empty boats
bump gunwales
in still air.
Bumping Gunwales [Haiku]
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Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakespeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothed an exile's grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways, and, when a damp
Fell round the path of Milton, in his hand
The thing became a trumpet; whence he blew
Soul-animating strains -- alas, too few!
Adrift on West Lake in a wine-laden, colorful skiff:
As flutes play fast and lutes, deftly
And a jade cup circuits swiftly,
The boat's calm rocking lulls the drunk into sleep.
Thin clouds seem to float right under the rudderless boat.
The water's blue matches the sky's,
As lake to sky and back move eyes,
"Do the clouds above match those that in the water float?"

trees judder
with spring breezes;
shadows pulse below.
The man who says to me, “Believe as I do, or God will damn thee,” will presently say, “Believe as I do, or I shall assassinate thee.”
Voltaire, in On superstition
The real voyage of discovery lies not in seeking new landscapes but in having new eyes.
Marcel proust
The translation of a poem having any depth ends by being one of two things: Either it is the expression of the translator, virtually a new poem, or it is as it were a photograph, as exact as possible, of one side of the statue.
Ezra pound
The people are of supreme importance to the ruler,
Chinese adage
food is of supreme importance to the people.
All translators face two choices: leave the reader in peace and drag the author closer, or leave the author in peace and drag the reader closer.
Friedrich schleiermacher (1768-1834)
[Referenced in Twenty-Nine GOODBYES, ed. by timothy billings]