BOOK: “The Dragon King’s Daughter” Trans. by Yang Xianyi and Gladys Yang

The Dragon King's Daughter: Ten Tang Dynasty StoriesThe Dragon King’s Daughter: Ten Tang Dynasty Stories by Gladys Yang
My rating: 5 of 5 stars

Google Book Site

This thin anthology contains ten stories from varied writers of the Tang Dynasty. The stories include a mix of speculative fiction, political fiction, and love stories — some being cross-genre pieces that mix elements of more than one of these categories.

I found a wide variation in how engaging the stories were. The best of them were quite good. The Spendthrift and the Alchemist, The White Monkey, and the titular The Dragon King’s Daughter were among my favorites. Each of those stories included a supernatural element, but also a thought-provoking premise.

If you enjoy Tang Dynasty literature and would like to try some of this golden literary age’s short fiction, this book is a quick and pleasant read.

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BOOK: “This and That” by Ryōkan [trans. by Stan Ziobro and John Slater]

This and That: Selected Short Poems of Zen Master RyokanThis and That: Selected Short Poems of Zen Master Ryokan by Ryōkan
My rating: 5 of 5 stars

Publisher Site — Monkfish Books

Release Date: March 24, 2026

This is a new selection of Ryōkan’s short poetry (haiku, tanka, and Chinese-Style poems) as translated by Stan Ziobro and John Slater. Ryōkan was a Buddhist monk who lived across the late 18th / early 19th century. These translations are evocative and present the sometimes whimsical and sometimes haunting work of Ryōkan well. While the forms are just three, i.e. haiku, tanka, and kanshi [Japanese Poetry in the Chinese Style,] the style varies, some being imagist and some being more philosophical. Being a monk, Ryōkan’s work is heavily influenced by a Buddhist worldview, as well as by philosophies that interacted with Buddhism — e.g. Taoism.

While I usually have no basis to judge a translation as translation and am left to reflect on it purely as stand-alone verse, in this case, I have enough experience reading translations of Ryōkan to have a feel for his work. I immediately recognized some of Ryōkan’s more famous poems: e.g. the one’s translated in this book as, “Poems? no way // when you see that my // poems aren’t poems // then we can talk poetry” or “Left behind by thief // bright moon // in my window” Yet, at the same time, I felt the translators left some of their own imprint on the poems, and their influence / voice resonated with me.

The book does have front matter to set the stage for readers, and there is a “Notes” section that includes useful background on the poems. I found this ancillary matter useful, but not excessively verbose or intrusive.

If you enjoy Japanese poetry or Buddhist influenced poetry, I’d highly recommend this selection.

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BOOK: “The Wanderer’s Song” by Johann Wolfgang von Goethe [trans. by John Kent]

The Wanderer's Song: Essential Poems (Pushkin Press Classics)The Wanderer’s Song: Essential Poems by Johann Wolfgang von Goethe
My rating: 4 of 5 stars

Publisher Site — Pushkin Press Classics

This is a new translation of select poems of Johann Wolfgang von Goethe. It’s a clever and varied set of poems by one of German literature’s all-time greats, a polymath of the 18th and early 19th centuries.

It can be a challenge for a general poetry reader to relate to this work. Over two hundred years since most of these poems were composed, the collection reflects a worldview quite different from that which one finds today. That said, the translations are readable and pleasant and don’t feel strained or clunky, and the collection has instances of sublimity. Having no background in German Literature, I can’t say how true the translations are to source material, but they stood solidly as poems in their own right. The book does offer a substantial introduction by the translator for individuals who are particularly interested in the German literature, translation decisions, or the life of Goethe.

I would recommend this for poetry readers, even though casual readers may find it a bit archaic. If you like the Romantic poets, and haven’t given Goethe a try, it’s well worth the time investment.

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“To a Taoist Hermit on Mt. Quanjiao” [寄全椒山中道士] by Wei Yingwu [韦应物]

Today, my office is chilly.
At once, I miss my mountain chum,
Who bound firewood in the valley,
Bringing it back to boil white stones.
I wish I could ladle some wine
To comfort on this stormy night.
But fallen leaves fill mountain hollows,
How could I find a track to follow?

This is poem #29 from the 300 Tang Poems [唐诗三百首], entitled 寄全椒山中道士. The original poem in Simplified Chinese is:

今朝郡斋冷, 忽念山中客; 
涧底束荆薪, 归来煮白石。
欲持一瓢酒, 远慰风雨夕。
落叶满空山, 何处寻行迹?

“Precept-Breaking Monk” by Ikkyū [w/ Audio]

A precept-breaking monk for eighty years --
still, I'm ashamed of Zen that ignores cause and effect.
Sickness is the result of past karma.
Now how can I honor my endless connections?

Translation by Kazuaki Tanahashi and David Schneider in: Essential Zen. 1994. HarperSanFrancisco. p. 126.

Wen Fu 12 [文赋十二] “Idiosyncrasy” by Lu Ji [陆机] [w/ Audio]

Thoughts conveyed by way of short verse
May degrade in eccentricity.
With bowed head, lonely and friendless.
Face up, vast sky where all is free.
Like one string stretched to perfect pitch,
But lacking all resonancy.

NOTES: Earlier I posted a translation by Tony Barnstone and Chou Ping, entitled A One-String Harp that was contained in The Art of Writing (Boston: Shambhala; p. 15) This, however, is my own translation. The original poem in Simplified Chinese is:

或讬言于短韵,对穷迹而孤兴。
俯寂寞而无友,仰寥廓而莫承。
譬偏弦之独张,含清唱而靡应。

“Parting” [送别] by Wang Wei [王维] [w/ Audio]

I dismount to share some booze, 
And ask the wayfarer where he goes.
Begrudgingly, and with discontent,
He says, "I'll rest up near South Mount."
He asks me to just leave him be.
White clouds cross vast skies - endlessly.

This is poem 13 in the 300 Tang Poems [唐诗三百首.] The original poem in Simplified Chinese is:

下马饮君酒, 问君何所之?
君言不得意, 归卧南山陲。
但去莫复问,白云无尽时。

“Everyone’s Journey” by Sōgi [w/ Audio]

Everyone's journey
through this world is the same,
so I won't complain.
Here on the plains of Nasu,
I place my trust in the dew.

NOTE: This translation by Sam Hamill in The Poetry of Zen (2004) Boston: Shambhala, p. 131.

“Inspired by Late Spring” by Ye Cai [w/ Audio]

Sparrows cast on my desk their shadows in pair,
And willow down falls in my inkstone here and there.
Sitting by the window, I read the Book of Change,
Not knowing when has Spring gone, I only feel strange.

Note: This is the joint translation of Xu Yuanchong and Xu Ming found in the Golden Treasury of Quatrains and Octaves (a Bilingual edition of 千家诗 “Thousands of Poems”) on which they collaborated (i.e. China Publishing Group: Beijing (2008) p. 40)

“Who says my poems are poems” by Ryōkan [w/ Audio]

Who says my poems are poems?
They aren't poems at all.

Only when you understand my poems aren't poems
Can we talk poetry.

This translation by Sam Hamill in The Poetry of Zen (2004) Boston: Shambhala, p. 159