It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; And this maiden she lived with no other thought Than to love and be loved by me.
I was a child and she was a child, In this kingdom by the sea, But we loved with a love that was more than love -- I and my Annabel Lee -- With a love that the winged seraphs of Heaven Coveted her and me.
And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea.
The angels, not half so happy in Heaven, Went envying her and me --- Yes! -- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love Of those who were older than we -- Of many far wiser than we -- And neither the angels in Heaven above Nor the demons down under the sea Can ever dissever my soul from the soul Of the beautiful Annabel Lee;
For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise, but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling -- my darling -- my life and my bride, In her sepulchre there by the sea -- In her tomb by the sounding sea.
View flowers like a bandit; Let nature flow through you, Breathing in the Great Way As you let your crazy brew. Wander like the free winds -- Sea and mountain in gray-blue. Feel true power overflow, As all nature lives through you. Before: sun, moon, and stars; Behind: the one from two. By dawn, sea turtles have gone, Soak your feet where they withdrew.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the eleventh of the twenty-four poems. This poem’s Chinese title is 豪放, which has been translated to “Free,” “Set Free,” and “Broad-minded” in various English language translations.
Project Gutenberg
This 1922 poetry collection is wide-ranging and beautifully composed. As the title hints, this is a product of that great literary and artistic movement known as the Harlem Renaissance.
The seventy-plus poems include sonnets and various other forms of poems, mostly lyric and rarely more than a couple pages in length. Besides being varied in form, they poems are also diverse of tone — from frank invectives on race to sweet love poems. They take New York as their home and tap into the verve of the day. The collection includes many of McKay’s best-known poems including: “If We Must Die,” “America,” and “Harlem Shadows.” Though bucolic beauties such as “Spring in New Hampshire” and “The Snow-Fairy” are not to be skipped over.
I enjoyed these poems and found them powerful and lyrical.
Some say they miss days of wonder, But I think I see their blunder. Those thrilling days, they never left; It's something of one's soul, bereft. That fatal flaw of lacking awe Is from not seeing, cause you saw.