a pond in summer:
ducks look like wooden toys,
drifting leisurely.
Ducks Adrift [Haiku]
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One bitter winter afternoon --
Locked under skies so low and gray --
The city slowed in cold cocoon
As what verve remained slid away.
And then the clouds, they broke apart,
And frozen souls began to thaw.
But some needed not the sun's kickstart
To free themselves of winter's maw.
What was their secret? I wish I knew.
To be happy sans the skies of blue.

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes there is more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

roadside poppies
sway in unison behind
passing autos.
Forensic Psychology: A Very Short Introduction by David Canter


Best Literary Translations 2024 by Jane HirshfieldThe building blocks of everything --
Too fine to feel or see or smell --
Dance their way into hardened shapes
Via forces, invisible.
And so water flows, flowers bud,
But - also - dew evaporates.
This expansive path stretches on --
It's slow-going through dark lands.
It can't be spoken of smartly.
It can't be pondered fruitfully.
It's Early Spring green in sunlight,
Or like the snow seen by moonlight.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the fourteenth of the twenty-four poems. Translated titles vary: Giles calls it “Close Woven” and others have titled it, “Fine.”