I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. The waves beside them danced; but they Out-did the sparkling waves in glee: A poet could not but be gay, In such a jocund company: I gazed -- and gazed -- but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.
Tag Archives: British Literature
BOOKS: The Importance of Being Earnest by Oscar Wilde
The Importance of Being Earnest by Oscar WildeMy rating: 5 of 5 stars
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This play is an amusing cautionary tale on the dangers of “Bunburying” and / or leading a double life. “Bunburying,” a term coined by Wilde in this play, is the act of concocting meetings with a fictitious friend to get out of tedious familial (and other social) obligations. Don’t want to go to Aunt Bessie’s potluck? Tell her that your friend with a plausibly absurd name (e.g. Bunbury) has ruptured a disc in his back and desperately needs your assistance. Bunburying is the specialty of one of the two bachelor characters this story is built around, a man named Algernon. The other, Jack, goes by the name Ernest when he is in London, and has to invent the story that he has a brother when his town and country dichotomy of personalities starts to be seen through by those other than Algernon.
This humorous tale revolves around both Algernon and Jack finding desirable fiancés while being tangled in the web of their own duplicity. Much of the humor comes from the interactions of Algernon and Jack, two men who are quite alike, though Jack thinks himself more respectable. Algernon is more at ease with his own scamp-like nature and plays a role similar to that played by Lord Henry in Wilde’s novel, The Picture of Dorian Gray. That is, Algernon offers many a quotable line that at least has the appearance of wisdom — if, often, a kind of nihilistic wisdom.
This play is definitely worth reading.
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Ozymandias by Percy Bysshe Shelley [w/ Audio]
I met a traveller from an antique land Who said: Two vast and trunkless legs of stone Stand in the desert... Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed: And on the pedestal these words appear: "My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!" Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare The lone and level sands stretch far away.
Sonnet 18 by William Shakespeare [w/ Audio]
Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometimes too hot the eye of heaven shines, And often is his gold complexion dimm'd: And every fair from fair sometime declines, By chance, or nature's changing course untrimm'd; But thy eternal summer shall not fade, Nor lose possession of that fair thou ow'st, Nor shall death brag thou wander'st in his shade, When in eternal lines to time thou grow'st; So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee.
Five Wise Lines from The Importance of Being Earnest by Oscar Wilde
The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature, a complete impossibility!
Algernon
Oh! it is absurd to have a hard and fast rule about what one should read and what one shouldn’t. More than half of modern culture depends upon what one shouldn’t read.
ALgernon
It is awfully hard work doing nothing. However, I don’t mind hard work where there is no definite object of any kind.
Algernon
One has a right to Bunbury anywhere one chooses. Every serious Bunburyist knows that.
Algernon; [fyi: “Bunburying” is the use of appointments with ficticious individuals to get out of one’s duties and obligations.]
One should always eat muffins quite calmly.
Algernon
Jabberwocky by Lewis Carroll [w/ Audio]
'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.
"Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!"
He took his vorpal sword in hand:
Long time the manxome foe he sought --
So rested he by the Tumtum tree,
And stood awhile in thought.
And as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!
One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.
"And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!"
He chortled in his joy.
'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.
The Tiger by William Blake [w/ Audio]
Tiger, tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder and what art Could twist the sinews of thy heart? And, when thy heart began to beat, What dread hand? and what dread feet? What the hammer? What the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And watered heaven with their tears, Did he smile his work to see? Did he who made the lamb make thee? Tiger, tiger, burning bright In the forests of the night, What immortal hand or eye Dare frame thy fearful symmetry?
Five Wise Lines from The Book of Thel by William Blake
Can Wisdom be put in a silver rod? / Or Love in a golden bowl?
from Thel’s Motto
I am a watery weed, / And I am very small and love to dwell in lowly vales: / So weak the gilded butterfly scarce perches on my head. / Yet I am visited from heaven and he that smiles on all / Walks in the valley.
from Part I
Then if thou art the food of worms, O virgin of the skies, / How great thy use, how great thy blessing
from Part II
every thing that lives. / Lives not alone nor for itself
from Part II
Why cannot the Ear be closed to its own destruction? / Or the glistening Eye to the poison of a smile!
from Part IV
Five Wise Lines from Macbeth
“There’s no art to find the mind’s construction in the face.”
Duncan in Act I, Scene 4
“Bloody instructions, which, being taught, return to plague the inventor.”
Macbeth in Act I, Scene 7
“when our actions do not, our fears do make us traitors”
Wife of Macduff in Act IV, Scene 2
“Then the liars and swearers are fools, for there are liars and swearers enough to beat up the honest men and hang them up.”
Son of Macduff in Act IV, Scene 2
“Life ‘s but a walking shadow, a poor player, that struts and frets his hour upon the stage and then is heard no more. It is a tale told by an idiot, full of sound and fury signifying nothing.
Macbeth in Act V, Scene 5
Five Wise Lines from Shakespeare’s Hamlet
We fat all creatures else to fat us and we fat ourselves for maggots… a king may go a progress through the guts of a beggar.”
HamLet to Claudius in Act IV, Sc. 3
One may smile, and smile, and be a villain.
Hamlet to Queen Gertrude in Act I, Sc. 5
I could be bounded in a nutshell and count myself a king of infinite space, were it not that I have bad dreams.
Hamlet to rosencrantz & Guildenstern in Act I, sc. 2
Brevity is the soul of wit.
Polonius to claudius & gertrude in act II, sc. 2
A knavish speech sleeps in a foolish ear.
hamlet to rosencrantz in act IV, Sc. 2









