My love is in a light attire
Among the apple trees,
Where the gay winds do most desire
To run in companies.
There, where the gay winds stay to woo
The young leaves as they pass,
My love goes slowly, bending to
Her shadow on the grass.
And where the sky’s a pale blue cup
Over the laughing land,
My love goes lightly, holding up
Her dress with dainty hand.
When you came, you were like red wine and honey,
And the taste of you burnt my mouth with its sweetness.
Now you are like morning bread,
Smooth and pleasant.
I hardly taste you at all for I know your savour,
But I am completely nourished.
Fair river! in thy bright, clear flow
Of crystal, wandering water,
Thou art an emblem of the glow
Of beauty—the unhidden heart—
The playful maziness of art
In old Alberto’s daughter;
But when within thy wave she looks—
Which glistens then, and trembles—
Why, then, the prettiest of brooks
Her worshipper resembles;
For in my heart, as in thy stream,
Her image deeply lies—
His heart which trembles at the beam
Of her soul-searching eyes.
With a big-R, it’s a philosophical and artistic movement that served as a counterweight to the Enlightenment by advocating for Idealism (versus Materialism) and spirituality (if not necessarily religiosity.)
With a small-R, it’s the skill or proclivity to advance conditions for amorousness.
That’s why capitalization matters.
Brighter than fireflies upon the Uji River
Are your words in the dark, Beloved.
Down by the salley gardens
my love and I did meet;
She passed the salley gardens
with little snow-white feet.
She bid me take love easy,
as the leaves grow on the tree;
But I, being young and foolish,
with her would not agree.
In a field by the river
my love and I did stand,
And on my leaning shoulder
she laid her snow-white hand.
She bid me take life easy,
as the grass grows on the weirs;
But I was young and foolish,
and now am full of tears.
Health, food, air, water, love, and thought… that about covers it.
Sure, why not?
I heard thee laugh,
And in this merriment
I defined the measure of my pain;
I knew that I was alone,
Alone with love,
Poor shivering love,
And he, little sprite,
Came to watch with me,
And at midnight
We were like two creatures by a dead camp-fire.
I shall go back again to the bleak shore
And build a little shanty on the sand,
In such a way that the extremest band
Of brittle seaweed will escape my door
But by a yard or two; and nevermore
Shall I return to take you by the hand;
I shall be gone to what I understand,
And happier than I ever was before.
The love that stood a moment in your eyes,
The words that lay a moment on your tongue,
Are one with all that in a moment dies,
A little under-said and over-sung.
But I shall find the sullen rocks and skies
Unchanged from what they were when I was young.
What was her blondness like? I can't recall,
But I do know the blondness of the fields,
When the wheat fields' grain ripen in the Fall,
And in this blondness her presence I feel.
What were her blue eyes like, I can't recall,
But I do know the blueness of the sky,
September morn, or later in the Fall,
And then again I do feel her nearby.
What was her silky voice like? Can't remember,
But in springtime, when fields begin to sigh,
I feel that Anna's voice is calling, tender,
From a past Spring that's as far as the sky.
Translation by Frank Veszely in: Hungarian Poetry: One Thousand Years. 2023. Manitoba, CA: Friesen Press.
Tiger Riding for Beginners 