions of a Rogue Travel WriterSmile When You’re Lying: Confessions of a Rogue Travel Writer by Chuck Thompson

My rating: 4 of 5 stars

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Smile When You’re Lying gives the reader an insider’s view of the deceit rife in travel writing. In the process, Chuck Thompson tells a story of life on the vagabonding circuit. Instead of being a story of idyllic and pristine white sand beaches, it’s the story of drug- and booze-riddled expats and the prostitutes they frequent.

Thompson lived a colorful life. He tells of how his interest in Thailand began when he heard stories while in a jail in Alaska. He introduces cast of characters, such as Shanghai Bob, many of who are even more colorful than he. It’s this wild living that makes the book an interesting read, but, ironically, it also makes such stories impossible to sell to any of the travels magazines–all of which make money off of advertiser dollars, advertisers who have an interest in making travel seem safe, clean, and family-friendly.

Thompson tells of how he began teaching English in Japan, a common point of origin for expats taking to Asia. Japan has a large and well-developed program, called JET, that brings native English speakers to Japan to teach language or work in government offices as translators.

In addition to the intro on Thailand, a chapter on his Alaskan youth,and one on his JET days, there are chapters on Latin America, the Caribbean, the Philippines, and Eastern Europe. Furthermore, there is a chapter that lends travel advice for aspiring travel writers and one about what travel mags don’t want readers to know. It should be noted that besides having written for such magazines, Thompson did a stint as an editor as well.

Thompson also devotes a chapter to countering the myth that Americans are–on the whole–bigger travel bastards than the people of other Western nations.

If you are interested in travel writing or vagabonding, this is a worthwhile read.

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BOOK REVIEW: Classic Haiku ed. by Yuzuru Miura

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Classic Haiku: A Master's SelectionClassic Haiku: A Master’s Selection by Yuzuru Miura

My rating: 5 of 5 stars

Classic Haiku is a collection of 106 poems by masters such as Matsuo Bashō, Kobayashi Issa, and Yosa Buson. It’s logically arranged into five sections: Spring, Summer, Autumn, Winter, and New Year’s Day. While haiku has come to be thought of as any poem in a 5-7-5 syllable arrangement, those familiar with traditional haiku know that there are other requirements that are at least as fundamental as the syllabic arrangement. One of these is that the poem be pure observation devoid of exposition. Another criteria is that it be rooted in nature. A final criteria, historically, has been that the poem indicate the season, if not giving an explicit seasonal word or phrase. This makes the season an optimal organizational unit for the book.

One nice feature of this book is that it includes the English translation, the Japanese romaji version (i.e. the way it would be spoken in Japanese but using roman alphabet characters), and the version using the Japanese system of writing. Granted, for those who aren’t fluent in Japanese, these features might not seem to add much. However, sound can be evocative itself in poetry, and so it can be interesting to read the Japanese for that reason. Furthermore, there are those who argue that 5-7-5 syllables is not the closest facsimile to Japanese haiku for haiku written in English. Because of the average length of syllables, some say that a 2-3-2 accented syllable pattern for English haiku is closer to the original Japanese form. Reading the Japanese, gives one an idea of the sound characteristics of Japanese haiku.

[Furthermore, if one loves a haiku enough to want to get it tattooed in Japanese on one’s body, one can double-check the characters before one gets it done at a Chinatown tattoo parlor only to find that what one really has tattooed on one’s butt is, “Syphilitic nightmare – Ketchup bottle mayhem day – Rides the goat to school”]

Here’s a sampling my favorites:

 

the raftsman’s straw cape
brocaded with
the storm-strewn cherry blossoms
– Yosa Buson

calm and serene
the sound of cicada
penetrates the rock
– Matsuo Bashō

in summer grasses
are now buried
glorious dreams of ancient warriors
– Matsuo Bashō

oh, cricket
act as grave keeper
after I’m gone
– Kobayashi Issa

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BOOK REVIEW: Unbelievable by Stacy Horn

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Unbelievable: Investigations into Ghosts, Poltergeists, Telepathy, and Other Unseen Phenomena from the Duke Parapsychology LaboratoryUnbelievable: Investigations into Ghosts, Poltergeists, Telepathy, and Other Unseen Phenomena from the Duke Parapsychology Laboratory by Stacy Horn

My rating: 3 of 5 stars

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For 50 years a laboratory operated at Duke University that studied extra-sensory perception (ESP), ghosts, and other paranormal events. Today one can’t imagine an academic laboratory devoted to paranormal activity surviving, especially at such a prestigious university. Horn’s book takes one through the life of this lab. It describes phenomena debunked as either fraud or poor methodology, but it also discusses events and outcomes that have remained unexplained.

The central character in the book is J.B. Rhine, Director of the Duke Parapsychology Laboratory. Rhine was a botanist by training, but he developed an interest in parapsychology– eventually becoming the foremost expert in the, albeit dwarf, field.

When the lab opened in 1930, the universe of unknowns was much greater than when it closed in 1980. This was exemplified by Albert Einstein’s correspondence with Rhine, and the author of relativity’s attendance at a séance on one occasion. By 1980, having recorded some unexplained phenomenon, but having produced neither well-validated results nor explanations, the lab was looking increasingly like a boondoggle.

The phenomena studied included some that could be systematically studied  in the laboratory, as well as others that could only be observed in the field. The former being exemplified by the use of cards with shapes on them to study telepathy (as depicted by Bill Murray’s character in Ghostbusters.) The latter included the study of poltergeists or interviews of children about the lives of people who lived before their time (e.g. as Tibetan lamas are selected).

One of the questions confronting the investigators was whether those phenomena that could be studied in the lab were best studied there. While telepathy studies sometimes showed a weak but positive result, some thought that more robust results could only be attained under real world conditions.

In the 60’s, Timothy Leary came to call on Rhine. Leary, of course, thought hallucinogens were the key to unlocking the hidden powers of the mind. Rhine apparently took LSD on a couple of occasions before concluding that there was nothing but vivid chaos coming out of the experience. Still, there remained adherents to the notion that mind-altering drugs might unlock hidden potentials. Horn devotes several pages to the work of Sidney Gottlieb, the head of the CIA parapsychology program. It should be noted that the government programs were not stopped until the mid-90’s, fifteen years after Duke’s Parapsychology Lab shut down.

The last gasp of parapsychology was an attempt to determine if quantum entanglement might have any ramifications for ESP. Quantum entanglement is the situation in which two particles separated at great distance can influence each other instantaneously. Could the particles in two minds behave accordingly, and, if so, to what result?

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BOOK REVIEW: Solaris by Stanislaw Lem

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SolarisSolaris by Stanisław Lem

My rating: 4 of 5 stars

Solaris is the  best known work of the Polish sci-fi writer Stanislaw Lem. It’s the story of the planet Solaris’s super-intelligent ocean and the humans that are observing it from an orbiting space station. Scientists discover that the ocean is intelligent because the planet orbits two stars, and the ocean must redistribute itself as ballast to keep Solaris from flying off out of its star systems.

Having had no luck in learning about this ocean, the scientists begin more invasive operations–bombarding the ocean with electromagnetic radiation. The ocean then begins to project human beings into the space station, using blueprints in the minds of the scientists. Each of the scientists begins to see, and eventually interact with, someone from his past. Each “guest” is physically indistinguishable from the person in the respective scientist’s past, but the simulacra are “off.”  These simulacra stir up bad memories.

The most extensive interaction we see between a crew member and one of these manifestations is that of the protagonist, Dr. Kris Kelvin, and his ex-wife. Dr. Kelvin is a psychologist and is the most recent crew edition. (The novel actually starts with him as a new arrival, we learn of the earlier incidents as he does.) His “visitor” is the spitting image of his wife, a woman who committed suicide after the couple broke up.

The novel plays with an intriguing question. What if a person you loved and lost came back from the dead, but you would only be able to experience them as they existed in your mind? In some sense, they’d be more real to you than the actual person. But you’d know they were just a fabrication, and you could never learn anything new about them. At first Kelvin rejects, even banishes, his wife’s doppelgänger, but when she inexplicably returns he finds it hard to maintain his distance.

I enjoyed this book. The translation seemed skilled to me (though I don’t read Polish, and hence didn’t read the original.) I’d recommend it.

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There have been three film adaptations of this novel. I haven’t seen any of the movies, but this is the trailer for the most recent one. The trailer emphasizes the love relationship more and the sentient ocean less than the novel (though the interaction of the protagonist with his imagined wife is central to the work.)

BOOK REVIEW: It’s Getting Better All the Time by Moore & Simon

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It's Getting Better All the Time: 101 Greatest Trends of the Last 100 YearsIt’s Getting Better All the Time: 100 Greatest Trends of the Last 100 Years by Stephen Moore

My rating: 3 of 5 stars

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The title says it all. The authors, Stephen Moore and Julian Simon, discuss 100 trends in 20th century America that give one reason to be optimistic about the future. These trends are grouped into the following areas: health, nutrition, wealth, poverty, children’s issues, labor, leisure, housing, transportation & communications, innovation, information technology, education, safety, environmental protection, natural resources, socio-cultural indicators, sports, women’s issues, racial issues, and freedom & democracy.

One of the co-authors, Julian Simon, died before publication of this book, but is famous for a bet that he made with Paul Ehrlich. The bet was that any five commodities of Ehrlich’s choosing would decline in price over the subsequent decade. Ehrlich, author of The Population Bomb, was a doomsayer, and believed the five commodities and most others would become more expensive. In other words, Ehrlich was betting resources would become more scarce as they were used up, but Simon believed our technological advances in discovery and extraction would outstrip our consumption. Simon won the bet. All five commodities became cheaper, though some have pointed out that if they had gone double or nothing over another decade the tables would have turned.

The authors attribute the world’s 20th century success to three technologies: electricity, vaccines/medicines, and the microchip. In answer to the question of why the United States did particularly well, the authors point to freedom as the main driver. Neither of these hypotheses are systematically evaluated in this work; they’re just presented with anecdotal support. I say this not so much as harsh criticism, but so as to make the reader aware that it is not that kind of book. The bulk of the book is one page of text for each trend, plus a line or bar graph to visually depict the trend.

This book makes some excellent points. People have a tendency towards pessimism, hence all the dystopian, zombie, nuclear holocaust literature. There’s also a common fallacy that there was once a golden age of humanity in the past that is never to be surpassed. One may find it hard to believe that it’s getting better all the time, but one can’t argue with the numbers. Life expectancy is up. Infant mortality is down. Housing is less crowded. We have more symphonic orchestras. On a host of issues, the quality of life of Americans has risen.

The previous paragraph notwithstanding, there’s room for criticism. While one can’t argue with the numbers, in some cases one might find oneself asking whether they are the right numbers or whether they tell the whole story. For example, the section on disease shows a strong decline across a range of diseases. However, it doesn’t cover any of the many chronic disease that arose in the 20th century and disproportionately affect wealthy countries such as diabetes and crohn’s disease. It’s hard to know how much of the trends represented are a function of data availability (covering so much ground, they had to rely on second-hand data) and how much reflects selection bias intended to support their argument. As implied in the preceding paragraph, some of the measures are undeniably the right ones. However, the reader may find themselves wondering about others.

It would be interesting to see an update to the study. For example, GDP growth is shown to be higher on average among the freest nations. However, with countries like China and Vietnam rocketing upward in GDP in recent years, it would be interesting to see if this trend has held.

There’s a CSPAN Book TV program with Moore available here.

Even though this book is 13 years old, I’d still recommend it. Given all the doom and gloom as of late, it might be a particularly good time to pick it up.

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BOOK REVIEW: Steel and Other Stories by Richard Matheson

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Steel: And Other StoriesSteel: And Other Stories by Richard Matheson

My rating: 4 of 5 stars

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Steel and Other Stories is a collection of 15 short stories from the author of I am Legend. Thirteen of the fifteen stories are from the 50’s, and motifs of that time are common (e.g. Cold War phobia, the Western, etc.)

1.)The title story, Steel, is about android boxers. Viewers of the movie Real Steel, which was loosely based on this story, will find the story not much like the film. In the film the boxers are robots, but in the story they are androids. For those readers who aren’t sci-fi geeks, the difference is that androids look and move like humans. There is more on the line in the final fight in the story than in the film.

2.) Fit the Crime is about a cantankerous old poet on his deathbed. It’s a humorous story and will be enjoyed by those who love language play.

3.) The Wedding is about a superstitious groom who gets on his bride’s last nerve.

4.) The Conqueror is the sole Western in the collection. It features gunfights and a final line revelation.

5.) Dear Diary is a very short sci-fi piece that is written in the form of three diary entries: one in 1954, one in 3954, and one at an undesignated date presumed to be later than the second entry. In typical Mathesonian style, the third entry, only a partial sentence, turns expectations on end.

6.) In Descent two couples are preparing to move underground to survive nuclear holocaust. Confronted with the decision of dying above ground or living a subterranean life, one of the men opts for the former. This creates a dilemma for the man’s wife.

7.) In The Doll That Does Everything two parents of a horrid child contemplate whether the lifelike doll they buy their child really can do everything.

8.) The Traveler is about scholars who go back in time, cloaked, to observe biblical history first hand.

9.) When Day is Dun is about the last man alive, but, unlike I am Legend, the apocalypse is of nuclear annihilation.

10.) Splendid Source is one of the most famous stories in the collection. It’s about a search for the point of origin of ribald jokes. Viewers of Family Guy will recognize its depiction in an episode of that series.

11.) Lemmings is one of the shortest pieces in the collection. It imagines humanity walking one after another into the sea.

12.) In The Edge a man finds that people he doesn’t know know him. This begs the question of whether he has a doppelgänger or he’s lost his mind.

13.) In A Visit to Santa Claus a man reconsiders a contract on his wife’s life that is to be executed on a visit to the mall to see Santa.

14.) In Dr. Morton’s Folly a dentist gets an after-hours emergency case.

15.) In The Window of Time A man travels back in time 68 years by mysterious circumstance, walking familiar territory in transformed in time.

Matheson is a master story craftsman, and this collection is an interesting mix of stories from various genres–some humorous and some dark.

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BOOK REVIEW: How to be God by George Mikes

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How to Be GodHow to Be God by George Mikes

My rating: 3 of 5 stars

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Humorist George Mikes’ main premise in this book is that humans created God in their image. The book is a series of essays designed to instruct God, if he or she exists, in being a more reasonable facsimile of the ideal human–dear old mom.

Actually, the micro-essays that make up the chapters of this book cover a wide range of subjects. Some of them stay on topic more closely than others. A few of the chapters seem to be stories that the author found interesting (and they are), but which didn’t have a lot to do with supporting his argument. For example, he discusses the two good deeds he has done in life, and he has a chapter on episodes of coincidence. The former may be a tongue-in-cheek support for the argument that even the worst of us are good sometimes. The latter may have been an attempt to bolster a more general argument for atheism by stating that coincidences are not miracles. However, if that is his point, while true, he doesn’t explicitly close that loop in any but the most gratuitous way. At barely over 100 pages, it felt like some of the material, while entertaining, was in the book not to address the topic but to hit the lower bound on a page range.

Mikes weaves together amusing anecdotes with shock-essayist statements that are not so much humorous as gratuitously provocative. With respect to the latter, I’m thinking of his discussion of Hitler and Stalin as basically good guys–if at least in their own minds.

The book is a mixed bag. It’s sometimes though-provoking and humorous, but other times it drifts into shock and awe gratuitous assertions. I suspect he could have hit his page mark by supporting his arguments better and still maintained the humor (realizing that exposition can be death in humor writing.)

A prime example of the book at its best is a story about a woman meeting with her doctor [paraphrased herein.] This is in a section about mini-gods, i.e. those people that we quasi-deify–such as judges and medical doctors. The doctor is trying to convince the woman to have surgery, but the woman refuses.

The doctor asked, “how did you get here today?”

The lady replied, “I took the bus.”

“And you trusted the driver, a complete stranger, with your life. But you won’t trust me–an expert in my field?”

“Yes, of course, the difference is vast.”

“How so?”

“The driver was on the same bus.”

If you find a copy, this book is worth a read. It’s not much of a time investment. It’s an illustrated 105 page book.  If your attitude is, “Sacred cow? it’s what’s for dinner,” you’ll probably like it overall. If you are pious, you’ll probably hate it. If you are neither, you’ll probably find that it has its moments.

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