“Absolute” [Poetry Style #1] by Sikong Tu [w/ Audio]

With wear you will decay outside,
But inside resides the vital force.
Approach the Absolute through the Void:
One's strength will grow, and vim will course.
You can know the world and its Way,
Across space and time -- to the Source.
To desolation range hang dark clouds,
Air still as latitudes of the horse,
Move beyond all one knows by sight,
And gain the Center -- but not by force --
Hold onto this strength by hook or crook,
And flow the Endless by watercourse.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the first of the twenty-four poems. This poem’s Chinese title is 雄浑, and its translated titles include: “Energy – Absolute” [Giles] and “Vigorous.”

“Autumn” by Amy Lowell [w/ Audio]

All day I have watched the purple vine leaves
Fall into the water.
And now in the moonlight they still fall,
But each leaf is fringed with silver.

“Scorn not the Sonnet” by William Wordsworth [w/ Audio]

British (English) School; William Wordsworth (1770-1850) ; National Trust, Wordsworth House; http://www.artuk.org/artworks/william-wordsworth-17701850-130624
Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakespeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothed an exile's grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways, and, when a damp
Fell round the path of Milton, in his hand
The thing became a trumpet; whence he blew
Soul-animating strains -- alas, too few!

“Picking Mulberries” by Ouyang Xiu [w/ Audio]

Adrift on West Lake in a wine-laden, colorful skiff:
As flutes play fast and lutes, deftly
And a jade cup circuits swiftly,
The boat's calm rocking lulls the drunk into sleep.

Thin clouds seem to float right under the rudderless boat.
The water's blue matches the sky's,
As lake to sky and back move eyes,
"Do the clouds above match those that in the water float?"

“You know where you despise” by Alexander Pope [w/ Audio]

You know where you despise
(Tother day) my little Eyes,
Little Legs, and little Thighs,
And some things, of little Size,
You know where.

You, tis true, have fine black eyes,
Taper legs, and tempting Thighs,
Yet what more than all we prize
Is a Thing of little Size,
You know where.

“Dust of Snow” by Robert Frost [w/ Audio]

The way a crow
Shook down on me
The dust of snow
From a hemlock tree

Has given my heart
A change in mood
And saved some part
Of a day I had rued.

“Love’s Philosophy” by Percy Bysshe Shelley [w/ Audio]

The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix forever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one spirit meet and mingle.
Why not I with thine? --

See the mountains kiss high heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth
And the moonbeams kiss the sea:
What is all this sweet work worth
If thou kiss not me?

“‘Hope’ is the thing with feathers” (254) by Emily Dickinson [w/ Audio]

"Hope" is the thing with feathers --
That perches in the soul --
And sings the tune without the words --
And never stops -- at all --

And sweetest -- in the Gale -- is heard --
And sore must be the storm --
That could abash the little Bird
That kept so many warm --

I've heard it in the chillest land --
And on the strangest Sea --
Yet -- never -- in Extremity,
It asked a crumb -- of me.

“Fluid” [Poetry Style #24] by Sikong Tu [w/ Audio]

Like water spilling over rocks?
Like a bead's roll across the floor?
Cliches, they fail to tell the story,
As no doll shows life's splendor.
But the Earth' unsupported spin through space,
As the heaven's pivot and sprawl for more...
If you could find how it all began,
You'd see it'll be as it was before.
The high and bright realm of the gods
Returns to nothing and nevermore.
And if you lived ten-thousand years,
You might find yourself in days of yore.

NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twenty-fourth of the twenty-four poems. This poem has been alternately titled “The Flowing Style,” “Fluid,” “Motion,” etc. by varied translators from its Chinese title of 流动.

“The Knight’s Tomb” by Samuel Taylor Coleridge [w/ Audio]

Where is the grave of Sir Arthur O'Kellyn?
Where may the grave of that good man be? --
By the side of a spring, on the breast of Helvellyn,
Under the twigs of a young birch tree!
The oak that in summer was sweet to hear,
And rustled its leaves in the fall of the year,
And whistled and roared in the winter alone,
Is gone, -- and the birch in its stead has grown. --
The Knight's bones are dust,
And his good sword rust; --
His soul is with the saints, I trust.