Rhapsody on a Windy Night by T.S. Eliot [w/ Audio]

Twelve o'clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.

Half-past one,
The street lamp sputtered,
The street lamp muttered,
The street lamp said, 'Regard that woman
Who hesitates towards you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin.'

The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.

Half-past two,
The street lamp said,
'Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter.'
So the hand of a child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child's eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.

Half-past three,
The lamp sputtered,
The lamp muttered in the dark.
The lamp hummed:
'Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smoothes the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and old Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain.'
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.

The lamp said,
'Four o'clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair;
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.'

The last twist of the knife.

Crouching Tiger [Free Verse]

In a square hut -
beside a craggy pass -
lived a Crouching Tiger,
a man of spontaneity
who danced to no music,
staggered when sober,
rested in times of urgency,
& labored when there seemed
to be nothing in need of doing.

He was courted by Emperors,
but shunned them.
The only way the Emperor
could get him to visit was
to order his exile.

Night Market [Free Verse]

Rains have come & gone.

Neon red shape-shifts
across the puddles,
and sparkles on glistening
roadways.

People converge
on those rain slick streets,
expecting to be fed.

Vendors work crinkling tarps,
trying to remove them without
sloshing standing water --
working with controlled haste.

Fires are lit and dialed in.

Soon plumes of aroma
from street food delicacies
will stretch down the street:

Silently calling & bewitching.

Fugu Death [Free Verse]

What a moment!
   When you realize 
     that your lips had been more numb
     than from Szechwan peppercorns,
   and that numbness
     has slid into paralysis.

You are dying:
   death by Fugu --
     poison blowfish.

Your heart will stop.
   You will keel over,
     falling from your stool
     at the sushi counter.

A booth-dweller, 
   seeing you bounce off 
     an adjacent patron,
     wonders why you don't 
     bring your arms up to catch yourself,
     but - of course - they're dangling 
   uselessly,
     and so you land face first.

The booth-dweller cringes.
     
There's nothing to be done for you.

You had the nerve
   to try the Fugu!

But, while Fugu life is exhilarating;
   Fugu death is inglorious.

I Hear America Singing by Walt Whitman [w/ Audio]

I hear America singing, the varied carols I hear,
 Those of mechanics, each one singing his as it should be blithe and strong,
 The carpenter singing his as he measures his plank or beam,
 The mason singing his as he makes ready for work, or leaves off work,
 The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck,
 The shoemaker singing as he sits on his bench, the hatter singing as he stands,
 The wood-cutter's song, the ploughboy's on his way in the morning, or at noon intermission or at
   sundown,
 The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing,
 Each singing what belongs to him or her and none else,
 The day what belongs to the day -- at night the party of young fellows, robust, friendly,
 Singing with open mouths their strong melodious songs.

Rivers of the Dead [Free Verse]

So many cultures
make their dead
cross a river.

The Greeks' Styx.
The Hindus' Vaitarna.
The Norse Gjȍll.
The Gnostic's Hiṭpon.
The Japanese Sanzu-no-Kawa.
The Mesopotamians' Hubur.
Taoists cross Naihe Bridge --
over what (I'm not sure,
but) is probably a river.

No rest for the dead?
It seems kind of rude.

Green Fairy [Free Verse]

Bohemians
   gathered around 
   the absinthe bottles,
  the light hitting 
   the bottles shone
   a radioactive shade
   of green.

That green light
   threw blotches
  against walls &
 floors & people &
  anything else there
  was to illuminate.

The more they drank,
 the less green the mottling --
  not because the empty glass 
   was clear, &
 didn't refract, or spray green,
   but because the splotches
  turned every color --
   every color there is --
  and the colors danced
   around the increasingly 
  amorphous surfaces.

 Until, at last,
  everyone was asleep,
 and visions of Green Fairies
  danced in their dreams. 

Octopus [Free Verse]

Eight arms
seeking eight
different states
of being.

Winding sinuously
toward eight
different ends.

Wrapping opposing
limbs around
antipodal objectives,
it risks tearing
itself in twain…

but knows better.

Fish Drift [Free Verse]

With lazy mazy motion
  the fish slips through
   its watery world.

With no apparent purpose
  but to trace out a route
   through dreamland.

Jack-O-Lantern [Free Verse]

Orange orbs
   cut with fearful faces:
 Burning brightly
   - daily & nightly -
 As menacing medicine
   for the cringe-impaired,
 The ones who 
   never get scared --
 unless a banal ball,
   blazing & brainless,
(and in a manner
   all but painless)
 replaced the head
  of their town's barber.