Spring flows:
frigid and silt gray --
rush down the mountain.
Cold Stream [Haiku]
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The Black Riders and Other Lines by Stephen CraneBehold, the grave of a wicked man,
And near it, a stern spirit.
There came a drooping maid with violets,
But the spirit grasped her arm.
"No flowers for him," he said.
The maid wept:
"Ah, I loved him."
But the spirit, grim and frowning:
"No flowers for him."
Now, this is it --
If the spirit was just,
Why did the maid weep?
With no god, but with spirit;
With no mass of tiny things;
Up on high, with the white clouds --
Borne aloft on breezy wings.
From afar all seems in place.
When you arrive it's not there.
Just like acting with the Way
Leaves customs beyond repair.
Chaotic mountain woodlands,
Sweet green moss in the sunshine.
Keep reciting your mantra,
Till it's lost among the pines.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry (二十四诗品.) It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the twenty-first of the twenty-four poems. This poem’s Chinese title is 超诣 and it’s been translated as “The Transcendental” and “Super”
I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading -- treading -- till it seemed
That Sense was breaking through --
And when they all were seated,
A Service, like a Drum --
Kept beating -- beating -- till I thought
My mind was going numb --
And then I heard them lift a Box
And creak across my Soul
With those same Boots of Lead, again,
Then Space -- began to toll,
As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race,
Wrecked, solitary, here --
And then a Plank in Reason, broke,
And I dropped down and down --
And hit a World, at every plunge,
And Finished knowing -- then --