BOOK: “How to be an Alien” by George Mikes

How to Be an Alien: A Handbook for Beginners and Advanced PupilsHow to Be an Alien: A Handbook for Beginners and Advanced Pupils by George Mikes
My rating: 5 of 5 stars

Publisher Site – Penguin

This book is hilarious… unless you’re British — in which case it probably reads like a swift kick in the crotch. Well, if you’re from continental Europe, many of the comparisons with Britian are no more favorable to Europe and are just as comically searing. But if you’re American, it’s a laugh riot. Well, except for when it delivers reminders of the absurdity of xenophobia, triggering realizations that one’s own country is in the midst of a crisis of that malady. However, the book is not primarily a rebuke of xenophobia, but rather an accounting of what immigrants to Britain find strange and unwieldy about their new country.

George Mikes, born Mikes György, was a journalist and humorist of Hungarian birth who lived most of his life in England, and it’s this experience that the author draws upon to describe of what immigrants to Britain must accustom themselves.

Among Mikes’ prolific body of writings, there are a number that take this form — humor disguised as a how-to guide. The first one that I read was How to Be God, which was his last such book. The book under review was his first and continues to be the most popular.

I’d highly recommend this book for humor readers… unless you’re British… or European… or are experiencing dread over the Pheonix-like rebirth of xenophobia in the world. If there’s any one left after that who reads in English, this is the book for you.

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“I Sing the Body Electric” [6 of 9] by Walt Whitman [w/ Audio]

The male is not less the soul nor more, he
too is in his place,
He too is all qualities, he is action and
power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and
defiance become him well,
The wildest largest passions, bliss that is
utmost, sorrow that is utmost become
him well, pride is for him,
The full-spread pride of man is calming and
excellent to the soul,
Knowledge becomes him, he likes it always,
he brings every thing to the test of
himself,
Whatever the survey, whatever the sea and
the sail he strikes soundings at last only
here,
(Where else does he strike soundings except
here?)

The man's body is sacred and the woman's
body is sacred,
No matter who it is, it is sacred -- is it the
meanest one in the laborers' gang?
Is it one of the dull-faced immigrants just
landed on the wharf?
Each belongs here or anywhere just as much
as the well-off, just as much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured
and perfect motion.)

Do you know so much yourself that you call
the meanest ignorant?
Do you suppose you have a right to a good
sight, and he or she has no right to a
sight?
Do you think matter has cohered together
from its diffuse float, and the soil is on
the surface, and water runs and
vegetation sprouts,
For you only, and not for him and her?

The New Colossus by Emma Lazarus

Not like the brazen giant of Greek fame,
 With conquering limbs astride from land to land;
 Here at our sea-washed, sunset gates shall stand
 A mighty woman with a torch, whose flame
 Is the imprisoned lightning, and her name
 Mother of Exiles. From her beacon-hand
 Glows world-wide welcome; her mild eyes command
 The air-bridged harbor that twin cities frame.
 "Keep, ancient lands, your storied pomp!" cries she
 With silent lips. "Give me your tired, your poor,
 Your huddled masses yearning to breathe free,
 The wretched refuse of your teeming shore.
 Send these, the homeless, tempest-tost to me,
 I lift my lamp beside the golden door!"

BOOK REVIEW: Home by Julio Anta

Home, Vol. 1Home, Vol. 1 by Julio Anta
My rating: 3 of 5 stars

Amazon.in Page

Out: November 23, 2021

This book starts out with a gripping premise, a single mother and her son separated at the border, the mother being deported back to Guatemala as the son makes his way to the home of his aunt in Texas. The story shows a great deal of promise in the introductory issue. Unfortunately, over the course of the volume, all of the tension that is painstakingly built up is squandered. Whenever there is a challenging and visceral circumstance a new set of random superpowers is revealed, such that by the fifth and final issue, one no longer feels the protagonist is in peril (regardless of circumstance) because it’s a given that some deus ex machina magic will come along to save the day.


What’s sad is that, other than the crippling problems of anti-climactic story, the book shows many positive attributes. It’s well drawn. The book builds characters for whom the reader is rooting. Emotion is effectively portrayed. I think if the superpowers had been introduced upfront with some understanding of limitations and “kryptonite,” there would have been potential for an enjoyable read. As it is, however, it’s exactly the opposite of what one would like – a book that gets more and more intense – as resolutions come too easily.


It’s an impassioned, if not nuanced, view of immigration issues, and – if that’s enough for you – you might be interested in checking it out.


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BOOK REVIEW: When I Walk Through that Door, I Am by Jimmy Santiago Baca

When I Walk Through That Door, I Am: An Immigrant Mother's QuestWhen I Walk Through That Door, I Am: An Immigrant Mother’s Quest by Jimmy Santiago Baca
My rating: 4 of 5 stars

Amazon page

This is a narrative poem telling the story of an El Salvadoran woman who is separated from her child after illegally immigrating to the United States. It’s quite a timely topic, but as a work of literature and a “call to arms” it could have done much better.

This poetic novella is gripping to read, but is over-the-top in spots, and that does it a disservice in two ways. First of all, it takes the reader out of the story as they may become lost in the disbelief. Secondly, it takes a work that could have been a persuasive call for change, and turns it into an angry rant. To give a prime example, at one point early in the piece, the lead character has been (gang-)raped four or five times over the course of two pages, by varied factions including US law enforcement officers. Even if one were to accept the author’s presumed premise that American federal law enforcement agents are morally equivalent to the gangs of the drug cartels (a premise not likely to be accepted by the meaty-middle of society), one is left to ignore the fact that female prisoners, once in custody, aren’t left unsupervised with male guards. I know the reader may say, but this is a technical detail in a fictitious narrative poem. However, given the way the piece is presented (discussed more below), it reads like it’s telling us a story that is meant to move us through the proposition that this is the world in which we live. But once one reads one falsity, one is left wondering whether any part of the story is reflective of reality.

The idea that this woman is exploited by every male she comes into contact with, whether they are gang members or Immigration and Customs Enforcement (ICE) agents, has poetic merit. It’s pointing out that without legal status, she is in a perpetually vulnerable state. Yet, it seems lazy and sensationalist to make all such exploitation rape. When one morally equates gangs with agents of a democratic government, one isn’t just saying that the individuals are equivalent, you are casting aspersions against the entire system of rule of law. (Because, of course, protections should be in place, and — failing them — the means to lodge complaints. And I think most would argue that both are the case.) The bigger problem, one found throughout the political spectrum in the US, is that individuals vilify each other, pretending they are being persuasive, when in reality they are just more deeply etching an “us-them” divide. By this I mean to say, one can’t tell people how vile, despicable, and evil they are, and then expect them to see your perspective.

The narrative poem is delivered in a combination of free verse and poetic prose all of which verges largely on just plain prose. That is to say, the emphasis is on telling a story and not so much on the usual core components of poetry, i.e. sound, imagery, and metaphor. (Unless some of these fictitious elements, e.g. the astounding number of rapes, are meant to be metaphorical. Then my concern would be that one risks diminishing a horrible thing, if one throws around that word as metaphor.)

This is a quick read, and, as I mentioned, it’s presented in a gripping fashion – if hyperbolically so. I suspect that it will be mostly read by a demographic determined along political lines, which is a shame. It could have been so much more.

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