
The fallen leaves
of a sheltered tree
form a shadow
made of yellow,
a pointillist shadow
painted yellow,
‘til the wind blows
angled and low
to send that shadow
on its way -
or ‘til the leaves
turn brown and crisp…
whichever comes first.

The fallen leaves
of a sheltered tree
form a shadow
made of yellow,
a pointillist shadow
painted yellow,
‘til the wind blows
angled and low
to send that shadow
on its way -
or ‘til the leaves
turn brown and crisp…
whichever comes first.

Nothing is straightforward,
or simple.
Everything is a messy mix
of shades
blended in swirling clouds—
chaos clouds.
Those who can redraw the world
with sharp, angular boundaries
are the masters of self-deception:
for all deception is self-deception.

How does one master menace,
carving optimal malignancy
into a festive orange orb?
Sometimes the faces intended
to convey happy holiday blessings
are the most creepy and disconcerting…
you know, like with real peoples’ faces.
Sometimes the faces intended
to torture souls and rend psyches
are over-the-top and campy or silly…
you know, like with real peoples’ faces.
How does one master menace
on a festive orange orb?


flowers & greenery
&
little bottled candles
form a memorial
on the train bridge
crossing the river
but the most soul-chilling
is the stuffed toy rabbit,
standing weathered & unkempt,
it testifies that someone
saw the deceased
as a tiny child
was she a tiny child,
or just so remembered?
so many questions float on
as that cold river glides below
Society is a wave. The wave moves onward, but the water of which it is composed does not.
Ralph waldo emerson, Self-reliance
Is there any angst that we will tumble off a cliff that we should have railed off long ago? -- Nuclear War -- I fear that wave has rolled onward, and we have lost that angst. Do we not fear: blast wave disintegration? fire that turns wet things -- such as ourselves -- into instant ash? clumps of hair in the hands of the neutron-cooked? If we've forgotten to fear such things, we are surely doomed.

i enter an empty temple.
it’s not silent.
footfalls resonate
&
floorboards creak.
but flickering flames
&
sleepy-eyed Buddhas
are quiet enough
in an hour,
the monks will filter in
with great punctuality:
monks, young and old.
(i would say, “and ages in-between,”
but they all seem young or old.)
there will be chanting,
and the din of finger cymbals
and deep-toned drums.
and i will leave
for the solace
of the world
outside the temple.
the hawk's head-shifts are precise and follow in rapid succession... and then cease it lifts one feather at a time as if sniffing its pits it shifts from talon to talon, and then once more it seems to be settling in, getting comfortable for a long stakeout... and then it's gone, diving off the ledge, disappearing into the city valley