A thick cloud nestled into the
valley down below,
I wonder if the forager
in that streambed knows
that it's sunny above.
Foggy Stream [Lyric]
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Category Archives: Lyric
“Afternoon on a Hill” by Edna St. Vincent Millay [w/ Audio]
I will be the gladdest thing
Under the sun!
I will touch a hundred flowers
And not pick one.
I will look at cliffs and clouds
With quiet eyes,
Watch the wind bow down the grass,
And the grass rise.
And when lights begin to show
Up from the town,
I will mark which must be mine,
And then start down!
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“Snowflakes” (45) by Emily Dickinson [w/ Audio]
I counted till they danced so
Their slippers leaped the town --
And then I took a pencil
To note the rebels down --
And then they grew so jolly
I did resign the prig --
And ten of my once stately toes
Are marshalled for a jig!
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“Spritual” [Poetry Style #13 (精神)] by Sikong Tu [w/ Audio]
All wish to return,
Hoping others will come:
A clear water ride
Where strange flowers bud,
And lime-green parrots fly
The willows, to and from --
The mountain folk arrive
Deep bowls fill with wine...
To take a life beyond
And not end in ash,
But still be of nature;
Who's up to that task?
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the thirteenth of the twenty-four poems. This poem’s Chinese title is 精神, and it has been translated as: “Essential,” “Animal Spirits,” and “Spirit.”
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Nature Reclaims [Lyric Poem]
All it takes is one thin crack, and
A fine flurry of blowing seed.
And nature takes back all that land --
Wall-to-wall with growing weeds.
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BOOKS: “Color” by Countee Cullen
Color by Countee CullenMy rating: 5 of 5 stars
Available on Project Gutenberg
This excellent collection of lyric poetry is by one of the greats of the Harlem Rennaissance. The poems include a range of forms and sizes from single quatrain epitaphs to poems of several pages, with those in between (including a number of sonnets) being most common. Like Dickinson, Cullen had a fondness for common meter (a.k.a. hymn meter,) and it is prevalent throughout. The topics include serious matters, such as race and death, but there is no lack of whimsicality within these pages.
The book is divided into four sections: “Color,” “Epitaphs,” “For Love’s Sake,” and “Varia.” The first is the most serious of tone. (Interestingly, the epitaphs and other poems on death often take a lighthearted, even humorous, tone.)
I’d highly recommend this collection for poetry readers. It’s fun to read, and the poems are skillfully crafted.
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“The Wise” by Countee Cullen [w/ Audio]
(For Alain Loch)
Dead men are wisest, for they know
How far the roots of flowers go,
How long a seed must rot to grow.
Dead men alone bear frost and rain
On throbless heart and heatless brain,
And feel no stir of joy or pain.
Dead men alone are satiate;
They sleep and dream and have no weight,
To curb their rest, of love or hate.
Strange, men should flee their company,
Or think me strange who long to be
Wrapped in their cool immunity.
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Death of a Stout Tree [Common Meter]
Oh, those high waters are rising;
They've spilled their banks in flood,
Slouching toward the Tree of Life:
Its roots immersed in mud.
That tree is just so stout & straight --
Unambitious of height --
Not man nor beast could knock it down,
Regardless of their might.
But just a long soak of its roots --
A gift of too much good --
And then a well-timed gust of wind
Will turn that tree to wood.
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“Forever — is composed of Nows — (690) by Emily Dickinson [w/ Audio]
Forever -- is composed of Nows --
'Tis not a different time --
Except for Infiniteness --
And Latitude of Home --
From this -- experienced Here --
Remove the Dates -- to These --
Let Months dissolve in further Months --
And Years -- exhale in Years --
Without Debate -- or Pause --
Or Celebrated Days --
No different Our Years would be
From Anno Dominies --
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“Annabel Lee” by Edgar Allan Poe [w/ Audio]
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea,
But we loved with a love that was more than love --
I and my Annabel Lee --
With a love that the winged seraphs of Heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in Heaven,
Went envying her and me ---
Yes! -- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we --
Of many far wiser than we --
And neither the angels in Heaven above
Nor the demons down under the sea
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee;
For the moon never beams, without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling -- my darling -- my life and my bride,
In her sepulchre there by the sea --
In her tomb by the sounding sea.
Tiger Riding for Beginners 