BOOK REVIEW: Becoming Batman by E. Paul Zehr

Becoming Batman: The Possibility of a SuperheroBecoming Batman: The Possibility of a Superhero by E. Paul Zehr

My rating: 5 of 5 stars

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[Note: This book is about sport and exercise science, particularly as they pertain to the martial arts. If you’re a martial artist or are interested in fitness and movement arts at the extremes of human capacity, you’re in the right place. If you’re interested in the comics and an overview of topics including how many billions Bruce Wayne needs and what technologies Batman must master, those aren’t questions addressed in this book. Such readers may find the book delving into depths they aren’t interested in on biological science. There are articles on the web that deal with topics like the “Cost of being Batman.”]

Next summer an eagerly awaited movie entitled Batman v Superman: Dawn of Justice hits theaters. Who knows how much screen time will involve the fight between the titular characters, but the same battle has played out a number of times in the comics, and its appeal is clear. What are the limits of human capability given training, technology, and sufficient smarts? Can a man really defeat an alien that’s faster than a bullet and more powerful than a locomotive? A popular fanboy mantra is, “I like Batman, because I could be Batman. Batman has no superpowers.” So, yes, if you were a billionaire, genius, with the physique of a Greek god, and knew 127 martial arts, you too could be Batman. Or could you? That question is at the heart of Zehr’s book.

Becoming Batman is arranged into sixteen chapters divided among five parts. It begins logically with the question of whether Bruce Wayne needs to begin at any particular point to achieve success in transforming himself into Batman? (At the extreme, one probably can’t imagine Bruce Wayne becoming Batman if he was born with one leg a foot longer than the other and with a Quasimodo hump, but given a Bruce who is starting out “average,” what are his limitations.) In other words, how much does genetics come into play. In the first part, Zehr introduces a character, Bob Wayne, who doesn’t appear in the comics. Bob is Bruce’s twin, and is used throughout the book for comparison purposes, i.e. to convey what Bruce Wayne would look like if he didn’t train fanatically to be Batman. The question of how much of Batman is innate and how much is painstaking built by exercise and training is critical to determining how many of those fanboys really could be Batman.

There a series of chapters explaining the mechanism by which stressors result in a stronger, faster, more powerful, and more resilient Batman. The idea is that Mother Nature doesn’t over-engineer. The only way one gets stronger muscles is by overloading them, which triggers a process of rebuilding them bigger and better than before. Wolff’s Law defines the same concept for bones, i.e. bone density increases in response to increased loading. (Incidentally, the same is true of the mind. A more agile mind is achieved only by working it, and zoning out in front of the television results in a dumbening.)

The next section shifts from generic exercise science to questions of Batman’s martial arts training. What kind of martial arts (or arts) would Batman practice? There is an often quoted statement in the comics to the effect that Batman had mastered 127 martial arts. (This is ridiculous, but it does spur the intriguing question of how many systems does Batman need to learn to have a well-rounded skill-base without being a dabbler? Many will say one art—the right one–is enough, others will say that–given the varied cast of villains he must defeat–Batman needs a broader skill-set than any existing art provides.) More to the point, how many hours does one need to practice a technique to ingrain the movements into one (e.g. neurologically it takes repetition to optimize efficiency.) This is among the questions discussed in this book.

The fourth section deals with the ravages of being Batman, and how much any human could be expected to endure. In this section, one will learn about the cumulative toll of concussions, the likelihood of Batman avoiding broken bones and other injuries that would necessarily sideline his crime fighting, and the effect that working the night shift would have. (The latter might seem trivial in comparison to the former two topics, but—in fact—it’s not. It’s well established that night workers have higher incidence of some cancers and other ailments. Furthermore, as Bruce Wayne has to keep appearances up, it means not only fighting circadian rhythm issues, but also frequent sleep deprivation—the hazards of which are even clearer and occur in short order.)

There are a number of interesting topic that aren’t don’t pertain to the core question per se, but which are interesting for fans of the Batman canon and the character’s mythos. Famously, Batman doesn’t use guns or lethal force. This raises the question of how realistic it is to regularly fight hardened knaves and miscreants without killing them. One can only knock out so many of Gotham’s baddies before one doesn’t get up.

There’s a chapter about what a fight between Batman and Batgirl would be like. While strength would definitely be to Batman’s advantage, there are advantages that an equally skilled female fighter might bring to the fight? How would Batgirl (or Catwoman) need to fight to put those advantages to use? Finally, for those of us who are no longer spring chicks, there are chapters about how Batman could expect to age, and how long he could keep performing at a level at which he could defeat his enemies.

I enjoyed this book and found it both educational and interesting. It should be clear that Batman is just a teaching tool used to explore the limitations of the human body and its ability to endure a life of fighting. That said, references to the Batman comic books and movies makes for a readable text. Perhaps what I like most about this book is that most of the books that address these subjects are textbooks that are sold on the textbook pricing model (i.e. we have a limited but captive audience so let’s make them pay top dollar.) This is one of the few books that takes on these topics at the readability and pricing model of a popular science book.

I recommend it for those interested in the science of performance, martial arts, and injury.

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DAILY PHOTO: Near March 15th Square [i.e. Március 15 tér]

Taken in December of 2014 in Vác, Hungary.

Taken in December of 2014 in Vác, Hungary

The church with the unusual, metallic spire is Evangelical Lutheran.

The story I read on the internet–so it has to be true–is that the congregation couldn’t afford to complete the steeple in the usual style. However, they received a donation of scrap iron, from which they constructed an interesting–if unconventional–spire.

DAILY PHOTO: People You See At Jamboo Savari

Taken in October of 2014 in Mysore

Taken in October of 2014 in Mysore

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9 Lessons Learned During Children’s Yoga Teacher Training

I recently finished the course requirements for Registered Children’s Yoga Teacher (RCYT) training at a1000 Yoga in Bangalore. (As of this writing, I still have a kid-specific teaching requirement to meet before I can add this to my Yoga Alliance certification portfolio.)  When I did my seva (charitable teaching) requirement for RYT-200 at an orphanage, I discovered that teaching kids was a different monster. That’s what led me to take up this specialization, and I thought I’d share some of what I learned.


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1. Eight is [soon] enough:  The traditional age for introducing children to a practice of yoga is eight. This doesn’t mean that kids aren’t taught postures (asana) or other yogic techniques earlier, but for younger kids it’s typically done as play. Traditionally, surya namaskara (sun salutation), nadi shodhana (alternate nostril breathing), and Gayatri mantra (a particular chant) serve as the core of the child’s practice.

Why eight? It has to do with a number of physical and mental development factors including lung development, the state of the pineal gland, and the arrival of abstract reasoning capacity.

Kids_contortionism2.) There are no youth-related contraindicated postures: I expected to spend a fair amount of the course learning what postures one shouldn’t teach children and why. However, instead we were told that kids could be exposed to any Hatha yoga postures.

Of course, this is predicated on: a.) the fact that one is dealing with a child eight and up; b.) one recognizes that the strengths and weaknesses of children will need to be taken into account and modifications or capacity building may be necessary in some cases. (For example, the flexibility of kids may allow them to achieve postures that few adults can, but at the same time their lack of strength and balance may be limiting factors for some postures.); c.) obviously, one needs to take into account that kids may have contraindicated conditions that aren’t age-related but are due to their particular physical condition.

It should also be noted that children are typically not taught breath retention (khumbaka) as part of their (breath exercise) practice. So it’s not true to say that there are no contraindicated practices.

3.) In stillness, your results may vary: One of the nice things about a yoga practice for kids is that it acknowledges that most kids, by nature, don’t want to be still. As opposed to mainstream education, which attempts to force stillness upon them, yoga offers a mixture of activity and stillness. However, it was interesting to see the range of abilities to remain motionless during yoganidra (“yoga sleep,” i.e. a hypnogogic state) practice. There is, of course, an age component to this. That is, young kids have a harder time staying still than older kids. However, that isn’t all there is to it. A few of the older kids couldn’t stay still in savasana (corpse pose) for five seconds, but a few of the young seemed able to be still for as long as required–not necessarily awake, but still.

the exception

the exception

4.) Balance isn’t in a child’s wheelhouse:  I knew that strength was ill-developed in prepubescent children, but I didn’t realize how challenging kids would find even simple balance postures. They’re a little like drunks in this regard.

Obviously, kids tend to be freakishly bendy, and so it’s not a surprise that most of them could learn to do chakrasana (wheel pose, i.e. a full back bridge) from a standing position in short order. In fact, the challenge for those who had one was more likely to be confidence with not falling on one’s head than with a lack of back-bending flexibility.

The moral of the story is that one must recognize that children are a little like senior citizens in this one domain. That is, consideration must be given to the risk that they will fall down during balancing poses. Unlike seniors, they don’t have too far to fall, and they’ll heal lickety-split if they do, but–still–they’ll fall like a drunken sailor.

5.) Teaching kids’ partner yoga requires a different approach:  The usual advice is that one should teach kids from “inside the circle.” That is, one shouldn’t set oneself off at the head of a class like one would usually do with an adult class. One sits with with the kids and does the class with them. (You probably won’t be doing 6 classes a day that way.)

I had the opportunity to teach a pairs yoga class and found that an entirely different approach was needed. First let me say that pairs (partner) yoga is a great approach for teaching kids. Many kids will enjoy the interaction, and they can learn about teamwork and (in some cases) take advantage of the stabilization of additional limbs / grounded surface area. However, because it requires so much attention to be focused on the partner, it’s best not to teach it from inside the circle. One won’t necessarily be able to see what one’s students are doing, and that can be dangerous.

6.) There’s a yoga for special needs children: Among our guest speakers, we had a yoga teacher from Prafull Oorja, which is an organization that teaches special needs children using yoga, dance, and various other methods. These approaches are used to increase bodily awareness, which is a common problem across many different afflictions. We learned about the range of challenges faced by such children and how the usual approach is varied to adapt to their needs.

 

The course included information about several non-yogic methods that could be used to complement yoga practice to achieve the objectives of a yoga course. I write this by way of explanation as to why the last few lessons seem to have little to do with yoga.

 

7.) Stories must be physical, animated, and repetitive for small kids:  These features serve to help adjust to the child’s limited vocabulary, while helping them to build vocabulary. We had a speaker from Kathalaya (House of Stories) who offered a great deal of insight into story-telling for kids.

Lest one think that story-telling is just filler in the yoga context, I’ve been learning a great deal about how our minds need stories, and am inclined to believe that one’s insight into the mind will be limited if one doesn’t understand story and why stories appeal to our minds. I recommend the book Wired for Story by Lisa Cron.

8.) Games used in theater can go hand-in-hand with yoga practice:  I was completely new to the idea of theater games before this course, but we had someone teach us a number of these games, and the logic behind building our own. Games which aren’t too cerebral can go help build some of the same skills that are sought in a course of yoga. Such games include practices that help develop one’s voice and physical expressiveness. These games can also help bring some kids out of their shells so that they are more ready to actively participate in a yoga class.

9.) We need mental hygiene as much as dental hygiene: This actually comes from a quote by Sir Bat Khalsa, a Harvard Neurologist who studies the effects of yoga. When I was doing research for my final presentation, I ran across said quote, which goes:

“There’s no preventive maintenance. We know how to prevent cavities. But we don’t teach children how to be resilient, how to cope with stress on a daily basis… We’ve done dental hygiene but not mental hygiene.”

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DAILY PHOTO: Golden Nai Khanomtom

Taken in August of 2014 at the Muay Thai Institute in Rangsit, Thailand.

Taken in August of 2014 at the Muay Thai Institute in Rangsit, Thailand.

As the placard states, Nai Khanomtom is considered the father of muaythai (Thai boxing.) He lived during the 18th century, and is most famous for his defeat of between 9 and 12 Burmese Lethwei (or Let Whay, the Burmese style of boxing) fighters–depending upon the retelling of the story.

 

One account states that the Burmese king had Nai Khanomtom kidnapped after watching from afar as the Thai legend devastated one Burmese soldier after another in close quarters combat. Other accounts hold Nai Khanomtom was one of many Thai prisoners captured. By all accounts, Nai Khanomtom was pitted against multiple Burmese opponents–some of the best the country had to offer–in a boxing match and defeated them one after another without [significant] rest periods.

I probably should have posted this on March 17th, which is Thailand’s “Boxer’s Day” (not to be confused with the post-Christmas Boxing Day recognized in much of the Western world.)

DAILY PHOTO: Elephant Garlands

Taken at Wat Arun in September of 2014

Taken at Wat Arun in September of 2014

Tsukahara Bokuden Defeats a Braggart

[Note: There are many versions of this story, and these events have even been attributed to other warriors. The tale was likely passed around orally before it was written down myriad times in myriad different ways (most famously in the Kōyō Gunkan.) The details of the story aren’t important; it’s the overall moral of the story and that remains the same from one version to the next.]

Bokuden Boat

Tsukahara Bokuden listened to the braggart nauseating the ferry passengers with graphic details of his “exploits.” Bokuden would have happily ignored the young samurai, but the cocky youth seemed eager to take offense at the lack of interest in his tales of hacking people to bits and was looking for a fight. The other passengers on the boat were all commoners: an elderly man who was probably a craftsman or a small business merchant, and a mother with her young child.

“Do you doubt me? Do you have the audacity to call me a liar,” The young man said, having not received a suitably enthusiastic response to his stories. And he stood, one hand on his scabbard and the other brushing his sword’s hilt.

Tsukahara Bokuden said, “Easy, young man. No one is calling you a liar. These good people are just not used to such bloody stories.”

The young samurai turned to eye Bokuden, who had appeared to be napping in the back earlier. The braggart asked, “And who are you to challenge me?”

“I didn’t challenge you. I merely explained these people’s lack of enthusiasm for your yarns. But if you must know, I am Tsukahara Bokuden,” he replied, hoping his name might give the bragging samurai pause. Bokuden was well-known, having traversed Japan in musha shugyō (sometimes related to the European “knights errantry,”musha shugyō was a time in a samurai’s life–particularly in times of relative peace–when he traveled the land engaging in matches with individuals from other schools to increase his skill and notoriety–i.e. if he didn’t get killed, which was not uncommon, even when the fight was with wooden swords.)

“I’ve never heard of you. What’s your style?” the cocky samurai asked.

“Mine is the School of No-Sword,” replied Bokuden.

“I’ve never heard of that school, but it sounds weak,” the braggart said.

“I assure you, the technique is quite powerful,” Bokuden said.

“Are you suggesting that you could defeat me with this so-called ‘no sword’ technique?” the braggart said, his hand tightening on his scabbard.

“I said nothing of the sort. I would just like to enjoy the remainder of the ferry ride in peace,” said Bokuden.

“Are you scared to have a match to see who’s style is better?” the cocky youth asked.

“Not in the least, but I see no benefit in it either,” Bokuden replied.

“I’ve had enough of your lip, old man, prepare to defend yourself,” said the young samurai.

Bokuden sighed, “If you insist upon a match, let us at least do so where these good people’s lives will not be in peril. Surely you’ll agree that it would do no great honor to the samurai class if we were to injure or kill innocent bystanders.”

At this the braggart just harrumphed, “Who cares, but I’ll take you on wherever you wish.”

Tsukahara Bokuden said to the oarsman, “Sorry to trouble you, but would you mind diverting to drop us on that outcrop so that we can spare these people the swinging blades.”

The oarsman was readily agreeable. He didn’t want two samurai fighting on his ferryboat any more than Bokuden did.

He rowed them to a stony outcrop that jutted up out of the water. The uneven rocky ground wasn’t ideal for a match, but it would spare the other passengers and would provide a challenge.

When the boat’s bow ground up against the rock, the young samurai jumped out, twisting around in air, and landed on the rock. The braggart held his scabbard and hilt at the ready for a swift draw. The young man was eager to do battle, and it was clear that he was annoyed with Tsukahara Bokuden’s slow movement. The older swordsman took out both of his swords and asked one of the passengers to hold the swords. The oarsman and the passengers were surprised by this disarming behavior, but they’d heard him call his school the “school of no-sword.”

Tsukahara Bokuden then moved up to the boat’s bow as if preparing to move ashore.

“Might I borrow your oar, young man?” Bokuden said to the oarsman. The oarsman nodded and handed Bokuden the long oar with two hands, and with his head bowed. The general assumption was that the older samurai wanted to stabilize the boat against the rock so he could pass ashore smoothly.

Taking the oar, Bokuden drove one end into the outcrop, and grabbed the other pushing the boat away from the rock. The boat glided out from the rock in an accelerating fashion.

Lunging toward the water’s edge, the perplexed braggart called out, “What on earth are you doing, old man?”

To which Bokuden replied, “I’m defeating you with the school of no sword.”

By the time the young samurai could remove his swords and tug away his outer garment, Bokuden had rowed out to deep waters and returned the oar to the oarsman.

 

DAILY PHOTO: Stairway to Ram Temple

Taken on May 9, 2015 at Ramanagara

Taken on May 9, 2015 at Ramanagara

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DAILY PHOTO: A Splash of Orange

Taken at Ramanagara on May 9, 2015

Taken at Ramanagara on May 9, 2015

DAILY PHOTO: Bird of Paradise

Taken in May of 2015 in Bangalore.

Taken in May of 2015 in Bangalore.