BOOKS: “Sweet Tooth, Vol. 2: In Captivity” by Jeff Lemire

Sweet Tooth, Vol. 2: In CaptivitySweet Tooth, Vol. 2: In Captivity by Jeff Lemire
My rating: 5 of 5 stars

Publisher’s Site

This volume interweaves the continuing stories of Gus and Jepperd, separated at the end of the debut volume. As outlandish as this story might seem, human-animal hybrid babies and all, the basic forces that drive the story are straightforward and relatable. Jepperd’s is essentially a love story as he attempts to do right by his wife in a post-pandemic dystopian world. Gus, having been motivated by a desire for new adventure in the first volume, just wants to get home now that he has confronted the fundamental crumminess of the human world.

While this volume is largely filling in the backstories of the two main characters, it does so skillfully through a mix of flashback and current timeline events that advance the story. It certainly has me hooked to learn more about these characters.

I found this story to be emotionally moving and compelling and would highly recommend it for comic book readers.

View all my reviews

Nature Reclaims [Lyric Poem]

All it takes is one thin crack, and
A fine flurry of blowing seed.
And nature takes back all that land --
Wall-to-wall with growing weeds.

DAILY PHOTO: Rainy Day Labors

Image

BOOKS: “Color” by Countee Cullen

Color (AmazonClassics Edition)Color by Countee Cullen
My rating: 5 of 5 stars

Available on Project Gutenberg

This excellent collection of lyric poetry is by one of the greats of the Harlem Rennaissance. The poems include a range of forms and sizes from single quatrain epitaphs to poems of several pages, with those in between (including a number of sonnets) being most common. Like Dickinson, Cullen had a fondness for common meter (a.k.a. hymn meter,) and it is prevalent throughout. The topics include serious matters, such as race and death, but there is no lack of whimsicality within these pages.

The book is divided into four sections: “Color,” “Epitaphs,” “For Love’s Sake,” and “Varia.” The first is the most serious of tone. (Interestingly, the epitaphs and other poems on death often take a lighthearted, even humorous, tone.)

I’d highly recommend this collection for poetry readers. It’s fun to read, and the poems are skillfully crafted.

View all my reviews

“The Wise” by Countee Cullen [w/ Audio]

(For Alain Loch)

Dead men are wisest, for they know
How far the roots of flowers go,
How long a seed must rot to grow.

Dead men alone bear frost and rain
On throbless heart and heatless brain,
And feel no stir of joy or pain.

Dead men alone are satiate;
They sleep and dream and have no weight,
To curb their rest, of love or hate.

Strange, men should flee their company,
Or think me strange who long to be
Wrapped in their cool immunity.

Death of a Stout Tree [Common Meter]

Oh, those high waters are rising;
They've spilled their banks in flood,
Slouching toward the Tree of Life:
Its roots immersed in mud.

That tree is just so stout & straight --
Unambitious of height --
Not man nor beast could knock it down,
Regardless of their might.

But just a long soak of its roots --
A gift of too much good --
And then a well-timed gust of wind
Will turn that tree to wood.

BOOKS: “The Penguin Book of Indian Ghost Stories” ed. by Ruskin Bond

Penguin Book of Indian Ghost StoriesPenguin Book of Indian Ghost Stories by Ruskin Bond
My rating: 5 of 5 stars

Publisher’s Website

This is an anthology of stories of the supernatural set in India or built around characters and contexts of India. About half of the stories are by writers of non-Indian ancestry, though some were born or lived extensively in India (e.g. Rudyard Kipling and C.A. Kincaid.) Not all of the pieces are “ghost stories” in a technical sense, but they all revolve around the supernatural or surreal experience.

I enjoyed all the stories in this collection, but among my favorites were: “The Brown Hand” by Arthur Conan Doyle; “The Strange Ride of the Morrowbie Jukes” by Rudyard Kipling; “The Fire-Jogi” by A.C. Renny; “Fritz” by Satyajit Ray; “Anath Babu’s Terror” by Satyajit Ray; “The Yellow-Legged Man” by Sudhir Thapliyal, and “Topaz” by Ruskin Bond.

If you enjoy scary stories, I’d highly recommend this book.

View all my reviews

DAILY PHOTO: Baphuon Ruins

BOOKS: “Translation: A Very Short Introduction” by Matthew Reynolds

Translation: A Very Short Introduction (Very Short Introductions)Translation: A Very Short Introduction by Matthew Reynolds
My rating: 5 of 5 stars

Publisher’s Site

Language translation is one of those tasks that people take for granted is a straightforward endeavor — especially in the current era in which computers are starting to do a decent job of it. It turns out that translation isn’t at all straightforward, and a number of tradeoffs must be addressed through the act of translating — e.g. should one try to convey the original author’s meaning as closely as possible or should one make the writing as approachable and comprehensible to the readership as possible? This might seem like a false dichotomy, but because languages never map perfectly to each other and reflect differing worldviews, there is always some degree of trade-off necessary.

Reynolds addresses not only cases from literature, but also shows the role that translation (and mistranslation) can play in the legal, political, and business domains as well. I found this book to be interesting and useful in providing food-for-thought on the subject. It is particularly illuminating in its discussion of how translation is changing in an era of AI, and how profound an effect this will have on our future. (e.g. People worry about the death of languages with small followings, but if automated translation becomes cheap and ubiquitous, will the pressure to focus one’s efforts on one of the world’s major languages remain?)

If you are interested in issues of language translation, this is a fine book with which to begin one’s exploration.

View all my reviews

“Forever — is composed of Nows — (690) by Emily Dickinson [w/ Audio]

Forever -- is composed of Nows --
'Tis not a different time --
Except for Infiniteness --
And Latitude of Home --

From this -- experienced Here --
Remove the Dates -- to These --
Let Months dissolve in further Months --
And Years -- exhale in Years --

Without Debate -- or Pause --
Or Celebrated Days --
No different Our Years would be
From Anno Dominies --