In the wee hours,
The city becomes a blur
Of color and motion,
But the moon
Is the moon
Is the moon.
Wee Hours [Free Verse]
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That's what misery is,
Nothing to have at heart.
It is to have or nothing.
It is a thing to have,
A lion, an ox in his breast,
To feel it breathing there.
Corazón, stout dog,
Young ox, bow-legged bear,
He tastes its blood, not spit.
He is like a man
In the body of a violent beast.
Its muscles are his own. . .
The lion sleeps in the sun.
Its nose is on its paws.
It can kill a man.
What's this world?
It's energy playing a game,
a game whose goal is to be rid
of an intense burning sensation,
a burning sensation caused by
low-entropy energy sitting
around with nothing else to do
but burn brightly.
We, the wasters of energy, are
a soothing lotion to the universe,
expediting the making high-entropy,
soothing, tepid energy from
all those stars --
i.e. the universe's poison ivy.
We laud our rational side - The Thinking Man - But we're emotional beasts to the core. To use that old [and disparately applied] chestnut: Of emotions, better master than servant. Poetry is a conduit to emotional savvy. That's part of the reason Plato urged poetic restraint; he found the emotional inferior to the rational, and thought most youngsters couldn't behave responsibly in the face of poetry's emotional power. It's also where Aristotle found virtue in poetry, its ability to induce catharsis. Could they both be right?
As I wade through tall grass,
it seems to be a hodge-podge of random heights,
randomly spaced,
and drooping in random directions,
but when I look out at a distance,
that tall grass smooths the world
into soft rounded shapes.
I guess a lot of things are like that.
Imperfections and differences seen near at hand
vanish into grace and beauty at a distance.