As a fond mother, when the day is o'er, Leads by the hand her little child to bed, Half willing, half reluctant to be led, And leave his broken playthings on the floor, Still gazing at them through the open door, Nor wholly reassured and comforted By promises of others in their stead, Which, though more splendid, may not please him more; So Nature deals with us, and takes away Our playthings one by one, and by the hand Leads us to rest so gently, that we go Scarce knowing if we wish to go or stay, Being too full of sleep to understand How far the unknown transcends the what we know.
Skimming lightly, wheeling still, The swallows fly low Over the field in clouded days, The forest-field of Shiloh-- Over the field where April rain Solaced the parched ones stretched in pain Through the pause of night That followed the Sunday fight Around the church of Shiloh-- The church so lone, the log-built one, That echoed to many a parting groan And natural prayer Of dying foemen mingled there-- Foemen at morn, but friends at eve-- Fame or country least their care: (What like a bullet can undeceive!) But now they lie low, While over them the swallows skim, And all is hushed in Shiloh.
Grown about by Fragrant bushes, Sunken in a winding valley, Where the clear winds blow And the shadows come and go, And the cattle stand and low And the sheep bells and the linnets Sing and tinkle musically. Between the past and the future, Those two black infinities Between which our brief life Flashes a moment and goes out.
The shades of night were falling fast, As though an Alpine village passed A youth, who bore, 'mid snow and ice, A banner with the strange device, Excelsior!
His brow was sad; his eye beneath, Flashed like a falchion from its sheath, And like a silver clarion rung The accents of that unknown tongue, Excelsior!
In happy homes he saw the light Of household fires gleam warm and bright; Above, the spectral glaciers shone, And from his lips escaped the groan, Excelsior!
"Try not the Pass!" the old man said; "Dark lowers the tempest overhead, The roaring torrent is deep and wide!" And loud that clarion voice replied, Excelsior!
"Oh stay," the maiden said, "and rest Thy weary head upon this breast!" A tear stood in his bright blue eye, But still he answered, with a sigh, Excelsior!
"Beware the pine-tree's withered branch! Beware the awful avalanche!" This was the peasant's last Good-night, A voice replied, far up the height, Excelsior!
At break of day, as heavenward The pious monks of Saint Bernard Uttered the oft-repeated prayer, A voice cried through the startled air, Excelsior!
A traveller, by the faithful hound, Half-buried in the snow was found, Still grasping in his hand of ice That banner with the strange device, Excelsior!
There in the twilight cold and gray, Lifeless, but beautiful, he lay, And from the sky, serene and far, A voice fell like a falling star, Excelsior!
One may live a century -- Short span though it may be: Joys are bitterly brief And sorrows are many. You may take a wine jug On your wisteria rounds: See flowers grow to the eves As sparse rains wet the grounds. And when the wine is gone, One strolls with cane and croons. We become wizened with age; South Mount, fair through countless moons.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry (二十四诗品.) It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the twenty-third of the twenty-four poems. This poem’s Chinese title is 旷达, which has been translated as: “Illumed” [Giles,] “Big-hearted and Expansive [Barnstone and Ping,] “Expansive,” and “Open-minded.”
Strong winds ripple water; Forest trees are laid low... A bitter urge to die -- One can't come; one can't go. Ten decades flow, stream-like; Riches are cold, gray ash. Life 's a death procession -- Unless you're adept and brash, And can take up the sword To hasten the anguish... No rustling dry leaves, or Leaky roof as you languish.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a crude translation of the nineteenth of the twenty-four poems. This poem’s Chinese title is 悲慨, and it has been translated as: “Despondent,” and “Sorrowful.”
Tiger Riding for Beginners 