“To Tirzah” by William Blake [w/ Audio]

Whate'er is Born of Mortal Birth
Must be consumed with the Earth
To rise from Generation free:
Then what have I to do with thee?

The Sexes sprung from Shame & Pride,
Blow'd in the morn; in evening died;
But Mercy chang'd Death to Sleep;
The Sexes rose to work & weep.

Thou, Mother of my Mortal part,
With cruelty didst mould my Heart,
And with false self-deceiving tears
Didst bind my Nostrils, Eyes, & Ears:

Didst close my Tongue in senseless clay,
And me to Mortal Life betray.
The Death of Jesus set me free:
Then what have I to do with thee?

“Circular Portrait” by Ikkyū [w/ Audio]

The monk’s entire body is present
in this great circle.
Xutang’s true face and eye
emerge from it.
The blind singer’s love song delights
flowers for ten thousand springs.

Translation by Kazuaki Tanahashi and David Schneider in Essential Zen (1994) HarperSanFrancisco.

“Away with Funeral Music” by Robert Louis Stevenson [w/ Audio]

Away with funeral music -- set
The pipe to powerful lips --
The cup of life's for him that drinks
And not for him that sips.

“An Ancient Proverb” by William Blake [w/ Audio]

Remove away that black'ning church:
Remove away that marriage hearse:
Remove away that man of blood:
You'll quite remove the ancient curse.

“Aftermath” by Henry Wadsworth Longfellow [w/ Audio]

When the summer fields are mown,
When the birds are fledged and flown,
And the dry leaves strew the path;
With the falling of the snow,
With the cawing of the crow,
Once again the fields we mow
And gather in the aftermath.

Not the sweet, new grass with flowers
Is this harvesting of ours;
Not the upland clover bloom;
But the rowen mixed with weeds,
Tangled tufts from marsh and meads,
Where the poppy drops its seeds
In the silence and the gloom.

“Lethe” by Walter de la Mare [w/ Audio]

Only the Blessed of Lethe's dews
May stoop to drink. And yet,
Were their Elysium mine to lose,
Could I, sans all repining, choose
Life's sorrows to forget?

“The Bustle in a House” (1108) by Emily Dickinson [w/ Audio]

The Bustle in a House
The Morning after Death
Is solemnest of industries
Enacted opon Earth --

The Sweeping up the Heart
And putting Love away
We shall not want to use again
Until Eternity --

“Concord Hymn” by Ralph Waldo Emerson [w/ Audio]

By the rude bridge that arched the flood,
Their flag to April's breeze unfurled,
Here once the embattled farmers stood
And fired the shot heard round the world.

The foe long since in silence slept;
Alike the conqueror silent sleeps;
And Time the ruined bridge has swept
Down the dark stream which seaward creeps.

On this green bank, by this soft stream,
We set today a votive stone;
That memory may their deed redeem,
When, like our sires, our sons are gone.

Spirit, that made those heroes dare
To die, and leave their children free,
Bid Time and Nature gently spare
The shaft we raise to them and thee.

Sung at the Completion of the Battle Monument, July 4, 1837

“The Little Boy Found” by William Blake [w/ Audio]

The little boy lost in the lonely fen,
Led by the wand'ring light,
Began to cry; but God, ever nigh,
Appear'd like his father in white.

He kissed the child & by the hand led
And to his mother brought,
Who in sorrow pale, thro' the lonely dale,
Her little boy weeping sought.

“What Was Her Blondness Like” by Juhász Gyula [w/ Audio]

What was her blondness like? I can't recall,
But I do know the blondness of the fields,
When the wheat fields' grain ripen in the Fall,
And in this blondness her presence I feel.

What were her blue eyes like, I can't recall,
But I do know the blueness of the sky,
September morn, or later in the Fall,
And then again I do feel her nearby.

What was her silky voice like? Can't remember,
But in springtime, when fields begin to sigh,
I feel that Anna's voice is calling, tender,
From a past Spring that's as far as the sky.

Translation by Frank Veszely in: Hungarian Poetry: One Thousand Years. 2023. Manitoba, CA: Friesen Press.