They have watered the street, It shines in the glare of lamps, Cold, white lamps, And lies Like a slow-moving river, Barred with silver and black. Cabs go down it, One, And then another. Between them I hear the shuffling of feet. Tramps doze on the window-ledges, Night-walkers pass along the sidewalks. The city is squalid and sinister, With the silver-barred street in the midst, Slow-moving, A river leading nowhere.
Opposite my window, The moon cuts, Clear and round, Through the plum-colored night. She cannot light the city; It is too bright. It has white lamps, And glitters coldly.
I stand in the window and watch the moon. She is thin and lustreless, But I love her. I know the moon, And this is an alien city.
Where the mind is without fear and the head is held high; Where knowledge is free; Where the world has not been broken up into fragments by narrow domestic walls; Where words come out from the depth of truth; Where tireless striving stretches its arms towards perfection; Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit; Where the mind is led forward by thee into ever-widening thought and action Into that heave of freedom, my Father, let my country awake.
NOTE: This poem is often entitled “Let My Country Awake,” particularly when it is anthologized independently of the larger Gitanjali poem.
I question a local boy under a pine. He says, "Teacher is gathering herbs right here on the mountain... But who can say where? The mountain is thick with clouds."
I knew a simple soldier boy Who grinned at life in empty joy, Slept soundly through the lonesome dark, And whistled early with the lark.
In winter trenches, cowed and glum, With crumps and lice and lack of rum, He put a bullet through his brain. No one spoke of him again.
You smug-faced crowds with kindling eye Who cheer when soldier lads march by, Sneak home and pray you'll never know The hell where youth and laughter go.
"The ignorant speak, while the wise keep silent." I read the words of Laozi. But if Laozi knew the Way, Why did he write those five thousand characters?
I shall die, but that is all that I shall do for Death. I hear him leading his horse out of the stall; I hear the clatter on the barn-floor. He is in haste; he has business in Cuba, business in the Balkans, many calls to make this morning. But I will not hold the bridle while he clinches the girth. And he may mount by himself: I will not give him a leg up.
Though he flick my shoulders with his whip, I will not tell him which way the fox ran. With his hoof on my breast, I will not tell him where the black boy hides in the swamp. I shall, die, but that is all that I shall do for Death; I am not on his pay-roll.
I will not tell him the whereabout of my friends nor of my enemies either. Though he promise me much, I will not map him the route to any man's door. Am I a spy in the land of the living, that I should deliver men to Death? Brother, the password and the plans of our city are safe with me; never through me Shall you be overcome.
The tide rises, the tide falls, The twilight darkens, the curlew calls; Along the sea-sands damp and brown The traveller hastens toward the town, And the tide rises, the tide falls.
Darkness settles on roofs and walls, But the sea, the sea in the darkness calls; The little waves, with their soft, white hands, Efface the footprints in the sands, And the tide rises, the tide falls.
The morning breaks; the steeds in their stalls Stamp and neigh, as the hostler calls; The day returns, but nevermore Returns the traveller to the shore, And the tide rises, the tide falls.
Tiger Riding for Beginners 